Elvis Presley (released in the UK as Elvis Presley Rock n' Roll) is the debut album by American rock and roll singer Elvis Presley. It was released on RCA Victor, catalog number LPM-1254, in March 1956. The recording sessions took place on January 10 and January 11 at the RCA Victor recording studios in Nashville, Tennessee, and on January 30 and January 31 at the RCA Victor studios in New York. Additional material originated from sessions at Sun Studio in Memphis, Tennessee, on July 5, August 19 and September 10 of 1954, and on July 11, 1955. The album spent Read Full BioElvis Presley (released in the UK as Elvis Presley Rock n' Roll) is the debut album by American rock and roll singer Elvis Presley. It was released on RCA Victor, catalog number LPM-1254, in March 1956. The recording sessions took place on January 10 and January 11 at the RCA Victor recording studios in Nashville, Tennessee, and on January 30 and January 31 at the RCA Victor studios in New York. Additional material originated from sessions at Sun Studio in Memphis, Tennessee, on July 5, August 19 and September 10 of 1954, and on July 11, 1955.
The album spent ten weeks at number one on the Billboard Top Pop Albums chart in 1956, the first rock and roll album ever to make it to the top of the charts, and the first million-selling album of that genre. In 2003, it was ranked number 56 on Rolling Stone magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list. Elvis Presley was also one of three Presley albums to receive accolades in the reference book 1001 Albums You Must Hear Before You Die, the others being Elvis Is Back! and From Elvis in Memphis. It was certified Gold on November 1, 1966 and Platinum on August 8, 2011 by the Recording Industry Association of America.
The original 1956 UK release called Rock n' Roll on HMV Catalog Number: CLP 1093 has six different tracks.
By the second half of 1955, singles on Sun Records by Presley began making the national country and western singles chart, "Baby Let's Play House" and "I Forgot to Remember to Forget" going to number 5 and number 1 respectively. Colonel Tom Parker, the new manager of Presley, had extensive dealings with RCA through his previous client, singer Eddy Arnold, especially with the head of the Country and Western and Rhythm and blues division, Steve Sholes. At the urging of Parker, on November 21, 1955, Sholes bought Presley's contract from Sam Phillips, the head of Sun Records and Studio, for the unprecedented sum of $35,000 (approximately $318,500 in 2017 dollars). Presley and rock and roll were still untested properties for the major labels in the music business, but this album, along with the number one single "Heartbreak Hotel", proved the selling power of both: it was the first RCA Victor pop album to earn more than $1,000,000, and in 1956 it had sold over one million units.
Presley made appearances in four consecutive weeks on the Dorsey Brothers television program Stage Show in early 1956, on January 28, February 4, February 11, and February 18. RCA wanted an album in the stores fast to capitalize both on the nationwide TV exposure and the success of his first hit single on the pop charts with "Heartbreak Hotel", swiftly climbing to the top after its release on January 27. At the same time, there had only been two series of Presley recording sessions for RCA Victor by the end of the Dorsey stint, after which Presley and his band were back on the road. Those two sessions yielded an additional eleven tracks, almost enough to fill an entire LP, although some tracks had singles potential. In the 1950s, general practice dictated tracks having greater commercial potential to be released as singles, with tracks of lesser appeal placed on albums; as such, RCA Victor neither took all eleven tracks and simply made an album, nor placed the already released and briskly-selling "Heartbreak Hotel" on it. The rights to the Sun Studio tapes had transferred to RCA Victor with the sale of his contract, so five previously unreleased Sun songs, "I Love You Because", "Just Because", "Tryin' to Get to You", "I'll Never Let You Go (Little Darlin')", and "Blue Moon" were added to seven of the RCA Victor sessions tracks to bring the running time of the album up to an acceptable length. Phillips produced the sessions at Sun, and no producer was officially listed for the RCA Victor sessions, leading to the belief that Presley himself produced them.
