Then Play On is the third studio album by blues-rock band Fleetwood Mac, re… Read Full Bio ↴Then Play On is the third studio album by blues-rock band Fleetwood Mac, recorded 1968-69 and released at September 19, 1969 by Reprise Records. t was the first of their original albums to feature Danny Kirwan and the last with Peter Green.
This Peter Green-led edition of the Mac isn't just an important transition between their initial blues-based incarnation and the mega-pop band they became, it's also their most vital, exciting version. The addition of Danny Kirwan as second guitarist and songwriter foreshadows not only the soft-rock terrain of "Bare Trees" and "Kiln House" with Christine Perfect-McVie, but also predicts Rumours. That only pertains to roughly half of the also excellent material here, though; the rest is quintessential Green. The immortal "Oh Well," with its hard-edged, thickly layered guitars and chamber-like sections, is perhaps the band's most enduring progressive composition. "Rattlesnake Shake" is another familiar number, a down-and-dirty, even-paced funk, with clean, wall-of-sound guitars. Choogling drums and Green's fiery improvisations power "Searching for Madge," perhaps Mac's most inspired work save "Green Manalishi," and leads into an unlikely symphonic interlude and the similar, lighter boogie "Fighting for Madge." A hot Afro-Cuban rhythm with beautiful guitars from Kirwan and Green on "Coming Your Way" not only defines the Mac's sound, but the rock aesthetic of the day. Of the songs with Kirwan's stamp on them, "Closing My Eyes" is a mysterious waltz love song; haunting guitars approach surf music on the instrumental "My Dream"; while "Although the Sun Is Shining" is the ultimate pre-Rumours number someone should revisit. Blues roots still crop up on the spatial, loose, Hendrix-tinged "Underway," the folky blues tale of a lesbian affair on "Like Crying," and the final outcry of the ever-poignant "Show Biz Blues," with Green moaning "do you really give a damn for me?" Then Play On is a reminder of how pervasive and powerful Green's influence was on Mac's originality and individual stance beyond his involvement. Still highly recommended and a must-buy after all these years, it remains their magnum opus.
Personnel
Peter Green – vocals, guitar, harmonica, six string bass, percussion, violoncello on "Oh Well, Pt. 2"
Danny Kirwan – vocals, guitar
John McVie – bass guitar
Mick Fleetwood – drums, percussion
Jeremy Spencer – piano on "Oh Well" (Pt. 2)
Additional uncredited personnel
Christine Perfect – piano
Sandra Elsdon – recorders on "Oh Well (Pt 2)"
This Peter Green-led edition of the Mac isn't just an important transition between their initial blues-based incarnation and the mega-pop band they became, it's also their most vital, exciting version. The addition of Danny Kirwan as second guitarist and songwriter foreshadows not only the soft-rock terrain of "Bare Trees" and "Kiln House" with Christine Perfect-McVie, but also predicts Rumours. That only pertains to roughly half of the also excellent material here, though; the rest is quintessential Green. The immortal "Oh Well," with its hard-edged, thickly layered guitars and chamber-like sections, is perhaps the band's most enduring progressive composition. "Rattlesnake Shake" is another familiar number, a down-and-dirty, even-paced funk, with clean, wall-of-sound guitars. Choogling drums and Green's fiery improvisations power "Searching for Madge," perhaps Mac's most inspired work save "Green Manalishi," and leads into an unlikely symphonic interlude and the similar, lighter boogie "Fighting for Madge." A hot Afro-Cuban rhythm with beautiful guitars from Kirwan and Green on "Coming Your Way" not only defines the Mac's sound, but the rock aesthetic of the day. Of the songs with Kirwan's stamp on them, "Closing My Eyes" is a mysterious waltz love song; haunting guitars approach surf music on the instrumental "My Dream"; while "Although the Sun Is Shining" is the ultimate pre-Rumours number someone should revisit. Blues roots still crop up on the spatial, loose, Hendrix-tinged "Underway," the folky blues tale of a lesbian affair on "Like Crying," and the final outcry of the ever-poignant "Show Biz Blues," with Green moaning "do you really give a damn for me?" Then Play On is a reminder of how pervasive and powerful Green's influence was on Mac's originality and individual stance beyond his involvement. Still highly recommended and a must-buy after all these years, it remains their magnum opus.
Personnel
Peter Green – vocals, guitar, harmonica, six string bass, percussion, violoncello on "Oh Well, Pt. 2"
Danny Kirwan – vocals, guitar
John McVie – bass guitar
Mick Fleetwood – drums, percussion
Jeremy Spencer – piano on "Oh Well" (Pt. 2)
Additional uncredited personnel
Christine Perfect – piano
Sandra Elsdon – recorders on "Oh Well (Pt 2)"
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Then Play On
Fleetwood Mac Lyrics
Although the Sun Is Shining Although the sun is shining high above There's one thing on…
Before the Beginning So many nights I lay awake Can't sleep I lay here thinkin'…
Closing My Eyes Now it's the same as before And I'm alone again With no…
Coming Your Way I've got things to do I move everyday I hope you don't…
Like Crying She's got so much blues Her best friend can't help her Her…
One Sunny Day Help me baby Help me take my blues away Help me baby Help…
Rattlesnake Shake Baby, if you got to rock I got to be your…
Show-Biz Blues Tell me anybody Now do you really give a damn for…
When You Say Something in you brought out something in me That I've never…
Without You No matter what goes wrong, you'll never be alone, baby Just…
Henri Hudson
on Tusk
Why don't you ask him if he's going to stay?
Why don't you ask him if he's going away?