Hiatus Kaiyote are a 4-piece independent future soul group based in Melbourne, performing on occasion with 3 additional backing singers.
Their sound is a fusion of future beats, hip-hop and soul with subtler influences of Latin, dubstep and opera.
Since forming in mid 2011, Hiatus Kaiyote have already shared the bill with such acts as Stones Throw Record’s Taylor McFerrin, Warp legends Chris Clark and Harmonic 313 and sound genius Robin Fox, Brainfeeder’s Lapalux and oOoOO as well as playing bills at Woodford Folk Festival Read Full BioHiatus Kaiyote are a 4-piece independent future soul group based in Melbourne, performing on occasion with 3 additional backing singers.
Their sound is a fusion of future beats, hip-hop and soul with subtler influences of Latin, dubstep and opera.
Since forming in mid 2011, Hiatus Kaiyote have already shared the bill with such acts as Stones Throw Record’s Taylor McFerrin, Warp legends Chris Clark and Harmonic 313 and sound genius Robin Fox, Brainfeeder’s Lapalux and oOoOO as well as playing bills at Woodford Folk Festival, Melbourne International Jazz Festival and headlined at stage at the final The Bohemian Masquerade Ball.
Hiatus Kaiyote's chief songwriter is Nai Palm, who pens intricate compositions, rich with colour and mystery. With her unique honey-velvet voice, she is supported by three of Melbourne's finest and most versatile musician/producers. Keyboardist Simon Mavin, who has graced the stage with such bands such as Australia’s premier soul outfit The Bamboos, rock jazz freakout crew Whitesploitation, reggae masters The Red Eyes and funk heavyweights The Firemen. Paul Bender on bass, laptop and guitar is a graduate of Miami Florida's indie, experimental and improvised music scenes, but with a passion for stank-funk basslines. Drummer Perrin Moss is a powerhouse of beats both jilted and slick and an experienced MC, producer, percussionist and turntabilist and is the former frontman of ten piece Blue Mountains hip-hop band Jumbledat, Perrin has collaborated with other crews such as Thundamentals.
In their short time as a band they have fused a unique sound held together by Nai Palm's smoke drenched vocals and innovative melodies, Simon Mavin’s hands on knowledge of synthesizers, keyboards, Latin and jazz structures, Perrin Moss's slippery drum beats and soul clap rhythms and Paul Benders waterfall thumbs of bass guitar and sample wizardry.
Their first residency, held on Tuesdays at The Evelyn Hotel in Fitzroy Melbourne was extended from 4 weeks to four months due to popular demand. They sold out The Northcote Social Club for their EP launch (April 5th 2012) and received strong turnouts at Black Bear Lodge in Brisbane and Goodgod Small Club in Sydney as part of their debut tour in aid of the release.
Nai Palm - vocals, guitar, keys
Perrin Moss - drums, percussion, electronics
Paul Bender - bass, electronics
Simon Mavin - keys, synths, electronics
http://hiatuskaiyote.com/
Their sound is a fusion of future beats, hip-hop and soul with subtler influences of Latin, dubstep and opera.
Since forming in mid 2011, Hiatus Kaiyote have already shared the bill with such acts as Stones Throw Record’s Taylor McFerrin, Warp legends Chris Clark and Harmonic 313 and sound genius Robin Fox, Brainfeeder’s Lapalux and oOoOO as well as playing bills at Woodford Folk Festival Read Full BioHiatus Kaiyote are a 4-piece independent future soul group based in Melbourne, performing on occasion with 3 additional backing singers.
Their sound is a fusion of future beats, hip-hop and soul with subtler influences of Latin, dubstep and opera.
Since forming in mid 2011, Hiatus Kaiyote have already shared the bill with such acts as Stones Throw Record’s Taylor McFerrin, Warp legends Chris Clark and Harmonic 313 and sound genius Robin Fox, Brainfeeder’s Lapalux and oOoOO as well as playing bills at Woodford Folk Festival, Melbourne International Jazz Festival and headlined at stage at the final The Bohemian Masquerade Ball.