As the Sun tracks were mostly country-styled, Elvis and RCA Victor leavened the selections with covers of recent rhythm and blues songs. Two of these, "Money Honey" by Jesse Stone, known to Elvis from a version by Clyde McPhatter, and Ray Charles' 1955 hit "I Got a Woman", had been in Presley's live act for a year. A third was the frenetic announcement to the world of the existence of Little Richard in 1955, "Tutti Frutti". A rockabilly number that was believed to be a potential hit and could hold its own with the R&B material, "Blue Suede Shoes", was not initially released as a single from a promise by Sholes to Sam Phillips to protect the career of another Sun artist, Carl Perkins, the author of the song. Instead, it was diverted into being the opening track on the album.
On August 31, 1956, RCA Victor took the unusual step of releasing the entire album as singles, which undoubtedly kept the new single released simultaneously, "Shake, Rattle and Roll" backed with "Lawdy Miss Clawdy," from reaching the charts. However, "Blue Suede Shoes", released in single form as a part of this experiment by RCA Victor, kept the promise to Phillips and Perkins by waiting over eight months since the song's release on Sun and made it to number 20 on the singles chart.
The cover is ranked number 40 on Rolling Stone's list of the 100 greatest album covers, published in 1991. The iconic photograph of Elvis was taken at the Fort Homer Hesterly Armory in Tampa, Florida, on July 31, 1955. Initially, it was thought that Popsie Randolph took the image featured on the front cover, since the album only credited one photographer. However, in August 2002, Joseph A. Tunzi documented that the actual photographer was William V. "Red" Robertson of Robertson & Fresch. The Popsie credit attributed to the album only applied to a series of photos featured on the back cover, taken in New York City in early December 1955, shortly after Presley had signed with RCA Victor. Tunzi was quoted in the Tampa Tribune as saying, "Forget about Popsie. Popsie did not take that photo."
The graphic and photo were also used on an EP and a double-EP comprising songs from this album, also released in March 1956.
The design was echoed by The Clash for the front of their 1979 album London Calling; that cover is number 39 on the Rolling Stone list of 100 greatest album covers noted previously. Other acts of cover homage include F-Punk by Big Audio Dynamite in 1995 and Reintarnation in 2006 by k.d. lang, Rise Up by Sir Cliff Richard in 2018 and Chumbawamba's controversial single "Tony Blair".
RCA first reissued the original 12 track album on compact disc in 1984. This issue, in reprocessed (fake) stereo sound, was quickly withdrawn and the disc was reissued in original monophonic. In 1999, RCA reissued the album with an altered running order, adding on six bonus tracks from three non-album singles, including the chart-toppers "Heartbreak Hotel" and "I Want You, I Need You, I Love You." In 2005, the album was reissued again, remastered using DSD technology with the six bonus tracks appended in standard fashion. A two-disc set was released on the Follow That Dream collectors label on August 15, 2006, with bonus tracks and numerous alternate takes.
The album spent ten weeks at number one on the Billboard Top Pop Albums chart in 1956, the first rock and roll album ever to make it to the top of the charts, and the first million-selling album of that genre. In 2003, it was ranked number 56 on Rolling Stone magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list. Elvis Presley was also one of three Presley albums to receive accolades in the reference book 1001 Albums You Must Hear Before You Die, the others being Elvis Is Back! and From Elvis in Memphis. It was certified Gold on November 1, 1966 and Platinum on August 8, 2011 by the Recording Industry Association of America.
The original 1956 UK release called Rock n' Roll on HMV Catalog Number: CLP 1093 has six different tracks.
By the second half of 1955, singles on Sun Records by Presley began making the national country and western singles chart, "Baby Let's Play House" and "I Forgot to Remember to Forget" going to number 5 and number 1 respectively. Colonel Tom Parker, the new manager of Presley, had extensive dealings with RCA through his previous client, singer Eddy Arnold, especially with the head of the Country and Western and Rhythm and blues division, Steve Sholes. At the urging of Parker, on November 21, 1955, Sholes bought Presley's contract from Sam Phillips, the head of Sun Records and Studio, for the unprecedented sum of $35,000 (approximately $318,500 in 2017 dollars). Presley and rock and roll were still untested properties for the major labels in the music business, but this album, along with the number one single "Heartbreak Hotel", proved the selling power of both: it was the first RCA Victor pop album to earn more than $1,000,000, and in 1956 it had sold over one million units.
