Gilles Vigneault (born 27 October 1928) is a Québécois poet, publisher and … Read Full Bio ↴Gilles Vigneault (born 27 October 1928) is a Québécois poet, publisher and singer-songwriter, and well-known Quebec nationalist and sovereigntist.
A poet deeply rooted in his native Quebec, Vigneault has become an icon at home and Quebec ambassador abroad. He was one of the principal figures of the generation of chansonniers who helped the Quebec chanson find its own identity, even while helping it find a universal dimension.
Born in Natashquan, on the far north shore of the St. Lawrence River in Quebec, he was educated in Rimouski and Quebec City.
Vigneault started writing poetry during his studies at the Seminary in Rimouski, and by the 1950s was publishing poems and writing songs. In 1959 he founded a publishing house, Les Éditions de l'Arc to distribute his publications. His first collection, Étraves was published in 1959.
In August 1960, at the request of the audience at the boîte à chansons L'Arlequin in Quebec City, he agreed to sing his earliest song: Jos Monferrand, written in 1957, which had been recorded by Jacques Labrecque in 1959. This was the beginning of his singing career which culminated in 1962, when he received the Grand prix du disque from Montreal radio station CKAC. His reputation grew in Quebec and elsewhere with the success of his song Mon Pays, from the sound track of the NFB film La neige a fondu sur la Manicouagan (1965).
In the last half of the 1960s, Vigneault started to perform outside of Quebec, notably in France, but also elsewhere in Canada, including appearances at the Mariposa Folk Festival and at Massey Hall, in Toronto.
The mid-1970s saw Vigneault's participation in several major events. On August 13, 1974 130,000 spectators came together on the Plains of Abraham for the Superfrancofête, where Vigneault participated in an historic concert alongside Félix Leclerc, a representative, in a way, of the older generation, and Robert Charlebois, of the younger generation. A highpoint of the concert was the threesome's rendition of Raymond Lévesque's powerful Quand les hommes vivront d'amour.
On June 24, 1975, during a Saint-Jean-Baptiste Day concert on Montreal's Mount Royal, Vigneault sang for the first time Gens du pays, a song which has since become a sort of anthem in Quebec.
In 1976, the Ensemble Claude Gervaise recorded an album of Vigneault's music entitled Tout l'monde est malheureux: "Claude Gervaise" Joue Vigneault.
An ardent Quebec nationalist, Vigneault was disappointed by the results of the 1980 Quebec referendum. During the 1980s he lived in France for a short time.
A poet deeply rooted in his native Quebec, Vigneault has become an icon at home and Quebec ambassador abroad. He was one of the principal figures of the generation of chansonniers who helped the Quebec chanson find its own identity, even while helping it find a universal dimension.
Born in Natashquan, on the far north shore of the St. Lawrence River in Quebec, he was educated in Rimouski and Quebec City.
Vigneault started writing poetry during his studies at the Seminary in Rimouski, and by the 1950s was publishing poems and writing songs. In 1959 he founded a publishing house, Les Éditions de l'Arc to distribute his publications. His first collection, Étraves was published in 1959.
In August 1960, at the request of the audience at the boîte à chansons L'Arlequin in Quebec City, he agreed to sing his earliest song: Jos Monferrand, written in 1957, which had been recorded by Jacques Labrecque in 1959. This was the beginning of his singing career which culminated in 1962, when he received the Grand prix du disque from Montreal radio station CKAC. His reputation grew in Quebec and elsewhere with the success of his song Mon Pays, from the sound track of the NFB film La neige a fondu sur la Manicouagan (1965).
In the last half of the 1960s, Vigneault started to perform outside of Quebec, notably in France, but also elsewhere in Canada, including appearances at the Mariposa Folk Festival and at Massey Hall, in Toronto.
The mid-1970s saw Vigneault's participation in several major events. On August 13, 1974 130,000 spectators came together on the Plains of Abraham for the Superfrancofête, where Vigneault participated in an historic concert alongside Félix Leclerc, a representative, in a way, of the older generation, and Robert Charlebois, of the younger generation. A highpoint of the concert was the threesome's rendition of Raymond Lévesque's powerful Quand les hommes vivront d'amour.
On June 24, 1975, during a Saint-Jean-Baptiste Day concert on Montreal's Mount Royal, Vigneault sang for the first time Gens du pays, a song which has since become a sort of anthem in Quebec.
In 1976, the Ensemble Claude Gervaise recorded an album of Vigneault's music entitled Tout l'monde est malheureux: "Claude Gervaise" Joue Vigneault.
An ardent Quebec nationalist, Vigneault was disappointed by the results of the 1980 Quebec referendum. During the 1980s he lived in France for a short time.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Le chant du portageur
Gilles Vigneault Lyrics
Amour est un beau langage Amour est un beau langage Me faut l’apprendre On dit que j’e…
Dans la nuit des mots Dans la nuit des mots J’ai dit de la vie De l’âme…
Il est quatre heures Il est quatre heures Le jour est gris Je n’ai pas pris…
L'odeur des feux de feuilles L’odeur des feux de feuilles Revient de loin Le vent qui les…
Le chant du portageur On n’a, pour nommer l’espace Qu’un pas qui passe De l’eau à…
Le pays que je veux faire Le pays que je veux faire est pareil à la…
Les trois chemins Par son coeur à peine entrouvert sur l’espace Une étoile a…
Les Trois Perdrix teu.nyangka... asa teu percaya cik keneh pisan... urang teh …
Monsieur ptitpas D’où c’est qu’tu viens, monsieur P’titpas Toujours en d’ssou…
On ne sait jamais On ne sait jamais qui frappe à la porte On ne…
Quand tu vas chez l'marchand I’ m’faut ça demain sans faute J’peux pas m’en passer Attent…