Generation Terrorists is the debut album by Welsh rock band Manic Street Pr… Read Full Bio ↴Generation Terrorists is the debut album by Welsh rock band Manic Street Preachers, released on 10 February 1992.
It was recorded by tracking (the band recorded each instrument separately rather than playing it as a live band and then adding the overdubs later) over a period of 23 weeks at Blackbarn Studios, near Guildford, England. Despite the whole band being credited in the album notes, vocalist James Dean Bradfield played all guitars and bass on the album. Per the producer Steve Brown's decision, most of the drum tracks on the album were recorded on a drum machine, which was programmed by Brown and the band's drummer Sean Moore.
All lyrics were written by Nicky Wire (real name Nicholas Jones) and Richey James Edwards. All music was written by James Dean Bradfield and Sean Moore (except "Damn Dog", which is a cover version of a song by the Sleez Sisters from the 1980 movie Times Square).
Describing the album's musical style, The Quietus opined "It had to sound passé, it had to be overdone; if you're trying to bulldoze the shiny edifice of western pop culture, you can't do it tastefully or with subtlety, can you? Generation Terrorists intentionally overplays its hand, overeggs its pudding and spunks its load at every turn". Pitchfork writer Joe Tangari wrote that Generation Terrorists "walked a weird line between agit-punk, cock rock, romantic melodicism and glam, and was so obviously patterned after The Clash's London Calling that it was actually kind of cute." Rolling Stone, AllMusic, PopMatters and Vanyaland labeled the album as "glam rock, hard rock, punk rock, glam punk and glam metal" respectively. Other influences on the album's sound include Guns N' Roses and New York Dolls.
The album's lyrics are politicised like that of The Clash and Public Enemy. Wire and Edwards' love of poetry is also evident in their lyrics. The album's songs regularly switch from a critical focus on global capitalism to more personal tales of despair and the struggles of youth. Examples of the more politically inspired side of Generation Terrorists include the opening track "Slash 'n' Burn", which concerns "third world exploitation", the track "Repeat (Stars and Stripes)", a remix of the band's own anti-monarchy tirade by Public Enemy production team The Bomb Squad and "Another Invented Disease", a song whose title was deliberate word play on AIDS and referred to a conspiracy theory insinuating that the virus was manufactured by American biological warfare scientists.
Other tracks combine personal and political themes, implicating a connection between global capitalism and personal struggle; "Nat West-Barclays-Midlands-Lloyds" was written as a critique of overseas banking credit policies, but also concerned Richey Edwards' issues involving overdrafts and refused loans. Marc Burrows of Drowned in Sound considered the song to be an accurate prediction of "global financial meltdown" and its effects on everyday life. The single "Motorcycle Emptiness", meanwhile, criticises consumerism as a "shallow dream" that makes human life overtly commercialised. "Little Baby Nothing", a duet between Traci Lords and Bradfield, was described by Priya Elan of the NME as a "perfect snapshot of innocence bodysnatched and twisted".
In the US, the track listing was changed, and some of the more political tracks were dropped. "Democracy Coma" was added to make up for this; it was later released as the B-side to "Love's Sweet Exile"/"Repeat", and also appeared on Lipstick Traces (A Secret History of Manic Street Preachers). In addition, four tracks on the US release ("Slash 'n' Burn", "Nat West–Barclays–Midlands–Lloyds", "Little Baby Nothing" and "You Love Us") were remixed by Michael Brauer. These same four tracks also featured live drumming from American drummer Zachary Alford and were later included on the Stars and Stripes EP in Japan.
The cover was originally intended to be Andres Serrano's Pisschrist, a Jesus figure inside a tank of blood and urine, but Sony wanted to avoid any religious controversy; also, the royalty demanded for the piece was deemed excessive. Other ideas were the Bert Stern Marilyn Monroe photographs, a sandpaper sleeve that would scratch the album itself as well as anything else that it was shelved by (an old Situationist prank, this idea was used by Guy Debord for his first book Memoires and by The Durutti Column for their first album The Return of the Durutti Column), as well as several other famous religious paintings.
The final front cover of the album was a picture of Edwards' left arm and chest. The arm had a tattoo of a rose with the words "USELESS GENERATION" underneath, which was changed to "GENERATION TERRORISTS". This was not without problems, as the original pressing had made Edwards' flesh to be bright pink as opposed to the intended mustard. The back featured a design similar to their earlier New Art Riot EP cover, a European Commission flag, though this time it was crumpled and in flames. The working title of the album was Culture, Alienation, Boredom & Despair (a lyric from the song "Little Baby Nothing").
On 5 November 2012, Generation Terrorists was re-released for its 20th anniversary. There are five editions of the re-release: the original album; a two-disc Deluxe Edition with a bonus disc of demos and a DVD of the documentary film Culture, Alienation, Boredom, Despair, about the making of the album
It was recorded by tracking (the band recorded each instrument separately rather than playing it as a live band and then adding the overdubs later) over a period of 23 weeks at Blackbarn Studios, near Guildford, England. Despite the whole band being credited in the album notes, vocalist James Dean Bradfield played all guitars and bass on the album. Per the producer Steve Brown's decision, most of the drum tracks on the album were recorded on a drum machine, which was programmed by Brown and the band's drummer Sean Moore.
All lyrics were written by Nicky Wire (real name Nicholas Jones) and Richey James Edwards. All music was written by James Dean Bradfield and Sean Moore (except "Damn Dog", which is a cover version of a song by the Sleez Sisters from the 1980 movie Times Square).
