Space Oddity | David Bowie Lyrics, Song Meanings, Videos, Full Albums & Bios

Space Oddity
by David Bowie

Ground Control to Major Tom
Ground Control to Major Tom
Take your protein pills and put your helmet on
Ground Control to Major Tom (ten, nine, eight, seven, six)
Commencing countdown, engines on (five, four, three)
Check ignition and may God's love be with you (two, one, liftoff)

This is Ground Control to Major Tom
You've really made the grade
And the papers want to know whose shirts you wear
Now it's time to leave the capsule if you dare
"This is Major Tom to Ground Control
I'm stepping through the door
And I'm floating in a most peculiar way
And the stars look very different today
For here
Am I sitting in a tin can
Far above the world
Planet Earth is blue
And there's nothing I can do

Though I'm past one hundred thousand miles
I'm feeling very still
And I think my spaceship knows which way to go
Tell my wife I love her very much she knows
Ground Control to Major Tom
Your circuit's dead, there's something wrong
Can you hear me, Major Tom?
Can you hear me, Major Tom?
Can you hear me, Major Tom?
Can you "Here am I floating 'round my tin can
Far above the moon
Planet Earth is blue
And there's nothing I can do"

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Space Oddity is the second studio album by David Bowie. Originally released as a self-titled album in the UK and as Man of Words/Man of Music in the US in 1969, it was later renamed to Space Oddity with the album's reissue in 1972 following the release of The Rise and Fall of Ziggy Stardust and the Spiders from Mars.

Regarding its mix of folk, balladry and prog rock, NME editors Roy Carr and Charles Shaar Murray have said, "Some of it belonged in '67 and some of it in '72, but in 1969 it all seemed vastly incongruous. Read Full BioSpace Oddity is the second studio album by David Bowie. Originally released as a self-titled album in the UK and as Man of Words/Man of Music in the US in 1969, it was later renamed to Space Oddity with the album's reissue in 1972 following the release of The Rise and Fall of Ziggy Stardust and the Spiders from Mars.

Regarding its mix of folk, balladry and prog rock, NME editors Roy Carr and Charles Shaar Murray have said, "Some of it belonged in '67 and some of it in '72, but in 1969 it all seemed vastly incongruous. Basically, David Bowie can be viewed in retrospect as all that Bowie had been and a little of what he would become, all jumbled up and fighting for control..."