Presley made appearances in four consecutive weeks on the Dorsey Brothers television program Stage Show in early 1956, on January 28, February 4, February 11, and February 18. RCA wanted an album in the stores fast to capitalize both on the nationwide TV exposure and the success of his first hit single on the pop charts with "Heartbreak Hotel", swiftly climbing to the top after its release on January 27. At the same time, there had only been two series of Presley recording sessions for RCA Victor by the end of the Dorsey stint, after which Presley and his band were back on the road. Those two sessions yielded an additional eleven tracks, almost enough to fill an entire LP, although some tracks had singles potential. In the 1950s, general practice dictated tracks having greater commercial potential to be released as singles, with tracks of lesser appeal placed on albums; as such, RCA Victor neither took all eleven tracks and simply made an album, nor placed the already released and briskly-selling "Heartbreak Hotel" on it. The rights to the Sun Studio tapes had transferred to RCA Victor with the sale of his contract, so five previously unreleased Sun songs, "I Love You Because", "Just Because", "Tryin' to Get to You", "I'll Never Let You Go (Little Darlin')", and "Blue Moon" were added to seven of the RCA Victor sessions tracks to bring the running time of the album up to an acceptable length. Phillips produced the sessions at Sun, and no producer was officially listed for the RCA Victor sessions, leading to the belief that Presley himself produced them.
As the Sun tracks were mostly country-styled, Elvis and RCA Victor leavened the selections with covers of recent rhythm and blues songs. Two of these, "Money Honey" by Jesse Stone, known to Elvis from a version by Clyde McPhatter, and Ray Charles' 1955 hit "I Got a Woman", had been in Presley's live act for a year. A third was the frenetic announcement to the world of the existence of Little Richard in 1955, "Tutti Frutti". A rockabilly number that was believed to be a potential hit and could hold its own with the R&B material, "Blue Suede Shoes", was not initially released as a single from a promise by Sholes to Sam Phillips to protect the career of another Sun artist, Carl Perkins, the author of the song. Instead, it was diverted into being the opening track on the album.
On August 31, 1956, RCA Victor took the unusual step of releasing the entire album as singles, which undoubtedly kept the new single released simultaneously, "Shake, Rattle and Roll" backed with "Lawdy Miss Clawdy," from reaching the charts. However, "Blue Suede Shoes", released in single form as a part of this experiment by RCA Victor, kept the promise to Phillips and Perkins by waiting over eight months since the song's release on Sun and made it to number 20 on the singles chart.
The cover is ranked number 40 on Rolling Stone's list of the 100 greatest album covers, published in 1991. The iconic photograph of Elvis was taken at the Fort Homer Hesterly Armory in Tampa, Florida, on July 31, 1955. Initially, it was thought that Popsie Randolph took the image featured on the front cover, since the album only credited one photographer. However, in August 2002, Joseph A. Tunzi documented that the actual photographer was William V. "Red" Robertson of Robertson & Fresch. The Popsie credit attributed to the album only applied to a series of photos featured on the back cover, taken in New York City in early December 1955, shortly after Presley had signed with RCA Victor. Tunzi was quoted in the Tampa Tribune as saying, "Forget about Popsie. Popsie did not take that photo."
The graphic and photo were also used on an EP and a double-EP comprising songs from this album, also released in March 1956.
The design was echoed by The Clash for the front of their 1979 album London Calling; that cover is number 39 on the Rolling Stone list of 100 greatest album covers noted previously. Other acts of cover homage include F-Punk by Big Audio Dynamite in 1995 and Reintarnation in 2006 by k.d. lang, Rise Up by Sir Cliff Richard in 2018 and Chumbawamba's controversial single "Tony Blair".
