Chelsea Joy Wolfe (born November 14, 1983 in Roseville, California, U.S.) is an American singer/songwriter and eponymous full band started in 2009 out of Los Angeles, California Her style has been described as "doom folk" and her music has been described as "a specific brand of drone-metal-art-folk."
Chelsea Joy Wolfe was born in Roseville, California, and grew up in Sacramento. She is of Norwegian and German descent. Her father was in a country band and owned a home studio. Read Full BioChelsea Joy Wolfe (born November 14, 1983 in Roseville, California, U.S.) is an American singer/songwriter and eponymous full band started in 2009 out of Los Angeles, California Her style has been described as "doom folk" and her music has been described as "a specific brand of drone-metal-art-folk."
Chelsea Joy Wolfe was born in Roseville, California, and grew up in Sacramento. She is of Norwegian and German descent. Her father was in a country band and owned a home studio. By the age of 7, she had written her first poem and by the age of 9, she had written and recorded songs which she later described as "basically Casio-based gothy R&B songs."
Inspired by the dark state of the world and the strange connection between all things, she creates a unique musical blend of goth-folk, experimental rock and spiritual realm funeral songs. With influences ranging from the great minds of Ingmar Bergman and David Lynch to Soviet and end-times literature, her songs conjure visions of other dimensions, claustrophobic echo-rooms and parking garage cathedrals.
Wolfe has recorded seven full length studio albums: The Grime and the Glow, which was released on December 28th, 2010 on limited vinyl through Brooklyn’s Pendu Sound Recordings; Ἀποκάλυψις (pronounced “Apokalypsis”), which was released as a 12” LP on August 23rd, 2011; Unknown Rooms: a Collection of Acoustic Songs, which was released on October, 2012 through Sargent House; Pain Is Beauty, out September 3rd, 2013; Abyss, which was released August 7th, 2015; and Hiss Spun, out September 22nd, 2017; Birth of Violence[7i] which was released on September 13th, 2019.
Chelsea Joy Wolfe was born in Roseville, California, and grew up in Sacramento. She is of Norwegian and German descent. Her father was in a country band and owned a home studio. Read Full BioChelsea Joy Wolfe (born November 14, 1983 in Roseville, California, U.S.) is an American singer/songwriter and eponymous full band started in 2009 out of Los Angeles, California Her style has been described as "doom folk" and her music has been described as "a specific brand of drone-metal-art-folk."
Chelsea Joy Wolfe was born in Roseville, California, and grew up in Sacramento. She is of Norwegian and German descent. Her father was in a country band and owned a home studio. By the age of 7, she had written her first poem and by the age of 9, she had written and recorded songs which she later described as "basically Casio-based gothy R&B songs."
Inspired by the dark state of the world and the strange connection between all things, she creates a unique musical blend of goth-folk, experimental rock and spiritual realm funeral songs. With influences ranging from the great minds of Ingmar Bergman and David Lynch to Soviet and end-times literature, her songs conjure visions of other dimensions, claustrophobic echo-rooms and parking garage cathedrals.
Wolfe has recorded seven full length studio albums: The Grime and the Glow, which was released on December 28th, 2010 on limited vinyl through Brooklyn’s Pendu Sound Recordings; Ἀποκάλυψις (pronounced “Apokalypsis”), which was released as a 12” LP on August 23rd, 2011; Unknown Rooms: a Collection of Acoustic Songs, which was released on October, 2012 through Sargent House; Pain Is Beauty, out September 3rd, 2013; Abyss, which was released August 7th, 2015; and Hiss Spun, out September 22nd, 2017; Birth of Violence[7i] which was released on September 13th, 2019.
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Flatlands
Chelsea Wolfe Lyrics
I want flatlands
I never cared about money and all its friends
I want flatlands
I want flatlands
I don't want precious stones
I never cared about anything you've ever owned
I want flatlands
I want simplicity
I need your arms wrapped hard around me
I want open plains and scattered trees
I want flower fields
I want salty seas
I want flatlands soft and steady breeze
bringing scents of lined-up orchard trees
dripping heavy with pears and dancing leaves
I want flatlands
will you go there with me
when it's said in the dark and you know it's always there
when it's dead in our heart but your mind is unafraid
when it's said in the dark and you know it's never coming back
when it's there in your heart in your mind you set it free
Contributed by Chloe S. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
Jess E
I want flatlands
I never cared about money and all its friends
I want flatlands
I want flatlands
I don't want precious stones
I never cared about anything you've ever owned
I want flatlands
I want simplicity
I need your arms wrapped hard around me
I want open plains and scattered trees
I want flower fields
I want salty seas
I want flatlands soft and steady breeze
Bringing scents of lined-up orchard trees
Dripping heavy with pears and dancing leaves
I want flatlands
Will you go there with me
When it's said in the dark and you know it's always there
When it's dead in our heart but your mind is unafraid
When it's said in the dark and you know it's never coming back
When it's there in your heart in your mind you set it free
susan choi
this song has saved me many mornings.
Riddickisawesome101
@christofyre would you be able to elaborate on what you mean by that? I only know a couple of her songs
christofyre
All of Chelsea’s music has this ability. She understands things that few others do.
Susana M
it has saved me constantly as well, I'm glad it heals others 💚
PigsAreBrutal
Wow, this version is gorgeous. The violins make it.
mikol58
No. The violins help it. As was intended.
zny
Leo Luna yes there is, she's playing slower
Jose Mercado
this one is a bit slower
Leo Luna
This live version is an exact recreation of the recorded version, though, so it hardly counts as "two versions". I listened to the recorded version right after this and there's no difference.
Keimpe J. Visser
+Peter Hanlon so that's already two versions