A.R. Kane were a 1980s and 1990s British indie band. They were primarily th… Read Full Bio ↴A.R. Kane were a 1980s and 1990s British indie band. They were primarily the A - Alex Ayuli and the R - Rudi Tambala from the East of London but were also joined by Russell Smith, bass ( also of Terminal Cheesecake, and Skullflower) and various drummers along the way.
After 2 singles on different labels and a surprise number one hit as part of M/A/R/R/S's "Pump Up the Volume", they made two ground-breaking albums that placed them precariously in the indie scene - however they preferred the term "dream pop". These albums were 69 in 1988 and i in 1989.
Hard to place in terms of genre, 69 was more consciously indie, though that's not saying much, seen by some as part of a continuum that included jimi hendrix' more spaced-out offerings, miles davis and others - musically it asked questions and opened doors that have still to be explored. 'i' was a dramatic change, clearly slicker and smoother, and covering a wide variety of styles over twenty-six tracks (ten of which were short noise interludes). "i" also spawned A.R. Kane's best-known song in "A Love From Outer Space". Both albums achieved wide critical acclaim.
Follow up album New Clear Child (1994), was not received as well, the reasons being a believed lack of coherent direction and a feeling that the ideas were merely (admittedly excellent) re hashes of works that were completed more succinctly in the earlier 2 albums.
Rudy Tambala made ambient and dub influenced music under the name Sufi. Neither is currently involved in the music industry to any great extent. Post-A.R. Kane, Alex Ayuli was (possibly still is) a museum curator in the U.S. Russell Smith still DJ's rare soul 45s in UK and Europe and earns a living as a restorer/ decorator in South West France.
After 2 singles on different labels and a surprise number one hit as part of M/A/R/R/S's "Pump Up the Volume", they made two ground-breaking albums that placed them precariously in the indie scene - however they preferred the term "dream pop". These albums were 69 in 1988 and i in 1989.
Hard to place in terms of genre, 69 was more consciously indie, though that's not saying much, seen by some as part of a continuum that included jimi hendrix' more spaced-out offerings, miles davis and others - musically it asked questions and opened doors that have still to be explored. 'i' was a dramatic change, clearly slicker and smoother, and covering a wide variety of styles over twenty-six tracks (ten of which were short noise interludes). "i" also spawned A.R. Kane's best-known song in "A Love From Outer Space". Both albums achieved wide critical acclaim.
Follow up album New Clear Child (1994), was not received as well, the reasons being a believed lack of coherent direction and a feeling that the ideas were merely (admittedly excellent) re hashes of works that were completed more succinctly in the earlier 2 albums.
Rudy Tambala made ambient and dub influenced music under the name Sufi. Neither is currently involved in the music industry to any great extent. Post-A.R. Kane, Alex Ayuli was (possibly still is) a museum curator in the U.S. Russell Smith still DJ's rare soul 45s in UK and Europe and earns a living as a restorer/ decorator in South West France.
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A.R. Kane Lyrics
A Love From Outer Space She loves me she loves me she loves me A love…
And I Say And I say Don't go away You want me You need me and I…
Baby Milk Snatcher You just unfold It's just a tumble With a little (caress), o…
Crack Up Oooh Things all over, things start up again Gotta have a (?)…
Green Hazed Daze Oh she loves me Oh she loves me not Oh she loves…
In a Circle What else can I do? Under hand and over my head It…
Miles Apart And it really doesn't matter if you break my heart Just…
Snow Joke Last night seen in the sky Silver's (?) bright we be…
Spook My head in the clouds just as the silver trip…
The Madonna Is With Child In the big rain In the big rain before we sleep, child Befo…
Up Forward ever ascending on a stairway to heaven Me and the…
Water So we head down Down the rabbit hole Yeah, I know it's…