The Tunnels (とんねるず, Tonneruzu) are an owarai duo with a long history compos… Read Full Bio ↴The Tunnels (とんねるず, Tonneruzu) are an owarai duo with a long history composed of Tokyo born Takaaki Ishibashi (石橋 貴明, Ishibashi Takaaki) and Noritake Kinashi (木梨 憲武, Kinashi Noritake). Both of them attended Teikyō High School (帝京高等学校) where Ishibashi, the taller of the two, participated in baseball, and Kinashi participated in soccer.
They originated not as a manzai duo, so much as an ippatsu gag and monomane act. During the early 80's, they became immensely popular with young Japanese audiences, appearing in several television shows, but their popularity exploded with their show The Tunnels' Thanks to Everyone (とんねるずのみなさんのおかげです, Tonneruzu no minasan no okage desu). Many times they absorbed more than 30% of nationwide television viewers, a great feat for any television show. They then turned their attention to creating music, spawning a string of hit singles that also generated massive sales and attention.
They created many words and expressions that resonated with the youth of Japan included such as moto-kare (元カレ) and moto-kano (元カノ), which are abbreviations meaning "ex-boyfriend" and "ex-girlfriend". Both phrases are still in popular use today. Also, their tendency to use inside jokes that only the show's staff would understand and laugh at created a sur-like response from the audience, inciting nervous laughter from a confused audience, while the staff laughed loudly on-mike.
Interest in the group quickly mellowed in 1990, as Tunnels took a half year vacation from the show, and U-tchan Nan-chan suddenly replaced them. They returned later saying "We are sorry to have laid the burden on U-tchan Nan-chan," but were never really accepted back by the public. As groups such as Downtown and U-tchan Nan-chan become more and more popular with young audiences, Tunnels changed their focus to talk and interview-related shows.
They originated not as a manzai duo, so much as an ippatsu gag and monomane act. During the early 80's, they became immensely popular with young Japanese audiences, appearing in several television shows, but their popularity exploded with their show The Tunnels' Thanks to Everyone (とんねるずのみなさんのおかげです, Tonneruzu no minasan no okage desu). Many times they absorbed more than 30% of nationwide television viewers, a great feat for any television show. They then turned their attention to creating music, spawning a string of hit singles that also generated massive sales and attention.
They created many words and expressions that resonated with the youth of Japan included such as moto-kare (元カレ) and moto-kano (元カノ), which are abbreviations meaning "ex-boyfriend" and "ex-girlfriend". Both phrases are still in popular use today. Also, their tendency to use inside jokes that only the show's staff would understand and laugh at created a sur-like response from the audience, inciting nervous laughter from a confused audience, while the staff laughed loudly on-mike.
Interest in the group quickly mellowed in 1990, as Tunnels took a half year vacation from the show, and U-tchan Nan-chan suddenly replaced them. They returned later saying "We are sorry to have laid the burden on U-tchan Nan-chan," but were never really accepted back by the public. As groups such as Downtown and U-tchan Nan-chan become more and more popular with young audiences, Tunnels changed their focus to talk and interview-related shows.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
nsampaladorman@gmail.com
I wanted choklet wenze zuba but I can't find it