“Project created in November 1998, for the CNMAT in Berkeley, and David Wes… Read Full Bio ↴“Project created in November 1998, for the CNMAT in Berkeley, and David Wessel, its director. First ‘Île sonante’ refers to...
But the title also seemed quite suited to the location, hung on the side of a hill treached by a footbridge. Michel Chion kindly allowed me to co-use this title. I want to thank him for that.
Then it became ‘re-sonante’, as an evidence from the process of elaboration, a return to analogical sound sources, after a long and failed attempt to convert them into MIDI and other digital formats.
Thanks to Gérard Pape for proposing the restoration of the Serge Modular, and to David Jisse for welcoming it in his studio. The hours spent with the Serge, such a magnificent instrument, brought me back a few decades, when I first discovered the ARP. I was thus able to try to combine the qualities of these two instruments among the best of their generation, their age being approximately the same...
‘Re-sonante’ also refers to the making of this piece, a very classical construction, in which the first part would be reflected in the central part, which would be like the mirror of a lake, from which the third part would emerge, both from its depths and reflection.
I would like to thank the staff at the CCMIX and la Muse en Circuit, for welcoming me; especially Stéphane Kim who was able to bring the ‘beautiful Serge’ back to life, with patience and dedication, and Brian O'Reilly for his skillful and committed support in the final mix of this ‘Île re-sonante’ in the CCMIX studios.” - Eliane Radigue
But the title also seemed quite suited to the location, hung on the side of a hill treached by a footbridge. Michel Chion kindly allowed me to co-use this title. I want to thank him for that.
Then it became ‘re-sonante’, as an evidence from the process of elaboration, a return to analogical sound sources, after a long and failed attempt to convert them into MIDI and other digital formats.
Thanks to Gérard Pape for proposing the restoration of the Serge Modular, and to David Jisse for welcoming it in his studio. The hours spent with the Serge, such a magnificent instrument, brought me back a few decades, when I first discovered the ARP. I was thus able to try to combine the qualities of these two instruments among the best of their generation, their age being approximately the same...
‘Re-sonante’ also refers to the making of this piece, a very classical construction, in which the first part would be reflected in the central part, which would be like the mirror of a lake, from which the third part would emerge, both from its depths and reflection.
I would like to thank the staff at the CCMIX and la Muse en Circuit, for welcoming me; especially Stéphane Kim who was able to bring the ‘beautiful Serge’ back to life, with patience and dedication, and Brian O'Reilly for his skillful and committed support in the final mix of this ‘Île re-sonante’ in the CCMIX studios.” - Eliane Radigue
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