Paulinho da Viola (born Paulo César Batista de Faria on November 12, 1942) … Read Full Bio ↴Paulinho da Viola (born Paulo César Batista de Faria on November 12, 1942) is a Brazilian guitar, cavaquinho and bandolin player, known for his sophisticated harmonies and soft, gentle singing voice.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. After the rehearsals, Paulinho would pick up his father's guitar and strum the few chords he knew. Later, as a teenager, he was frequently seen at jams at Jacob do Bandolim's house, quietly and attentively observing the older, more experienced musicians. He began writing his own songs as a teenager, but never considered a career as a professional musician until he met poet Hermínio Bello de Carvalho in 1964. By then, Paulinho was working as a teller at a bank in Rio de Janeiro, and recognised Hermínio from the jam sessions at Jacob do Bandolim's house. The two became close friends and soon began writing music together. The first song they wrote together was Duvide-o-dó, recorded by singer Isaurinha Garcia. He then began performing his own songs at a restaurant in Rio, owned by samba legend Cartola and his wife.
He got his famous nickname in 1965, when he was a member of the samba group A Voz do Morro (the voice of the hills), alongside Zé Keti and Oscar Bigode. After their first recording session, a publicist from the record label reportedly told him "'Paulo César' is not a samba name!". Zé Keti and journalist Sérgio Cabral eventually came up with the nickname "Paulinho da Viola" (something to the lines of "Guitar Paul").
By the 1970s, Paulinho was at the most prolific stage of his career, releasing an average of one album per year. He was already a household name in samba, choro and MPB circles and broadened his audience by touring all over Brazil and also playing at festivals in Europe and the USA. His productivity and popularity had waned by the mid-80s, when he decided to focus more on his songwriting. In 1996 he regained notoriety after releasing the much-acclaimed album Bebadosamba, in which he once again joined forces with Hermínio Bello de Carvalho and Elton Medeiros, his early songwriting partners. He still lives in Rio de Janeiro and performs around Brazil.
Born in Rio de Janeiro to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father was a guitar player and musicians like Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. After the rehearsals, Paulinho would pick up his father's guitar and strum the few chords he knew. Later, as a teenager, he was frequently seen at jams at Jacob do Bandolim's house, quietly and attentively observing the older, more experienced musicians. He began writing his own songs as a teenager, but never considered a career as a professional musician until he met poet Hermínio Bello de Carvalho in 1964. By then, Paulinho was working as a teller at a bank in Rio de Janeiro, and recognised Hermínio from the jam sessions at Jacob do Bandolim's house. The two became close friends and soon began writing music together. The first song they wrote together was Duvide-o-dó, recorded by singer Isaurinha Garcia. He then began performing his own songs at a restaurant in Rio, owned by samba legend Cartola and his wife.
He got his famous nickname in 1965, when he was a member of the samba group A Voz do Morro (the voice of the hills), alongside Zé Keti and Oscar Bigode. After their first recording session, a publicist from the record label reportedly told him "'Paulo César' is not a samba name!". Zé Keti and journalist Sérgio Cabral eventually came up with the nickname "Paulinho da Viola" (something to the lines of "Guitar Paul").
By the 1970s, Paulinho was at the most prolific stage of his career, releasing an average of one album per year. He was already a household name in samba, choro and MPB circles and broadened his audience by touring all over Brazil and also playing at festivals in Europe and the USA. His productivity and popularity had waned by the mid-80s, when he decided to focus more on his songwriting. In 1996 he regained notoriety after releasing the much-acclaimed album Bebadosamba, in which he once again joined forces with Hermínio Bello de Carvalho and Elton Medeiros, his early songwriting partners. He still lives in Rio de Janeiro and performs around Brazil.
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Paulinho da Viola Lyrics
Acontece Esquece o nosso amor, vê se esquece. Porque tudo no mundo…
Argumento Tá legal Eu aceito o argumento Mas não me altere o samba…
Coração Leviano Trama em segredo teus planos Parte sem dizer adeus Nem lembr…
Dança da Solidão Solidão é lava que cobre tudo Amargura em minha boca Sorri s…
Dona Santina e seu Antenor Anteontem uma feijoada e me convidou Em homenagem À volta …
Foi um Rio Que Passou Em Minha Vida Laiá laiá Laiá laiá Laiá laiá Laiá laiá Se um dia Se um di…
Guardei Minha Viola Minha viola vai pro fundo do baú Não haverá mais ilusão Qu…
Ironia Jogam pra mim Um sorriso de ironia Sabem que a minha alegr…
Jurar Com Lágrimas Jurar com lágrimas Que me ama Não adianta nada Eu não vou…
Miudinho Ô devagar miudinho, devagarinho Ô devagar miudinho, devagari…
Não quero mais amar a ninguÉm Não quero mais amar a ninguém Não fui feliz, o destino…
Nervos de Aço Você sabe o que é ter um amor, meu senhor Ter…
No Pagode do Vavá Domingo, lá na casa do Vavá Teve um tremendo pagode Que vo…
Nova Ilusão É dos teus olhos a luz Que ilumina e conduz Minha nova…
Para um amor no Recife A razão porque mando um sorriso E não corro É que andei…
Pecado Capital Dinheiro na mão é vendaval É vendaval Na vida de um sonhad…
Perder e Ganhar Perdi mas uma vez Agora quero prosseguir em paz Tanto que …
Perdoa Meu bem, perdoa Perdoa meu coração pecador Você sabe que j…
Pra Que Mentir Pra que mentir Se tu ainda não tens Esse dom de saber…
Sentimentos Sentimentos em meu peito eu tenho demais A alegria que eu…
Sinal Fechado – Olá! Como vai? – Eu vou indo. E você, tudo…