Hiatus Kaiyote's chief songwriter is Nai Palm, who pens intricate compositions, rich with colour and mystery. With her unique honey-velvet voice, she is supported by three of Melbourne's finest and most versatile musician/producers. Keyboardist Simon Mavin, who has graced the stage with such bands such as Australia’s premier soul outfit The Bamboos, rock jazz freakout crew Whitesploitation, reggae masters The Red Eyes and funk heavyweights The Firemen. Paul Bender on bass, laptop and guitar is a graduate of Miami Florida's indie, experimental and improvised music scenes, but with a passion for stank-funk basslines. Drummer Perrin Moss is a powerhouse of beats both jilted and slick and an experienced MC, producer, percussionist and turntabilist and is the former frontman of ten piece Blue Mountains hip-hop band Jumbledat, Perrin has collaborated with other crews such as Thundamentals.
In their short time as a band they have fused a unique sound held together by Nai Palm's smoke drenched vocals and innovative melodies, Simon Mavin’s hands on knowledge of synthesizers, keyboards, Latin and jazz structures, Perrin Moss's slippery drum beats and soul clap rhythms and Paul Benders waterfall thumbs of bass guitar and sample wizardry.
Their first residency, held on Tuesdays at The Evelyn Hotel in Fitzroy Melbourne was extended from 4 weeks to four months due to popular demand. They sold out The Northcote Social Club for their EP launch (April 5th 2012) and received strong turnouts at Black Bear Lodge in Brisbane and Goodgod Small Club in Sydney as part of their debut tour in aid of the release.
Nai Palm - vocals, guitar, keys
Perrin Moss - drums, percussion, electronics
Paul Bender - bass, electronics
Simon Mavin - keys, synths, electronics
http://hiatuskaiyote.com/
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By Fire
Hiatus Kaiyote Lyrics
Direct to the old Navajo by the fire
Wish we were burn your design
Suede and hawk feather entwine me to the time
Arizona in due mind
A bell that rings in the chest of story told
Meet you in this future bold
Sage at key point lead me to his funeral
A man lost young and old
Regret less the knot yes I give you the end to hold
And through darkness and earth wet I seek through the land to mould
A woman that rests night and day, sweat and tears unfold
To undress the burdens that caress the blessed I’m told
Regret less the knot yes I give you the end to hold
And through darkness and earth wet I seek through the land to mould
A woman that rests night and day, sweat and tears unfold
To undress the burdens that caress the blessed I’m told
Lyrics © O/B/O APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
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Myranda Elissa
[Verse]
Direct to the old Navajo by the fire
Wish we were burn your design
Suede and hawk feather entwine me to the time
Arizona in July
A bell that rings in the chest of story told
Meet you in this future bold
Sage at key point lead me to his funeral
A man lost young and old
[Outro] x2
Regret less the knot yes I give you the end to hold
And through darkness and earth wet I seek through the land to mould
A woman that rests night and day, sweat and tears unfold
To undress the burdens that caress the blessed I’m told
FNG
Those time signatures mess with my brain... Jesus Christ what a song, perfect.
Malik Leigh, Esq.
@SoCal Angler ok
aaronbond007
@Mikael Palm all 4/4, amazingly.
aaronbond007
@Em Hin song is straight 4/4. !! Its confusing 'til you just roll it. Genius!
Graham Smith
That was how it was in the prog rock days in the 70's.
Mikael Palm
@Woźniakowski :D you are right.. its a 4/4 feel to it.. but to me the wacky-ness comes from the bass line playing a 3+7 type of beat over the 10/8ths. thats at least how i make sens out of it... so i dont feel so lost. ... when i count like that i end up on the right place. it means that the drums start with the basdrum on the one of the 7 grouping and with the snare on the 1 of the 3-grouping. and of top of that they start with the 3-grouping... so the beat kind of starts with the drums hitting a snare..... so the one is with a snare.... right at 0:33 seconds into the beat the 3-grouping starts with tha snare..... anyhow.. sorry wfor witing a mess.. hope it makes sense.
Elijah Black
WHEN SHE SINGS THE BASS LINE OMG!!!!!!!!!!
Cassidy Mentus
Yup!
silenicakes
i've cried during that section multiple times. i can't deal - it's too bright, too beautiful.
Studio Jiggly
Nai Palm is an angel on earth