Broken (also known as Halo 5) is an EP released on September 22nd 1992. Alt… Read Full Bio ↴Broken (also known as Halo 5) is an EP released on September 22nd 1992. Although not technically so, Broken is usually considered Nine Inch Nails' second major release after Pretty Hate Machine since it consists entirely of new material. The EP was recorded in secret, in order to avoid interference from TVT Records. It was followed later that year by Fixed, a companion EP of remixes of the songs on Broken.
The release of Broken followed on from a major disagreement between Trent Reznor and his record label at the time, TVT Records, and the influence of the conflict is evident in multiple aspects of the record. After the credits in the packaging, a line reads "no thanks: you know who you fucking are" followed by "the slave thinks he is released from bondage only to find a stronger set of chains." This is most likely directed towards TVT Records' Steve Gottlieb, who refused to allow Reznor out of his contract, resulting in a legal battle between the two parties. A direct reference to Gottlieb appears in one of the music videos for "Gave Up", where the words "FUCK YOU STEVE" can be spotted on a computer screen.
Reznor has also stated that during the Pretty Hate Machine Tour the songs grew more aggressive when played by a live band compared to their studio counterparts. Violence on-stage also became a common feature at their shows as a result of the band venting pent-up frustration and anger on their instruments. Consequently, Broken sounds much more abrasive and harsher with the increased prominence of distorted guitars, amongst other things.
On this EP, there are louder mixes and more distortion on every instrument, including a classic Mellotron MKIV (originally owned by John Lennon), which can be heard most noticeably on the track "Gave Up". Reznor said he wanted the album to be "an abrasive, hard-to-listen-to thing... I wanted to make a record that the first time you hear it you don't like it, but you might want to hear it again, but by the third time it's pretty cool. By the fifth time, you really like it and possibly by the tenth time you're not sick of it and now it all makes sense."
In an interview with Keyboard Magazine in 1994, Reznor elaborated on the EP's unique guitar textures: "Broken, for example, had a lot of that super-thick chunk sound. Almost every guitar sound on that record was me playing through an old Zoom pedal, direct, and then going into Turbosynth. Then I used a couple of key ingredients to make it sound unlike any real sound in the world, and layered about four of them together. By then, it wasn't a guitar anymore. It's an awesome sound."
In an interview with Alternative Press in 1993, Reznor discussed the writing and instrumentation: "I tried doing an album that I actually just wrote on guitar rather than my tried-and-true method of a drum machine and keyboards. So with the exception of "Happiness in Slavery" all songs were written on guitar. I was gonna make it totally stripped down to guitar, bass and drums but as I started it I realized I could easily fall into another trap. What might sound interesting to me - because I'm not used to it - may sound like a garage band to the world. So we just took the three instruments and sampled 'em, fucked with 'em, processed them. It's kind of overboard, we did go crazy. It's kind of dense, too dense. It's over analyzed - every song has 20 different melodies that you won't hear the first five or ten times you listen, or maybe never."
Music videos were shot for each song with the exception of "Last", "Physical (You're So)" and "Suck." These videos were included on the second part of the Closure VHS set. Peter Christopherson also compiled these videos along with an alternate version of "Gave Up" into a very violent and extreme long-form video known as the Broken Movie.
On most CD copies of Broken, tracks 7 through 97 consist of silence and "Physical" and "Suck" are tracks 98 and 99. The initial pressing of the CD contained "Physical" and "Suck" on a second 3" mini CD in a separate sleeve. On certain CD versions, "Physical" is track 7 and "Suck" is track 8. Prior to the 2017 Definitive Edition, there was no commercial vinyl released in the US. There was only a promo that did not include "Pinion" and "Help Me I Am In Hell". There is also a promo 12" from the UK with the bonus tracks on side B, and a 12" from Brazil with "Gave Up" and the bonus tracks on side B. The cassette versions typically had all of the main tracks on side A and the bonus tracks on side B, though they were sometimes not listed on the cassette or the insert.
"The last two tracks were leftovers from a 12" that should have been released when we did lollapalooza, but due to record labels.... ...so, i thought they were good enough to be released, but did not fit with 'broken', so, i wanted to give them away but keep them separate from the EP, so, i came up with the 3" CD idea, but, my record label informed me that it cost so much to manufacture that they could not break even EVER regardless of sales, so, i compromised and allowed the first 250,000 to have the 3" CD, and the rest to have them on tracks 98-99 (so nobody would be ripped off).
It was a way to distance them from the other music because it wasn't part of the same mind set. Unfortunately, the risk involved is, with radio being as conservative as it is, I knew they would jump on "Physical" or "Suck" because they're a bit more digestible than the other stuff, so I've tried to make them as obscure as possible. - Reznor"
The release of Broken followed on from a major disagreement between Trent Reznor and his record label at the time, TVT Records, and the influence of the conflict is evident in multiple aspects of the record. After the credits in the packaging, a line reads "no thanks: you know who you fucking are" followed by "the slave thinks he is released from bondage only to find a stronger set of chains." This is most likely directed towards TVT Records' Steve Gottlieb, who refused to allow Reznor out of his contract, resulting in a legal battle between the two parties. A direct reference to Gottlieb appears in one of the music videos for "Gave Up", where the words "FUCK YOU STEVE" can be spotted on a computer screen.
