Over-Nite Sensation is an album by The Mothers, released in 1973 (see 1973 in music). It was recorded in March – June 1973 at these studios: Bolic Sound in Inglewood, Whitney, in Glendale, and Paramount in Los Angeles. The album was released in both the 2-channel stereo and 4-channel quadraphonic formats. The album is considered a turning point in Zappa's career, since its approach to music is very different from what he had done before. It was a more accessible sound - his first album to go gold - with a series of relatively straightforward songs, though not without Zappa's Read Full BioOver-Nite Sensation is an album by The Mothers, released in 1973 (see 1973 in music). It was recorded in March – June 1973 at these studios: Bolic Sound in Inglewood, Whitney, in Glendale, and Paramount in Los Angeles. The album was released in both the 2-channel stereo and 4-channel quadraphonic formats.
The album is considered a turning point in Zappa's career, since its approach to music is very different from what he had done before. It was a more accessible sound - his first album to go gold - with a series of relatively straightforward songs, though not without Zappa's typical musical challenges. Zappa manages to craft in 3-to-6-minute structures complicated progressive jazz-rock arrangements, as well as some funk and other styles. The lyrics tend toward parody, being either about sex ("Dirty Love", "Camarillo Brillo", "Zomby Woof" and the paradigmatic example of "Dinah-Moe Humm") or social commentary ("I'm the Slime", a bash on TV programming) and others ("Fifty-Fifty", "Montana").
Over-Nite Sensation and the following album Apostrophe ('), recorded with the same group of musicians, are the subject of a Classic Albums series documentary from Eagle Rock Entertainment, released on DVD May 1, 2007.
Side one
"Camarillo Brillo" – 3:59
"I'm the Slime" – 3:34
"Dirty Love" – 2:58
"Fifty-Fifty" – 6:09
Side two
"Zomby Woof" – 5:10
"Dinah-Moe Humm" – 6:01
"Montana" – 6:35
Personnel:
Frank Zappa – guitar, vocals on all tracks except "Fifty-Fifty" and most of "Zomby Woof"
George Duke – synthesizer, keyboards
Bruce Fowler – trombone
Tom Fowler – bass
Ralph Humphrey – drums
Ricky Lancelotti – vocals on "Fifty-Fifty" and "Zomby Woof"
Sal Marquez – trumpet, vocals on "Dinah-Moe-Humm"
Jean-Luc Ponty – violin, baritone violin
Ian Underwood– clarinet, flute, alto saxophone, tenor saxophone
Ruth Underwood – percussion, marimba, vibraphone
Kin Vassy – vocals on "I'm the Slime", "Dinah-Moe-Humm" and "Montana"
Tina Turner and the Ikettes - Backing vocals (uncredited)
Production:
Producer: Frank Zappa
Engineers: Fred Borkgren, Steve Desper, Terry Dunavan, Barry Keene, Bob Stone
Remixing: Kerry McNabb
Digital remastering: Bernie Grundman, Bob Stone
Arranger: Frank Zappa
Technician: Paul Hof
Cover design: Ferenc Dobronyi, Cal Schenkel
Illustrations: David McMacken
The album is considered a turning point in Zappa's career, since its approach to music is very different from what he had done before. It was a more accessible sound - his first album to go gold - with a series of relatively straightforward songs, though not without Zappa's typical musical challenges. Zappa manages to craft in 3-to-6-minute structures complicated progressive jazz-rock arrangements, as well as some funk and other styles. The lyrics tend toward parody, being either about sex ("Dirty Love", "Camarillo Brillo", "Zomby Woof" and the paradigmatic example of "Dinah-Moe Humm") or social commentary ("I'm the Slime", a bash on TV programming) and others ("Fifty-Fifty", "Montana").
Over-Nite Sensation and the following album Apostrophe ('), recorded with the same group of musicians, are the subject of a Classic Albums series documentary from Eagle Rock Entertainment, released on DVD May 1, 2007.
Side one
"Camarillo Brillo" – 3:59
"I'm the Slime" – 3:34
"Dirty Love" – 2:58
"Fifty-Fifty" – 6:09
Side two
"Zomby Woof" – 5:10
"Dinah-Moe Humm" – 6:01
"Montana" – 6:35
Personnel:
Frank Zappa – guitar, vocals on all tracks except "Fifty-Fifty" and most of "Zomby Woof"
George Duke – synthesizer, keyboards
Bruce Fowler – trombone
Tom Fowler – bass
Ralph Humphrey – drums
Ricky Lancelotti – vocals on "Fifty-Fifty" and "Zomby Woof"
Sal Marquez – trumpet, vocals on "Dinah-Moe-Humm"
Jean-Luc Ponty – violin, baritone violin
Ian Underwood– clarinet, flute, alto saxophone, tenor saxophone
Ruth Underwood – percussion, marimba, vibraphone
Kin Vassy – vocals on "I'm the Slime", "Dinah-Moe-Humm" and "Montana"
Tina Turner and the Ikettes - Backing vocals (uncredited)
Production:
Producer: Frank Zappa
Engineers: Fred Borkgren, Steve Desper, Terry Dunavan, Barry Keene, Bob Stone
Remixing: Kerry McNabb
Digital remastering: Bernie Grundman, Bob Stone
Arranger: Frank Zappa
Technician: Paul Hof
Cover design: Ferenc Dobronyi, Cal Schenkel
Illustrations: David McMacken
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Camarillo Brillo
The Mothers Lyrics
She had that
Camarillo brillo
Flamin' out along her head,
I mean her Mendocino bean-o
By where some bugs had made it red
She ruled the Toads of the Short Forest
And every newt in Idaho
And every cricket who had chorused
By the bush in Buffalo
She said she was
A Magic Mama
And she could throw a mean Tarot
And carried on without a comma
That she was someone I should know
She had a snake for a pet
And an amulet
And she was breeding a dwarf
But she wasn't done yet
She had gray-green skin
A doll with a pin
I told her she was awright
But I couldn't come in
(I couldn't come in right then . . . )
And so she wandered
Trough the door-way
Just like a shadow from the tomb
She said her stereo was four-way
An' I'd just love it in her room
Well, I was born
To have adventure
So I just followed up the steps
Right past her fuming incense stencher
To where she hung her castanets
She stripped away
Her rancid poncho
An' laid out naked by the door
We did it till we were un-concho
An' it was useless any more
She had a snake for a pet
And an amulet
And she was breeding a dwarf
But she wasn't done yet
She had gray-green skin
A doll with a pin
I told her she was awright
But I couldn't come in
(actually, I was very busy then)
And so she wandered
Through the door-way
Just like a shadow from the tomb
She said her stereo was four-way
An' I'd just love it in her room
Well, I was born
To have adventure
So I just followed up the steps
Right past her fuming incense stencher
To where she hung her castanets
She said she was
A Magic Mama
And she could throw a mean Tarot
And carried on without a comma
That she was someone I should know
(Is that a real poncho . . . I mean
Is that a Mexican poncho or is that a Sears poncho?
Hmmm . . . no foolin' . . . )
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
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Foken Busker
The greatest love song of all time.
James Dub
Why isn’t this song huge? I listen to it 8 times a day alone.
Steely Fan
Not everyone get it.......we do
Darth Cannabris
Same
Dave Ryan
This is one of a kind Musician Frank Zappa............
Ray Nutter
Such a great album.
Putrid Abomination
This whole album is a masterpiece
Joe Gill
He played a mean guitar AND had a great story telling sense
Cesar Narro
Went to Sears and they were out of business so i ordered my poncho thru amazon !
Kevin Cloud
The haunting pain of healing is what I feel in the guitar and horns.