Cliff Martinez (born February 5, 1954) is an American musician and composer… Read Full Bio ↴Cliff Martinez (born February 5, 1954) is an American musician and composer. Early in his career, Martinez was known as a drummer notably with the Red Hot Chili Peppers and Captain Beefheart. Since the 1990s he has worked primarily as a film score composer, writing music for Sex, Lies, and Videotape, Drive, Only God Forgives, The Neon Demon, Spring Breakers, Contagion, Solaris, The Foreigner, and Traffic.
Martinez was born in the Bronx, New York. Raised in Columbus, Ohio, his first job composing was for the popular television show Pee Wee's Playhouse. At the time, however, he was more interested in rock bands, and played drums in a variety of them, mostly in a temporary capacity.
After several years drumming for such acts as Captain Beefheart, The Dickies, Lydia Lunch and The Weirdos, in late 1983, he and Jack Sherman were drafted in to join the Red Hot Chili Peppers for the recording of their eponymous first album after Jack Irons and Hillel Slovak left the band to concentrate on their other project at the time, What Is This? Martinez again played on the recording of the band's second album Freaky Styley and its subsequent tour.
Eventually, Martinez' interests shifted and he focused his attention toward film scoring. A tape Martinez had put together using new technologies made its rounds, leading him to score an episode of Pee-Wee's Playhouse. The same recording also ended up in Steven Soderbergh's hands and Martinez was hired to score the famed director's first theatrical release, 1989's sex, lies, and videotape.[citation needed] Martinez's longstanding relationship with Soderbergh has continued through the years and they have worked together on ten theatrical releases including Kafka, The Limey, Traffic, Solaris and 2011's Contagion, as well the Cinemax series The Knick.
Perhaps it is because of his time in the punk scene that Martinez's approach to scoring is nontraditional.[citation needed] His scores tend towards being stark and sparse, utilizing a modern tonal palette to paint the backdrop for films that are often dark, psychological stories like Pump Up the Volume (1990), The Limey (1999) Wonderland (2003), Wicker Park (2004) and Drive (2011). Martinez has been nominated for a Grammy Award (Steven Soderbergh's Traffic), a Cesar Award (Xavier Giannoli's À L'origine), and a Broadcast Film Critics Award (Drive). He earned a Robert Award (Danish Academy Award) for his work on Only God Forgives.
Martinez's use of audio manipulations, particularly for percussive sounds, has been evolving through the years and is evident[citation needed] by the hammered dulcimer of Kafka (1991), the gray-areas between sound design and score for Traffic (2000), the steel drums and textures of Solaris (2002), what Martinez called "rhythmi-tizing pitched, ambient textures" of Narc (2002), and "using percussion performances to trigger and shape the rhythmic and tonal characteristics of those ambient textures," as he described his score for 2011's The Lincoln Lawyer.
Martinez served as a juror for the 2012 Sundance Film Festival and served on the International Feature nominating committee for 2011 Film Independent Spirit Awards. Martinez's recent films include Robert Redford's The Company You Keep, Nicholas Jarecki's Arbitrage, Harmony Korine's Spring Breakers (co-composed with Skrillex), and Nicolas Winding Refn's Only God Forgives and The Neon Demon.
Martinez composed the main menu titled "Galaxy Theme" for Spore with Brian Eno in 2008. In 2014, Martinez also composed the title score for Far Cry 4.
In 2013, Martinez scored the "Fly Beyond" Grey Goose vodka commercial. Martinez also composed two songs, "Vibe" and "Kotopulse", for the 2014 Lincoln Motor Company advertising campaign featuring Matthew McConaughey.
On April 14, 2012, Martinez was inducted into the Rock and Roll Hall of Fame as a member of the Red Hot Chili Peppers.
Martinez was born in the Bronx, New York. Raised in Columbus, Ohio, his first job composing was for the popular television show Pee Wee's Playhouse. At the time, however, he was more interested in rock bands, and played drums in a variety of them, mostly in a temporary capacity.
After several years drumming for such acts as Captain Beefheart, The Dickies, Lydia Lunch and The Weirdos, in late 1983, he and Jack Sherman were drafted in to join the Red Hot Chili Peppers for the recording of their eponymous first album after Jack Irons and Hillel Slovak left the band to concentrate on their other project at the time, What Is This? Martinez again played on the recording of the band's second album Freaky Styley and its subsequent tour.
Eventually, Martinez' interests shifted and he focused his attention toward film scoring. A tape Martinez had put together using new technologies made its rounds, leading him to score an episode of Pee-Wee's Playhouse. The same recording also ended up in Steven Soderbergh's hands and Martinez was hired to score the famed director's first theatrical release, 1989's sex, lies, and videotape.[citation needed] Martinez's longstanding relationship with Soderbergh has continued through the years and they have worked together on ten theatrical releases including Kafka, The Limey, Traffic, Solaris and 2011's Contagion, as well the Cinemax series The Knick.
Perhaps it is because of his time in the punk scene that Martinez's approach to scoring is nontraditional.[citation needed] His scores tend towards being stark and sparse, utilizing a modern tonal palette to paint the backdrop for films that are often dark, psychological stories like Pump Up the Volume (1990), The Limey (1999) Wonderland (2003), Wicker Park (2004) and Drive (2011). Martinez has been nominated for a Grammy Award (Steven Soderbergh's Traffic), a Cesar Award (Xavier Giannoli's À L'origine), and a Broadcast Film Critics Award (Drive). He earned a Robert Award (Danish Academy Award) for his work on Only God Forgives.
Martinez's use of audio manipulations, particularly for percussive sounds, has been evolving through the years and is evident[citation needed] by the hammered dulcimer of Kafka (1991), the gray-areas between sound design and score for Traffic (2000), the steel drums and textures of Solaris (2002), what Martinez called "rhythmi-tizing pitched, ambient textures" of Narc (2002), and "using percussion performances to trigger and shape the rhythmic and tonal characteristics of those ambient textures," as he described his score for 2011's The Lincoln Lawyer.
Martinez served as a juror for the 2012 Sundance Film Festival and served on the International Feature nominating committee for 2011 Film Independent Spirit Awards. Martinez's recent films include Robert Redford's The Company You Keep, Nicholas Jarecki's Arbitrage, Harmony Korine's Spring Breakers (co-composed with Skrillex), and Nicolas Winding Refn's Only God Forgives and The Neon Demon.
Martinez composed the main menu titled "Galaxy Theme" for Spore with Brian Eno in 2008. In 2014, Martinez also composed the title score for Far Cry 4.
In 2013, Martinez scored the "Fly Beyond" Grey Goose vodka commercial. Martinez also composed two songs, "Vibe" and "Kotopulse", for the 2014 Lincoln Motor Company advertising campaign featuring Matthew McConaughey.
On April 14, 2012, Martinez was inducted into the Rock and Roll Hall of Fame as a member of the Red Hot Chili Peppers.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
JJ
on Won't Get Fooled Again - Original Album Version
It was Racist
Philip Kassabian
on Anyway, Anyhow, Anywhere
The Who have so many great songs it's difficult to even describe.
Philip Kassabian
on See Me, Feel Me
Yet another excellent song by The Who one of the best bands of the 1960's.
Philip Kassabian
on I Can't Explain
A really good song by The Who.
Philip Kassabian
on I Can See for Miles
A song that definitely gets stuck in your head.
Philip Kassabian
on My Generation
An amazing song by The Who.