RCA first reissued the original 12 track album on compact disc in 1984. This issue, in reprocessed (fake) stereo sound, was quickly withdrawn and the disc was reissued in original monophonic. In 1999, RCA reissued the album with an altered running order, adding on six bonus tracks from three non-album singles, including the chart-toppers "Heartbreak Hotel" and "I Want You, I Need You, I Love You." In 2005, the album was reissued again, remastered using DSD technology with the six bonus tracks appended in standard fashion. A two-disc set was released on the Follow That Dream collectors label on August 15, 2006, with bonus tracks and numerous alternate takes.
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Blue Suede Shoes
Elvis Presley Lyrics
Well it's one for the money, two for the show
Three to get ready, now go cat go
But don't you, step on my blue suede shoes
You can do anything but lay off of my blue suede shoes
You can knock me down, step in my face
Slander my name all over the place
And do anything that you want to do
But uh uh honey lay off of my shoes
And don't you step on my blue suede shoes
You can do anything but lay off of my blue suede shoes
Oh let's go cats!
You can burn my house, steal my car
Drink my liquor from an old fruit jar
Do anything that you want to do
But uh uh honey lay off of them shoes
And don't you, step on my blue suede shoes
You can do anything but lay off of my blue suede shoes
Rock!
Well it's one for the money, two for the show
Three to get ready, now go cat go
But don't you, step on my blue suede shoes
You can do anything but lay off of my blue suede shoes
Well it's blue, blue, blue suede shoes
Blue, blue, blue suede shoes yeah!
Blue, blue, blue suede shoes baby
Blue, blue, blue suede shoes
You can do anything but lay off of my blue suede shoes
Lyrics © O/B/O APRA AMCOS
Written by: Carl Perkins
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
UnknownInu
Well it's one for the money, two for the show
Three to get ready, now go cat go
But don't you, step on my blue suede shoes
You can do anything but lay off of my blue suede shoes
But you can knock me down, step in my face
Slander my name all over the place
And do anything that you want to do
But uh uh honey lay off of my shoes
And don't you step on my blue suede shoes
You can do anything but lay off of my blue suede shoes
Oh let's go cat!
But you can burn my house, steal my car
Drink my liquor from an old fruit jar
Do anything that you want to do
But uh uh honey lay off of them shoes
And don't you, step on my blue suede shoes
You can do anything but lay off of my blue suede shoes
Rock!
Well it's one for the money, two for the show
Three to get ready, now go cat go
But don't you, step on my blue suede shoes
You can do anything but lay off of my blue suede shoes
Well it's blue, blue, blue suede shoes
Blue, blue, blue suede shoes yeah
Blue, blue, blue suede shoes baby
Blue, blue, blue suede shoes
You can do anything but lay off of my blue suede shoes
Gunnsi Runnsi
In 50 years nobody will remember who Justin Bieber was, but everybody will
remember who Elvis was, because Kings never die.
Rami Nasa
@James Nuque whatever man. His songs are good too more then his hairstyle
David M
@James Nuque Just because you didn't revolutionize somethings doesn't mean you won't be remembered. No one sees Elvis and thinks: "Oh yeah that guy created rock and roll or whatever" he was just a great fun performer who had a huge fan base and that fan base is slowly but surely disappearing, same will be with justin. Its dumb for you to say that todays generation won't remember justin in 20 years when its all they listen to.
James Nuque
@David M He didn’t revolutionize anything, I’m not saying he’s not talented, but he’s not unique like Elvis who brought rock ‘n roll to the mainstream and probably the first musician to have sex appeal, Justin will never be like Michael Jackson and Elvis Presley
David M
@James Nuque biggest cap ever
Nathan. Gorman
@SSDave HDDave hey what’s. Upppp
Tábata Teobaldo
Pode passar milhares de anos Elvis sempre será o Rei . Só Clássicos.
Jefferson Jackson Silva
unico e insuperavel. infelizmente “Elvis has left the building”
Cano
at 21 years old he looks more mature than most 30 year old nowadays
Andrew Yang Fishing
Nobody can ever be able to move the way Elvis did