The album was recorded during and after the tour in support of Monster in 1… Read Full Bio ↴The album was recorded during and after the tour in support of Monster in 1995. The material on the album mixed the acoustic, country rock feel of much of Out of Time and Automatic for the People with the rock sound of Monster and Lifes Rich Pageant. The band have cited Neil Young's 1973 album Time Fades Away as a source of inspiration.
Mike Mills said:
"We got into the studio feeling very happy and relieved that everyone was okay, especially Bill. It brought us all much closer and made us realise how important we are to each other. Once we'd been through a crisis like that (Berry's collapse on tour), making a record was a piece of cake. We discussed making an album of on-the-road stuff a year and a half before we went on the Monster tour. We wanted to get some of the looseness and spontaneity of a soundcheck, live show or dressing room. We used all the good songs. 'Revolution' – a song we did live – didn't make it onto this record, just like it didn't make it onto Monster (the song instead appeared on 1997's Batman & Robin) . . . . It usually takes a good few years for me to decide where an album stands in the pantheon of recorded work we've done. This one may be third behind Murmur and Automatic for the People."
The band noted that they borrowed the recording process for the album from Radiohead, who recorded some of the basic tracks for The Bends while on tour and who supported the band in 1994 and 1995. R.E.M. took eight-track recorders to capture their live performances, and used the recordings as the base elements for the album. As such, the band's touring musicians Nathan December and Scott McCaughey are featured throughout, with Andy Carlson contributing violin to "Electrolite."
After the tour was over, the band went into the Bad Animals Studio and recorded four additional tracks, "How the West Was Won and Where It Got Us," "E-Bow the Letter," "Be Mine," and "New Test Leper." Patti Smith came to the sessions and contributed vocals on "E-Bow the Letter." Audio mixing was finished at John Keane Studio in Athens and Louie's Clubhouse in Los Angeles with mastering by Bob Ludwig at Gateway Mastering in Portland, Maine.
In part due to the nature of the recording process, several of the songs are about travel and motion—including "Departure", "Leave", and "Low Desert". The album's liner notes contain pictures from the road and the deluxe edition of the album is a hardcover book in a slipcase featuring more photographs of R.E.M.'s tour.
Mike Mills said:
"We got into the studio feeling very happy and relieved that everyone was okay, especially Bill. It brought us all much closer and made us realise how important we are to each other. Once we'd been through a crisis like that (Berry's collapse on tour), making a record was a piece of cake. We discussed making an album of on-the-road stuff a year and a half before we went on the Monster tour. We wanted to get some of the looseness and spontaneity of a soundcheck, live show or dressing room. We used all the good songs. 'Revolution' – a song we did live – didn't make it onto this record, just like it didn't make it onto Monster (the song instead appeared on 1997's Batman & Robin) . . . . It usually takes a good few years for me to decide where an album stands in the pantheon of recorded work we've done. This one may be third behind Murmur and Automatic for the People."
The band noted that they borrowed the recording process for the album from Radiohead, who recorded some of the basic tracks for The Bends while on tour and who supported the band in 1994 and 1995. R.E.M. took eight-track recorders to capture their live performances, and used the recordings as the base elements for the album. As such, the band's touring musicians Nathan December and Scott McCaughey are featured throughout, with Andy Carlson contributing violin to "Electrolite."
After the tour was over, the band went into the Bad Animals Studio and recorded four additional tracks, "How the West Was Won and Where It Got Us," "E-Bow the Letter," "Be Mine," and "New Test Leper." Patti Smith came to the sessions and contributed vocals on "E-Bow the Letter." Audio mixing was finished at John Keane Studio in Athens and Louie's Clubhouse in Los Angeles with mastering by Bob Ludwig at Gateway Mastering in Portland, Maine.
In part due to the nature of the recording process, several of the songs are about travel and motion—including "Departure", "Leave", and "Low Desert". The album's liner notes contain pictures from the road and the deluxe edition of the album is a hardcover book in a slipcase featuring more photographs of R.E.M.'s tour.
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R.E.M. Lyrics
Be Mine Uh, speed zone up here, Tim I never thought of this…
Binky The Doormat This is horror movie stuff The muffin is peach, you're "maki…
Bittersweet Me I move across, innocence lost All flashing pulsar I move acr…
Departure Just arrived Singapore, San Sebastian, Spain, 26-hour trip S…
E-bow the Letter Look up and what do you see? All of you…
Electrolite Your eyes are burning holes through me I'm gasoline I'm burn…
How the West Was Won and Where It Got Us Blood from a stone Water from wine Born under an ill-placed …
Leave Nothing could be bring me closer Nothing could be bring me…
Low Desert It happened fast, it's over quick A little dust and the…
New Test Leper I can't say that I love Jesus That would be a…
The Wake-Up Bomb I look good in a glass pack I look good and…
Undertow I know what I wanted I know what I wanted I know…