Makihara Noriyuki (槇原 敬之) is a well-known Japanese pop singer/ songwriter, … Read Full Bio ↴Makihara Noriyuki (槇原 敬之) is a well-known Japanese pop singer/ songwriter, nicknamed "Mackey" by his fans. He was born on 18 May 1969.
Makihara was first discovered by 坂本龍一 (Ryuuichi Sakamoto) in November 1985 on his radio show, Sound Street during a segment where he played demo tapes submitted by aspiring music makers. Upon winning the Axia Music Audition '89 in March 1990 with his song "NG", he signed with Warner Music Japan and made his debut in October 1990. His first album was a moderate success, peaking at top 50 on the Oricon Weekly Album Charts. With the breakout of "Donna Toki Mo." selling more than one million copies in 1991 alone, he gained his first appearance on the NHK Kohaku Uta Gassen. Achieving his first million-seller in 1992 with "Kimi wa Boku no Takaramono" and making even more hits like "No. 1" and "SPY" into the mid-1990s, he has became one of the most popular singer-songwriters in Japan. Being arrested for possessing amphetamines in 1999, his career's success came to a standstill and despite making a comeback the subsequent year, his sales dipped and he entered a career slump. In 2003, upon writing the massive three-million-seller hit, "Sekai ni Hitotsu Dake no Hana" for SMAP, he had a second career breakout and has stayed successful ever since. He was subsequently put under arrest in 2020 for possessing stimulants but made a successful comeback in October 2021 with "Yosoro" and has recently concluded a 2-month tour around Japan for the album. Pulling through public opinion and homophobia after being forcibly exposed to having a male partner, he is currently the third best selling male solo act in Japan and has a stable and relatively big fanbase.
One could arguably compare him to Western pop stars such as Elton John, both in terms of musical ability and talent, and continued longevity despite playing to an intensely fickle industry. The two also seem to have shared something of a similar career path in terms of personal ups and downs, public scrutiny and survival through the years in spite of it all.
Makihara has managed to endure and maintain a healthy level of popularity in Japan and other nations worldwide, due to his soothing, appealing voice quality and flair for catchy melody. Not just your average manufactured pop star, real talent can be found in Mackey's work to this day.
It's interesting to note how, as the years have passed, the quality of Makihara's voice has deepened, bringing him into a soulful, velvety range that might remind one of Barry White or Luther Van Dross. Much of his music's lyrical content has revolved around the subject of romantic love, though themes of profound joy, reminiscence, gratitude and deeper spiritual aspects of the human condition have become predominant in recent years. When not more slowly paced and romantic, his tunes are bright and upbeat, and though certainly dated, even his albums from the 90's are still enjoyable and worth a listen. Remarkably, the cheesy, early 90's pop style lends an immortal charm to his early work, though he has been known to update and bring back old hits, such as "Donna Toki Mo.", which can be found currently as a B-side to his 2007 single, "Green Days."
To sum it up, Macky's an extremely good vibe, quality artist. The messages in his music are extremely positive, which only adds to the beauty of his arrangement and vocal appeal. If you haven't already, check him out! You won't be sorry.
Makihara was first discovered by 坂本龍一 (Ryuuichi Sakamoto) in November 1985 on his radio show, Sound Street during a segment where he played demo tapes submitted by aspiring music makers. Upon winning the Axia Music Audition '89 in March 1990 with his song "NG", he signed with Warner Music Japan and made his debut in October 1990. His first album was a moderate success, peaking at top 50 on the Oricon Weekly Album Charts. With the breakout of "Donna Toki Mo." selling more than one million copies in 1991 alone, he gained his first appearance on the NHK Kohaku Uta Gassen. Achieving his first million-seller in 1992 with "Kimi wa Boku no Takaramono" and making even more hits like "No. 1" and "SPY" into the mid-1990s, he has became one of the most popular singer-songwriters in Japan. Being arrested for possessing amphetamines in 1999, his career's success came to a standstill and despite making a comeback the subsequent year, his sales dipped and he entered a career slump. In 2003, upon writing the massive three-million-seller hit, "Sekai ni Hitotsu Dake no Hana" for SMAP, he had a second career breakout and has stayed successful ever since. He was subsequently put under arrest in 2020 for possessing stimulants but made a successful comeback in October 2021 with "Yosoro" and has recently concluded a 2-month tour around Japan for the album. Pulling through public opinion and homophobia after being forcibly exposed to having a male partner, he is currently the third best selling male solo act in Japan and has a stable and relatively big fanbase.
One could arguably compare him to Western pop stars such as Elton John, both in terms of musical ability and talent, and continued longevity despite playing to an intensely fickle industry. The two also seem to have shared something of a similar career path in terms of personal ups and downs, public scrutiny and survival through the years in spite of it all.
Makihara has managed to endure and maintain a healthy level of popularity in Japan and other nations worldwide, due to his soothing, appealing voice quality and flair for catchy melody. Not just your average manufactured pop star, real talent can be found in Mackey's work to this day.
It's interesting to note how, as the years have passed, the quality of Makihara's voice has deepened, bringing him into a soulful, velvety range that might remind one of Barry White or Luther Van Dross. Much of his music's lyrical content has revolved around the subject of romantic love, though themes of profound joy, reminiscence, gratitude and deeper spiritual aspects of the human condition have become predominant in recent years. When not more slowly paced and romantic, his tunes are bright and upbeat, and though certainly dated, even his albums from the 90's are still enjoyable and worth a listen. Remarkably, the cheesy, early 90's pop style lends an immortal charm to his early work, though he has been known to update and bring back old hits, such as "Donna Toki Mo.", which can be found currently as a B-side to his 2007 single, "Green Days."
To sum it up, Macky's an extremely good vibe, quality artist. The messages in his music are extremely positive, which only adds to the beauty of his arrangement and vocal appeal. If you haven't already, check him out! You won't be sorry.
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PHARMACY
槇原敬之 Lyrics
DARLING ちょっと遅れただけじゃないかよと 言いかけた僕にもう5回目だよねと 君がブロックをかけた 海沿いは渋滞続き おなかもすい…
HOME WORK 今電話を切ったばかりの 君がまたかけてきた "忘れてたごめんねだいすき そんなの わかってるよ 会えない日々が勝負を決め…
LONESOME COWBOY 原付きの鍵を探しながら バイト仲間に じゃあねと手を振る "今日はデートだろ 頑張れよ" 返事も途中で奴は かけて行く …
OCTAVERS (Will never change forever you) (Never change forever,yeah!)…
SPY おあずけになったデートに がっかりしていたけど 偶然君を見かけた なんて運命的な2人 おめかしと言うよりちょっと 変装に…
TWO MOONS 君の家の前で車をとめた 何かを待つ二人の静けさが 少し怖くて 馬鹿な冗談を 言って その場を切りぬけた Bye-Bye …
今年の冬 電気ストーブの低いノイズと 君の寝息がとける頃 そっとベッドからぬけ出して キッチンでミルクをついだ 幸せを確かめたくて…
恋はめんどくさい？ ねむれない夜があったのは覚えてる 予感だけが胸の中に すすきをゆらすよに吹いてた 独りぼっちにもなれて うまくやっていた…
東京DAYS 星空に口笛よひびけ すばらしき毎日 例えば最初に自転車に 乗れた日を覚えていれば 新しいコトをはじめるやつを だれも笑え…
花水木 最後のデートも 同じ場所で待ち合わせよう 花水木の通りの終り 線路沿いの空地で ハザード出してるよ 何かを見つけた 子供…