Elk City is an American art-pop band from New York City, New York, formed i… Read Full Bio ↴Elk City is an American art-pop band from New York City, New York, formed in 1997 as a spin-off of Melting Hopefuls. The original lineup consisted of Renee LoBue, Ray Ketchem and Peter Langland-Hassan. With that lineup the band released two albums, "Status" (in 2000) and "Hold Tight the Ropes" (in 2002). After the second album, Langland-Hassan left the band, which led to the inclusion of Sean Eden and Barbara Endes. They released New Believers in 2007 under the new lineup, and it was followed by House of Tongues in 2010.
With House of Tongues, New York's Elk City re-invent the seductive sophistication of 1970's FM radio pop - but never shy away from their formidable rock power.
The striking blend of rock, folk, soul and jazz on their newest release separates Elk City from their peers in terms of ambition and expertise. Not since the brilliant American Music Club has a popular band so fully metabolized this range of influences to such masterful effect. The band shows its strength with elegance and ease on House of Tongues.
Singer Renée LoBue's muscular pipes are ripped and ready to carry the torch. Her melodic songwriting filled with a bracing, confessional vulnerability. LoBue possesses one of her generations most versatile and distinctive voices, alongside the likes of Regina Spektor and The National's Matt Berninger. Her songs are a veritable transit rail from the intoxications of 1960's Bay Area psychedelia to the smoky Parisian outposts which might once have hosted Nina Simone.
LoBue is well-matched with guitarist Sean Eden, who joined Elk City soon after the break-up of the legendary Luna. Eden's performance on House of Tongues may well constitute his finest on record. Certainly his identity as a player has never been cast in bolder relief. Eden expresses and withholds his playing in a manner perfectly reflecting the hope and anxiety of LoBue's lyrics. His playing is conversationally forthcoming yet willfully oblique. Eden extracts reservoirs of emotion from tracks like "Jerks On Ice" and he tears the cover off the closing moments of "Wire Goats" - a galvanic piece recalling mid-period David Bowie, with a vocal turn from LoBue evoking the effervescent readings of Brian Ferry.
Producer/drummer Ray Ketchem's agile focus crops in on LoBue and Eden but is perfectly vignetted by new keyboardist, Carl Baggaley. Baggaley's facile transition from barnstorming barrelhouse rhythm playing to sophisticated, jazz informed digressions expands Elk City's already impressive range. In addition, Ketchem's propulsive drumming provides the drive for tracks like "Real Low Riders", which evolves from a minor key verse ala Sonic Youth into a major rave up befitting the best of Blondie.
The international-timeline song "Nine O'Clock In France" finds LoBue dreaming of a night out in Paris from a very New York perspective. "Revelry won't wait!", exclaims LoBue on the track, and you'll want to join her for cocktails as the chorus unfolds.
The conspicuous cover art for House of Tongues was created by American contemporary artist Brian Dettmer. Using a Harper's Dictionary of Classical Literature and Antiquities from 1937, Dettmer sculpted his unique interpretation of the splendorous architecture of Elk City's music.
House of Tongues is indeed an act of architecture, each song building on the next with a runaway momentum culminating, finally, in one of music's great catharses. If there is a central moment, it would be "The Onion", a song which finds LoBue reading along with the famous lampoon as she simultaneously strips away the layers of artifice from her being. "I finally have the courage to look into the mirror and stand up for my life..."
And here, over the course of five minutes and 37 seconds, a seminal artist reveals her essence and her brilliance, abetted by great band at the peak of their power.
http://elkcity.net
With House of Tongues, New York's Elk City re-invent the seductive sophistication of 1970's FM radio pop - but never shy away from their formidable rock power.
The striking blend of rock, folk, soul and jazz on their newest release separates Elk City from their peers in terms of ambition and expertise. Not since the brilliant American Music Club has a popular band so fully metabolized this range of influences to such masterful effect. The band shows its strength with elegance and ease on House of Tongues.
Singer Renée LoBue's muscular pipes are ripped and ready to carry the torch. Her melodic songwriting filled with a bracing, confessional vulnerability. LoBue possesses one of her generations most versatile and distinctive voices, alongside the likes of Regina Spektor and The National's Matt Berninger. Her songs are a veritable transit rail from the intoxications of 1960's Bay Area psychedelia to the smoky Parisian outposts which might once have hosted Nina Simone.
LoBue is well-matched with guitarist Sean Eden, who joined Elk City soon after the break-up of the legendary Luna. Eden's performance on House of Tongues may well constitute his finest on record. Certainly his identity as a player has never been cast in bolder relief. Eden expresses and withholds his playing in a manner perfectly reflecting the hope and anxiety of LoBue's lyrics. His playing is conversationally forthcoming yet willfully oblique. Eden extracts reservoirs of emotion from tracks like "Jerks On Ice" and he tears the cover off the closing moments of "Wire Goats" - a galvanic piece recalling mid-period David Bowie, with a vocal turn from LoBue evoking the effervescent readings of Brian Ferry.
Producer/drummer Ray Ketchem's agile focus crops in on LoBue and Eden but is perfectly vignetted by new keyboardist, Carl Baggaley. Baggaley's facile transition from barnstorming barrelhouse rhythm playing to sophisticated, jazz informed digressions expands Elk City's already impressive range. In addition, Ketchem's propulsive drumming provides the drive for tracks like "Real Low Riders", which evolves from a minor key verse ala Sonic Youth into a major rave up befitting the best of Blondie.
The international-timeline song "Nine O'Clock In France" finds LoBue dreaming of a night out in Paris from a very New York perspective. "Revelry won't wait!", exclaims LoBue on the track, and you'll want to join her for cocktails as the chorus unfolds.
The conspicuous cover art for House of Tongues was created by American contemporary artist Brian Dettmer. Using a Harper's Dictionary of Classical Literature and Antiquities from 1937, Dettmer sculpted his unique interpretation of the splendorous architecture of Elk City's music.
House of Tongues is indeed an act of architecture, each song building on the next with a runaway momentum culminating, finally, in one of music's great catharses. If there is a central moment, it would be "The Onion", a song which finds LoBue reading along with the famous lampoon as she simultaneously strips away the layers of artifice from her being. "I finally have the courage to look into the mirror and stand up for my life..."
And here, over the course of five minutes and 37 seconds, a seminal artist reveals her essence and her brilliance, abetted by great band at the peak of their power.
http://elkcity.net
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Elk City Lyrics
Cherries In The Snow Cherries in the snow. Cherries when you blow. Don't whithe…
Little Brother Little brother, how you hide under the covers when you…
Los Cruzados Oh, they ascend. Oh, they ascend. How they go, and How th…
Magic Door Let's not say it's over. Let's not bid adieu. One and one…
Melody When I'm driving all alone. When I'm talking on the phone. …
My Type Of Criminal My type of criminal. You're my type of criminal. You don't…
Nighttime Nighttime is so beautiful. Nighttime is so promising. Turn…
Silver Lawyers All the waiting and all the wading in all this…
Totally Free Got no money. Got no money, and it's so sad. Go out…
White Walls Oh, when you stare at these white walls, they're not…
You Got Me Don't need a spotlight in a crowded room. Just hear the…