Reznor has also stated that during the Pretty Hate Machine Tour the songs grew more aggressive when played by a live band compared to their studio counterparts. Violence on-stage also became a common feature at their shows as a result of the band venting pent-up frustration and anger on their instruments. Consequently, Broken sounds much more abrasive and harsher with the increased prominence of distorted guitars, amongst other things.
On this EP, there are louder mixes and more distortion on every instrument, including a classic Mellotron MKIV (originally owned by John Lennon), which can be heard most noticeably on the track "Gave Up". Reznor said he wanted the album to be "an abrasive, hard-to-listen-to thing... I wanted to make a record that the first time you hear it you don't like it, but you might want to hear it again, but by the third time it's pretty cool. By the fifth time, you really like it and possibly by the tenth time you're not sick of it and now it all makes sense."
In an interview with Keyboard Magazine in 1994, Reznor elaborated on the EP's unique guitar textures: "Broken, for example, had a lot of that super-thick chunk sound. Almost every guitar sound on that record was me playing through an old Zoom pedal, direct, and then going into Turbosynth. Then I used a couple of key ingredients to make it sound unlike any real sound in the world, and layered about four of them together. By then, it wasn't a guitar anymore. It's an awesome sound."
In an interview with Alternative Press in 1993, Reznor discussed the writing and instrumentation: "I tried doing an album that I actually just wrote on guitar rather than my tried-and-true method of a drum machine and keyboards. So with the exception of "Happiness in Slavery" all songs were written on guitar. I was gonna make it totally stripped down to guitar, bass and drums but as I started it I realized I could easily fall into another trap. What might sound interesting to me - because I'm not used to it - may sound like a garage band to the world. So we just took the three instruments and sampled 'em, fucked with 'em, processed them. It's kind of overboard, we did go crazy. It's kind of dense, too dense. It's over analyzed - every song has 20 different melodies that you won't hear the first five or ten times you listen, or maybe never."
Music videos were shot for each song with the exception of "Last", "Physical (You're So)" and "Suck." These videos were included on the second part of the Closure VHS set. Peter Christopherson also compiled these videos along with an alternate version of "Gave Up" into a very violent and extreme long-form video known as the Broken Movie.
On most CD copies of Broken, tracks 7 through 97 consist of silence and "Physical" and "Suck" are tracks 98 and 99. The initial pressing of the CD contained "Physical" and "Suck" on a second 3" mini CD in a separate sleeve. On certain CD versions, "Physical" is track 7 and "Suck" is track 8. Prior to the 2017 Definitive Edition, there was no commercial vinyl released in the US. There was only a promo that did not include "Pinion" and "Help Me I Am In Hell". There is also a promo 12" from the UK with the bonus tracks on side B, and a 12" from Brazil with "Gave Up" and the bonus tracks on side B. The cassette versions typically had all of the main tracks on side A and the bonus tracks on side B, though they were sometimes not listed on the cassette or the insert.
"The last two tracks were leftovers from a 12" that should have been released when we did lollapalooza, but due to record labels.... ...so, i thought they were good enough to be released, but did not fit with 'broken', so, i wanted to give them away but keep them separate from the EP, so, i came up with the 3" CD idea, but, my record label informed me that it cost so much to manufacture that they could not break even EVER regardless of sales, so, i compromised and allowed the first 250,000 to have the 3" CD, and the rest to have them on tracks 98-99 (so nobody would be ripped off).
It was a way to distance them from the other music because it wasn't part of the same mind set. Unfortunately, the risk involved is, with radio being as conservative as it is, I knew they would jump on "Physical" or "Suck" because they're a bit more digestible than the other stuff, so I've tried to make them as obscure as possible. - Reznor"
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Broken
Nine Inch Nails Lyrics
Gave Up Perfect little dream, the kind that hurts the most Forgot ho…
Happiness in Slavery Slave screams he thinks he knows what he wants Slave screams…
Help Me I Am in Hell (instrumental)…
Last Gave up trying to figure out my head got lost…
Pinion (instrumental)…
Suck There is no god up in the sky tonight No sign…
Wish This is the first day of my last days I built…
SabrinaOnlineFan96
on Hurt
This is the most depressing song ever. I listened to this a lot back in November-December 2022.
SabrinaOnlineFan96
on Eraser
This song is so intense. It sounds like music from a horror movie. I love the Dissonance Tour version, but I don't like the Polite version, as it just sounds like one of those easy listening tracks. This song has gory vibes.
DrJKintobor
on Driver Down
I have a theory that this song is the instrumental for "Just Do It", the lost song from TDS that was scrapped for "promoting suicide".
DrJKintobor
on Heresy
I'm really resisting the urge to make a Warhammer 40k joke.
DrJKintobor
on Mr. Self Destruct
This song reminds me of Fleetway Super Sonic (if you don't know, the Fleetway Sonic Comics have Super Sonic as an evil split personality of Sonic)
Mohin Kann
on Closer
Moien
Antoinette Alvarez
on Something I Can Never Have
This song is sooo beautiful ♡
Antoinette Alvarez
on Sanctified
♡
Antoinette Alvarez
on Find My Way
OMG I ♡ THIS SONG