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Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer, songwriter, record producer, arranger, and talent scout. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. During his lifetime, his recordings were produced by Stax Records, based in Memphis, Tennessee. Read Full BioOtis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer, songwriter, record producer, arranger, and talent scout. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. During his lifetime, his recordings were produced by Stax Records, based in Memphis, Tennessee.
Redding was born in Dawson, Georgia, and at the age of 2, moved to Macon, Georgia. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, "These Arms of Mine", in 1962.
Stax released Redding's debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small gigs in the American South. He later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In addition to "(Sittin' On) The Dock of the Bay," "Respect" and "Try a Little Tenderness" are among his best-known songs.
Redding has been called the "King of Soul", an honorific also given to Brown and Cooke. He remains one of the genre's most recognized artists. His lean and powerful style exemplified the Stax sound; he was said to be "the heart and soul of Stax", while artists such as Al Jackson, Dunn and Cropper helped to expand its structure. His open-throated singing, the tremolo/vibrato, the manic, electrifying stage performances and perceived honesty were particular hallmarks, along with the use of interjections (such as "gotta, gotta, gotta"), some of which came from Cooke. Producer Stewart thought the "begging singing" was stress-induced and enhanced by Redding's shyness.
Artists from many genres have named Redding as a musical influence. George Harrison called "Respect" an inspiration for "Drive My Car". The Rolling Stones also mentioned Redding as a major influence. Other artists influenced by Redding include Led Zeppelin, Grateful Dead, Lynyrd Skynyrd, the Doors, and virtually every soul and R&B musician from the early years, such as Al Green, Etta James, William Bell, Aretha Franklin, Marvin Gaye and Conley. Janis Joplin was influenced by his singing style, according to Sam Andrew, a guitarist in her band Big Brother and the Holding Company. She stated that she learned "to push a song instead of just sliding over it" after hearing Redding.
The Bee Gees' Barry Gibb and Robin Gibb wrote the song "To Love Somebody" for him to record. He loved it, and he was going to "cut it", as Barry put it, on his return from his final concert. They dedicated the song to his memory.
Redding was born in Dawson, Georgia, and at the age of 2, moved to Macon, Georgia. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, "These Arms of Mine", in 1962.
Stax released Redding's debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small gigs in the American South. He later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In addition to "(Sittin' On) The Dock of the Bay," "Respect" and "Try a Little Tenderness" are among his best-known songs.
Redding has been called the "King of Soul", an honorific also given to Brown and Cooke. He remains one of the genre's most recognized artists. His lean and powerful style exemplified the Stax sound; he was said to be "the heart and soul of Stax", while artists such as Al Jackson, Dunn and Cropper helped to expand its structure. His open-throated singing, the tremolo/vibrato, the manic, electrifying stage performances and perceived honesty were particular hallmarks, along with the use of interjections (such as "gotta, gotta, gotta"), some of which came from Cooke. Producer Stewart thought the "begging singing" was stress-induced and enhanced by Redding's shyness.
Artists from many genres have named Redding as a musical influence. George Harrison called "Respect" an inspiration for "Drive My Car". The Rolling Stones also mentioned Redding as a major influence. Other artists influenced by Redding include Led Zeppelin, Grateful Dead, Lynyrd Skynyrd, the Doors, and virtually every soul and R&B musician from the early years, such as Al Green, Etta James, William Bell, Aretha Franklin, Marvin Gaye and Conley. Janis Joplin was influenced by his singing style, according to Sam Andrew, a guitarist in her band Big Brother and the Holding Company. She stated that she learned "to push a song instead of just sliding over it" after hearing Redding.
The Bee Gees' Barry Gibb and Robin Gibb wrote the song "To Love Somebody" for him to record. He loved it, and he was going to "cut it", as Barry put it, on his return from his final concert. They dedicated the song to his memory.
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Just One More Day
by Otis Redding
I've been missing you for so many days
I keep wanting you, Lord, in so many ways
I can't get you off of my mind
But true love is so hard to find
I want yet another day
Ooh, I need another day
Darling, let me have another more day
And I can be anything that you want me to be, now
The sweet things you used to do to me
Sometimes, Lord, you used to say them to me
I can't forget those lovely days
But this is the price I'm about to pay
Ooh, I want another day
You can let me have just one more day
Ooh, I need one more day
And I will do anything that you want me to do, now
I will do anything that you want me to do, now
Say anything that you want me to say
Buy you anything you want me to buy
And I can cherish you till the day I die
If you let me have another day
Please let me have one more day
Ooh, I want just one more day, Lord
And it could be anything that you want it to be
Ooh no, ooh
Just one more day now
You can let me have just another day, now
Please I want to stay and the day after and the day after
And I want all the days
I want all the days
I want you here
I want you here by my side
And I don't want you to leave me
And I can love you long for the rest of my life
I cry and cry and cry and cry and cry, oh my Lord
Please, let me have just one more day, oh my
Just another day, just another day
I want all the days
Let me have, let me have all my days, my days
I need 'em, I gotsta, I gotsta, I gotta
I gotta have just all the days, I need 'em
Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: STEVE CROPPER, OTIS REDDING, MCEVOY ROBINSON
Lyrics Licensed & Provided by LyricFind
by Otis Redding
I've been missing you for so many days
I keep wanting you, Lord, in so many ways
I can't get you off of my mind
But true love is so hard to find
I want yet another day
Ooh, I need another day
Darling, let me have another more day
And I can be anything that you want me to be, now
The sweet things you used to do to me
Sometimes, Lord, you used to say them to me
I can't forget those lovely days
But this is the price I'm about to pay
Ooh, I want another day
You can let me have just one more day
Ooh, I need one more day
And I will do anything that you want me to do, now
I will do anything that you want me to do, now
Say anything that you want me to say
Buy you anything you want me to buy
And I can cherish you till the day I die
If you let me have another day
Please let me have one more day
Ooh, I want just one more day, Lord
And it could be anything that you want it to be
Ooh no, ooh
Just one more day now
You can let me have just another day, now
Please I want to stay and the day after and the day after
And I want all the days
I want all the days
I want you here
I want you here by my side
And I don't want you to leave me
And I can love you long for the rest of my life
I cry and cry and cry and cry and cry, oh my Lord
Please, let me have just one more day, oh my
Just another day, just another day
I want all the days
Let me have, let me have all my days, my days
I need 'em, I gotsta, I gotsta, I gotta
I gotta have just all the days, I need 'em
Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: STEVE CROPPER, OTIS REDDING, MCEVOY ROBINSON
Lyrics Licensed & Provided by LyricFind
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