Fever Ray is the debut solo album from Fever Ray, an alias of Karin Dreijer of the electronic duo The Knife.
At first, it's a little difficult to determine where the Knife ends and Fever Ray begins. On paper, it's clear -- the Knife is the project of Karin Dreijer and their brother Olof, while Fever Ray is Karin with co-producers Christoffer Berg, Van Rivers, and the Subliminal Kid -- but the differences aren't as distinct when listening to Fever Ray the first few times. Read Full BioFever Ray is the debut solo album from Fever Ray, an alias of Karin Dreijer of the electronic duo The Knife.
At first, it's a little difficult to determine where the Knife ends and Fever Ray begins. On paper, it's clear -- the Knife is the project of Karin Dreijer and their brother Olof, while Fever Ray is Karin with co-producers Christoffer Berg, Van Rivers, and the Subliminal Kid -- but the differences aren't as distinct when listening to Fever Ray the first few times. Initially, the album's dark, frosty atmosphere feels like a continuation of the Knife's brilliant Silent Shout, and the oddly bouncy rhythms on songs like "Triangle Walks" and "Coconut" recall the duo's exotic-yet-frozen Nordic/Caribbean fusion. Eventually, though, Fever Ray reveals itself as far darker and more intimate than anything by the Knife. The Knife's spooky impulses are usually tempered by vivid pop instincts that Fever Ray replaces with a consistently eerie mood, particularly on "Concrete Walls," which feels like an even grimmer cousin of Silent Shout's "From Off to On." However, Fever Ray's mix of confessional lyrics and chilly, blatantly synthetic and often harsh sounds make this album as successful an electronic singer/songwriter album as Björk's Homogenic. These are some of the most alluring and disturbing songs Dreijer has been involved in making: the excellent album opener "If I Had a Heart" explores possibly inhuman need with a churning, almost subliminal synth and murky bass driving Dreijer's pitch-shifted vocals (which sound more like a different part of their psyche than a different character in the song); when their untreated voice comes in, keening "will I ever ever reach the floor?" they sound even more frail and desperate by comparison. The rest of Fever Ray follows suit, offering fragile portraits and sketches that walk the fine line between intimate and insular. Dreijer further expands on the storytelling skills they developed on Silent Shout: the characters in their songs feel even more resonant and unique, especially on "When I Grow Up," which is as fascinatingly fragmented as a child's train of thought, skipping from sentiments like "I'm very good with plants" to "I've never liked that sad look by someone who wants to be loved by you." They also have an eye for unusual details, as on "Seven"'s "November smoke/And your toes go numb." It all comes together on the haunting "Now's the Only Time I Know," where the low end of Dreijer's voice sounds especially vulnerable and the lyrics fill in just enough to be tantalizing. At times, Fever Ray threatens to become a little too mysterious, but it never sounds less than intriguing, from the layers of claps and castanets that make up the beat on "I'm Not Done" to "Keep the Streets Empty for Me"'s almost imperceptible guitars. With almost tangible textures and a striking mood of isolation and singularity, Fever Ray is a truly strange but riveting album.
Fever Ray .... vocals, engineer, mixing, producer
Christoffer Berg .... mixing
Henrik Jonsson .... mastering
Japan release (contains the Bonus Tracks) :
"if i had a heart" .... Familjin re-mix (Familjin is Johan T Karlsson) [familjin is Swedish for "The Family"]
"when i grow up" .... Van Rivers "dark sails on the horizon" mix
"if i had a heart" .... Fuck Buttons re-mix
At first, it's a little difficult to determine where the Knife ends and Fever Ray begins. On paper, it's clear -- the Knife is the project of Karin Dreijer and their brother Olof, while Fever Ray is Karin with co-producers Christoffer Berg, Van Rivers, and the Subliminal Kid -- but the differences aren't as distinct when listening to Fever Ray the first few times. Read Full BioFever Ray is the debut solo album from Fever Ray, an alias of Karin Dreijer of the electronic duo The Knife.