Describing the album's musical style, The Quietus opined "It had to sound passé, it had to be overdone; if you're trying to bulldoze the shiny edifice of western pop culture, you can't do it tastefully or with subtlety, can you? Generation Terrorists intentionally overplays its hand, overeggs its pudding and spunks its load at every turn". Pitchfork writer Joe Tangari wrote that Generation Terrorists "walked a weird line between agit-punk, cock rock, romantic melodicism and glam, and was so obviously patterned after The Clash's London Calling that it was actually kind of cute." Rolling Stone, AllMusic, PopMatters and Vanyaland labeled the album as "glam rock, hard rock, punk rock, glam punk and glam metal" respectively. Other influences on the album's sound include Guns N' Roses and New York Dolls.
The album's lyrics are politicised like that of The Clash and Public Enemy. Wire and Edwards' love of poetry is also evident in their lyrics. The album's songs regularly switch from a critical focus on global capitalism to more personal tales of despair and the struggles of youth. Examples of the more politically inspired side of Generation Terrorists include the opening track "Slash 'n' Burn", which concerns "third world exploitation", the track "Repeat (Stars and Stripes)", a remix of the band's own anti-monarchy tirade by Public Enemy production team The Bomb Squad and "Another Invented Disease", a song whose title was deliberate word play on AIDS and referred to a conspiracy theory insinuating that the virus was manufactured by American biological warfare scientists.
Other tracks combine personal and political themes, implicating a connection between global capitalism and personal struggle; "Nat West-Barclays-Midlands-Lloyds" was written as a critique of overseas banking credit policies, but also concerned Richey Edwards' issues involving overdrafts and refused loans. Marc Burrows of Drowned in Sound considered the song to be an accurate prediction of "global financial meltdown" and its effects on everyday life. The single "Motorcycle Emptiness", meanwhile, criticises consumerism as a "shallow dream" that makes human life overtly commercialised. "Little Baby Nothing", a duet between Traci Lords and Bradfield, was described by Priya Elan of the NME as a "perfect snapshot of innocence bodysnatched and twisted".
In the US, the track listing was changed, and some of the more political tracks were dropped. "Democracy Coma" was added to make up for this; it was later released as the B-side to "Love's Sweet Exile"/"Repeat", and also appeared on Lipstick Traces (A Secret History of Manic Street Preachers). In addition, four tracks on the US release ("Slash 'n' Burn", "Nat West–Barclays–Midlands–Lloyds", "Little Baby Nothing" and "You Love Us") were remixed by Michael Brauer. These same four tracks also featured live drumming from American drummer Zachary Alford and were later included on the Stars and Stripes EP in Japan.
The cover was originally intended to be Andres Serrano's Pisschrist, a Jesus figure inside a tank of blood and urine, but Sony wanted to avoid any religious controversy; also, the royalty demanded for the piece was deemed excessive. Other ideas were the Bert Stern Marilyn Monroe photographs, a sandpaper sleeve that would scratch the album itself as well as anything else that it was shelved by (an old Situationist prank, this idea was used by Guy Debord for his first book Memoires and by The Durutti Column for their first album The Return of the Durutti Column), as well as several other famous religious paintings.
The final front cover of the album was a picture of Edwards' left arm and chest. The arm had a tattoo of a rose with the words "USELESS GENERATION" underneath, which was changed to "GENERATION TERRORISTS". This was not without problems, as the original pressing had made Edwards' flesh to be bright pink as opposed to the intended mustard. The back featured a design similar to their earlier New Art Riot EP cover, a European Commission flag, though this time it was crumpled and in flames. The working title of the album was Culture, Alienation, Boredom & Despair (a lyric from the song "Little Baby Nothing").
On 5 November 2012, Generation Terrorists was re-released for its 20th anniversary. There are five editions of the re-release: the original album; a two-disc Deluxe Edition with a bonus disc of demos and a DVD of the documentary film Culture, Alienation, Boredom, Despair, about the making of the album
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Generation Terrorists
Manic Street Preachers Lyrics
Another Invented Disease Drugs come out of boredom babe U.N. exports it everyday…
Born to End Get some pain and I feel alive born to end…
Condemned to Rock 'n' Roll Always feeling torn and slow. Love song cull destroy poem. M…
Damn Dog Two, three, four I can lick your face I can bite it…
Little Baby Nothing No one likes looking at you Your lack of ego…
Love's Sweet Exile Love's sweet exile Love's sweet exile We blur into images…
Methadone Pretty Am nothing and should be everything You're methadone pretty,…
Motorcycle Emptiness Culture sucks down words Itemize loathing and feed yourself …
Nat West-Barclays-Midlands-Lloyds Economic forecasts soothe our dereliction Words of euthanas…
Repeat (Stars and Stripes) (Words: Nicky Wire/Richey James; Music: James Dean Bradfield…
Repeat (UK) Repeat After Me Fuck Queen and Country Repeat After Me Death…
Slash 'N' Burn You need your stars, even killers have prestige. Access to a…
So Dead Learn to sleep through misery Never gonna wake feeling free…
Spectators Of Suicide Obedience to the law is free desire Under curfew from neon…
Stay Beautiful Find your faith in your security All broken up at…
Tennessee Your dream can never earn enough Ultimate nihilistic love …
You Love Us We are not your sinners Our voices are for real…