Oceanic is the second full-length album by American post-metal band Isis, r… Read Full Bio ↴Oceanic is the second full-length album by American post-metal band Isis, released on September 16, 2002 by Ipecac Recordings.
> Concept
The album reintroduces the water and female themes of past releases the Red Sea and Celestial through a story: A man at the brink of emotional numbness finds a female counterpart who completes him ("The Beginning and the End"). However, he soon finds that she has had a long-term incestuous relationship ("False Light", "Weight") with her brother ("Hym", "The Other"). This drives him to lose all hope, and he commits suicide through drowning ("from sinking sands, he stepped into light's embrace").
The entire story is described by frontman Aaron Turner in a radio interview and in more nebulous terms in the album's booklet.
It could be postulated that Walt Whitman's Leaves of Grass offered some inspiration to the band. This is present in the naturalistic theme of the album, and the fact that the title of the opening track, "The Beginning and the End", is a phrase used twice - on lines 30 and 31.
> Reception & Style
Its style marks a distinct departure from their previous sound; up until this point, Isis had been characterised by crushing, distorted guitars and a coarse, unforgiving tone. With this album came the introduction of lengthy periods of clean guitar, large amounts of ambient noise and female vocals; a notable post-rock influence, first hinted at on SGNL>05 and Celestial. This transition was retrospectively labelled by FACT's Robin Jahdi as "one of the more eye-opening musical metamorphoses of the decade"; it has been described as "seminal". As Ben Richardson notes in the San Francisco Bay Guardian, the album's release "fomented an explosion of glacial, Neurosis-inspired instrumental 'post-metal'".
As one reviewer notes, the album is in "a place somewhere between metal and hardcore and post-rock, a place where crunching guitars and hoarse, tuneless vocals and slow spaciness all converge and create something big and mean and delightful". The change of style proved trying for some long-standing fans, but beneficial in garnering a greater fanbase and the Neurosis-Godflesh comparisons began to weaken. The eschewing of sludgecore elements, and increased focus on atmospherics and post-rock elements whilst still retaining metal and hardcore elements led to the album being labelled by many as post-metal, and essentially as being the genre's progenitor. Some critics attribute it to having truly formed the genre, out of a previously nebulous definition. This leaning, in the direction of post-rock, was greeted with great critical acclaim; the presence of female vocals proved popular with many reviewers, and songs featuring those vocals are generally seen as stand-outs. Those songs include "The Beginning and the End", "Carry" and "Weight", all of which feature Maria Christopher of 27.
Oceanic was named Terrorizer's number one album of 2002, and in Drowned in Sound's "Our 66" introspective of the best albums of the past six years, it placed fifth. It was greeted with great critical acclaim from not only niche magazines, but also from popular music reviewers, such as allmusic, and Rock Sound, who also named it record of the year. In some ways, this release pushed Isis to the fore of their genre, and enabled them to branch out to new fans. Beyond yearly accolades, it ranked fourth in Decibel's "Top 100 Albums of the Decade" special issue.
Some fans and critics will point out that the album had a notable influence on the metal/post-rock scene in the years following. In 2004, Cult of Luna released Salvation; taking a similar stylistic departure from previous LPs Cult of Luna and The Beyond as Oceanic took from preceding albums SGNL>05 and Celestial. The band itself cites Isis as an influence, and a review in Terrorizer posits that Oceanic covered "fairly similar aquatic terrain" as their release Salvation. Other bands, such as Berlin's The Ocean Collective can also be said to draw on the dynamics of this album.
> Concept
The album reintroduces the water and female themes of past releases the Red Sea and Celestial through a story: A man at the brink of emotional numbness finds a female counterpart who completes him ("The Beginning and the End"). However, he soon finds that she has had a long-term incestuous relationship ("False Light", "Weight") with her brother ("Hym", "The Other"). This drives him to lose all hope, and he commits suicide through drowning ("from sinking sands, he stepped into light's embrace").
The entire story is described by frontman Aaron Turner in a radio interview and in more nebulous terms in the album's booklet.
It could be postulated that Walt Whitman's Leaves of Grass offered some inspiration to the band. This is present in the naturalistic theme of the album, and the fact that the title of the opening track, "The Beginning and the End", is a phrase used twice - on lines 30 and 31.
> Reception & Style
Its style marks a distinct departure from their previous sound; up until this point, Isis had been characterised by crushing, distorted guitars and a coarse, unforgiving tone. With this album came the introduction of lengthy periods of clean guitar, large amounts of ambient noise and female vocals; a notable post-rock influence, first hinted at on SGNL>05 and Celestial. This transition was retrospectively labelled by FACT's Robin Jahdi as "one of the more eye-opening musical metamorphoses of the decade"; it has been described as "seminal". As Ben Richardson notes in the San Francisco Bay Guardian, the album's release "fomented an explosion of glacial, Neurosis-inspired instrumental 'post-metal'".
As one reviewer notes, the album is in "a place somewhere between metal and hardcore and post-rock, a place where crunching guitars and hoarse, tuneless vocals and slow spaciness all converge and create something big and mean and delightful". The change of style proved trying for some long-standing fans, but beneficial in garnering a greater fanbase and the Neurosis-Godflesh comparisons began to weaken. The eschewing of sludgecore elements, and increased focus on atmospherics and post-rock elements whilst still retaining metal and hardcore elements led to the album being labelled by many as post-metal, and essentially as being the genre's progenitor. Some critics attribute it to having truly formed the genre, out of a previously nebulous definition. This leaning, in the direction of post-rock, was greeted with great critical acclaim; the presence of female vocals proved popular with many reviewers, and songs featuring those vocals are generally seen as stand-outs. Those songs include "The Beginning and the End", "Carry" and "Weight", all of which feature Maria Christopher of 27.
Oceanic was named Terrorizer's number one album of 2002, and in Drowned in Sound's "Our 66" introspective of the best albums of the past six years, it placed fifth. It was greeted with great critical acclaim from not only niche magazines, but also from popular music reviewers, such as allmusic, and Rock Sound, who also named it record of the year. In some ways, this release pushed Isis to the fore of their genre, and enabled them to branch out to new fans. Beyond yearly accolades, it ranked fourth in Decibel's "Top 100 Albums of the Decade" special issue.
Some fans and critics will point out that the album had a notable influence on the metal/post-rock scene in the years following. In 2004, Cult of Luna released Salvation; taking a similar stylistic departure from previous LPs Cult of Luna and The Beyond as Oceanic took from preceding albums SGNL>05 and Celestial. The band itself cites Isis as an influence, and a review in Terrorizer posits that Oceanic covered "fairly similar aquatic terrain" as their release Salvation. Other bands, such as Berlin's The Ocean Collective can also be said to draw on the dynamics of this album.
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Oceanic
Isis Lyrics
Carry And the water takes hold Fills his lungs and crushes his…
False Light Come down on me, my sweet angel Poison milk from that…
From Sinking His time there so long His fingers trace the endless walls…
Hym Love flows fears no window minds time oceanic Dissolve me H…
The Beginning and the End Long you both laid in the sun's yellow stare On the…
The Other In this secret way He knew you first And from those lips,…
Weight (...all in all in, all in a day...) (...a day it…