At first, it's a little difficult to determine where the Knife ends and Fever Ray begins. On paper, it's clear -- the Knife is the project of Karin Dreijer and their brother Olof, while Fever Ray is Karin with co-producers Christoffer Berg, Van Rivers, and the Subliminal Kid -- but the differences aren't as distinct when listening to Fever Ray the first few times. Initially, the album's dark, frosty atmosphere feels like a continuation of the Knife's brilliant Silent Shout, and the oddly bouncy rhythms on songs like "Triangle Walks" and "Coconut" recall the duo's exotic-yet-frozen Nordic/Caribbean fusion. Eventually, though, Fever Ray reveals itself as far darker and more intimate than anything by the Knife. The Knife's spooky impulses are usually tempered by vivid pop instincts that Fever Ray replaces with a consistently eerie mood, particularly on "Concrete Walls," which feels like an even grimmer cousin of Silent Shout's "From Off to On." However, Fever Ray's mix of confessional lyrics and chilly, blatantly synthetic and often harsh sounds make this album as successful an electronic singer/songwriter album as Björk's Homogenic. These are some of the most alluring and disturbing songs Dreijer has been involved in making: the excellent album opener "If I Had a Heart" explores possibly inhuman need with a churning, almost subliminal synth and murky bass driving Dreijer's pitch-shifted vocals (which sound more like a different part of their psyche than a different character in the song); when their untreated voice comes in, keening "will I ever ever reach the floor?" they sound even more frail and desperate by comparison. The rest of Fever Ray follows suit, offering fragile portraits and sketches that walk the fine line between intimate and insular. Dreijer further expands on the storytelling skills they developed on Silent Shout: the characters in their songs feel even more resonant and unique, especially on "When I Grow Up," which is as fascinatingly fragmented as a child's train of thought, skipping from sentiments like "I'm very good with plants" to "I've never liked that sad look by someone who wants to be loved by you." They also have an eye for unusual details, as on "Seven"'s "November smoke/And your toes go numb." It all comes together on the haunting "Now's the Only Time I Know," where the low end of Dreijer's voice sounds especially vulnerable and the lyrics fill in just enough to be tantalizing. At times, Fever Ray threatens to become a little too mysterious, but it never sounds less than intriguing, from the layers of claps and castanets that make up the beat on "I'm Not Done" to "Keep the Streets Empty for Me"'s almost imperceptible guitars. With almost tangible textures and a striking mood of isolation and singularity, Fever Ray is a truly strange but riveting album.
Fever Ray .... vocals, engineer, mixing, producer
Christoffer Berg .... mixing
Henrik Jonsson .... mastering
Japan release (contains the Bonus Tracks) :
"if i had a heart" .... Familjin re-mix (Familjin is Johan T Karlsson) [familjin is Swedish for "The Family"]
"when i grow up" .... Van Rivers "dark sails on the horizon" mix
"if i had a heart" .... Fuck Buttons re-mix
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If I Had a Heart
Fever Ray Lyrics
This will never end 'cause I want more
More, give me more
Give me more
This will never end 'cause I want more
More, give me more
Give me more
If I had a heart I could love you
If I had a voice I would sing
After the night when I wake up
I'll see what tomorrow brings
Ah ah, ah ah
Ah ah, ah ah
Ah ah, ah ah
If I had a voice, I would sing
Dangling feet from window frame
Will I ever ever reach the floor?
More, give me more, give me more
Crushed and filled with all I found
Underneath and inside Just to come around
More, give me more, give me more
Ah ah, ah ah
Ah ah, ah ah
Ah ah, ah ah
If I had a voice, I would sing
Lyrics © Universal Music Publishing Group
Written by: KARIN DREIJER ANDERSSON
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Hamza Boufous
This will never end 'cause I want more
More, give me more
Give me more
This will never end 'cause I want more
More, give me more
Give me more
If I had a heart I could love you
If I had a voice I would sing
After the night when I wake up
I'll see what tomorrow brings
Ah ah, ah ah
Ah ah, ah ah
Ah ah, ah ah
If I had a voice, I would sing
Dangling feet from window frame
Will I ever ever reach the floor?
More, give me more, give me more
Crushed and filled with all I found
Underneath and inside Just to come around
More, give me more, give me more
Ah ah, ah ah
Ah ah, ah ah
Ah ah, ah ah
If I had a voice, I would sing
Alexias B.
No matter who comes here from what series or movie.
The fact is that this song is just awesome !!!
Joseph Mcloughlin
Agreed
Melvin Salvador
@Barbara Edinger haha YES! I immediately recognized it! I forgot what episode but wasnât it like the end of season 1? I recognize the song from a percussion group called Pulse Percussion in their 2017 show. It goes very well
Lyndsey Greig
Best used as the Intro to Vikings, goes great with the visuals as well.
Hilma Thomas
I didn't even notice it was in sabrina. Vikings brought it my heart
david nalbandian
agree
SamBrainGotACrushă
I never Skip The Vikings intro.
Charles Smith
Same itâs one of the few intros I donât skip
ChuckWillKill428
Same
Larium62
I love you people no skip the viking introđ