Sam Hulick is a BAFTA nominated and multiple award-winning composer, best known for creating the signature music for BioWare’s epic sci-fi franchise Mass Effect and the dramatic score for Tripwire Interactive’s groundbreaking Red Orchestra 2: Heroes of Stalingrad. With a penchant for injecting powerful emotions and memorable themes, Sam’s original scores range from sweeping sci-fi and orchestral bombast to fantasy landscapes.
Graduating from Indiana University as a computer programmer Read Full BioSam Hulick is a BAFTA nominated and multiple award-winning composer, best known for creating the signature music for BioWare’s epic sci-fi franchise Mass Effect and the dramatic score for Tripwire Interactive’s groundbreaking Red Orchestra 2: Heroes of Stalingrad. With a penchant for injecting powerful emotions and memorable themes, Sam’s original scores range from sweeping sci-fi and orchestral bombast to fantasy landscapes.
Graduating from Indiana University as a computer programmer, Sam sought to combine his passion for writing imaginative music and interactive media. In 2003 he won the Game Audio Network Guild award for young composers. His first foray into the profession of scoring music for video games was Capcom’s Maximo Vs. Army of Zin.
Sam’s career propelled to new heights when he was approached to co-write the score for Mass Effect with Jack Wall. Sam penned various memorable compositions such as the iconic “Mass Effect Theme,” as well as “From the Wreckage,” “Sovereign’s Theme,” “Victory,” “Uplink,” and many more. The ‘80s inspired electronic score was lauded by critics as “One of the most memorable and unique soundtracks in gaming,” (Game Informer) and won Best Original Score awards from IGN, GameSpy and GameSpot.
For Mass Effect 2, Sam was again tapped for his adept skill of inventive blending of analog synths with orchestral instrumentation. The soundtrack featured a suitably darker and more cinematic musical experience to complement the sequel’s heavier subject matter. Mass Effect 2 received British Academy (BAFTA) and Spike TV VGA nominations for Best Original Score.
After enjoying the collaborative process on the Mass Effect franchise, Sam branched out as a solo composer, composing ninety minutes of classical-influenced orchestral score for Red Orchestra 2: Heroes of Stalingrad. Sam composed the evocative, emotional and haunting music that sets the mood for one of the most brutal battles in all of human history – the battle for Stalingrad. Red Orchestra 2 features a unique dynamic music system that adapts the emotional mood of the soundtrack to match the morale of the player based on the flow of the battle. To highlight the differences between the two warring powers Sam wrote a completely unique soundtrack for both the German and Russian perspectives.
In 2012 Sam returns to the sci-fi genre, contributing original music for the highly anticipated Mass Effect 3. The soundtrack features gripping musical arrangements that set the captivating tone for Commander Shepard’s struggle to take Earth back from an ancient alien race known as the Reapers.
Sam resides in Chicago and is currently writing his debut artist album.
Graduating from Indiana University as a computer programmer Read Full BioSam Hulick is a BAFTA nominated and multiple award-winning composer, best known for creating the signature music for BioWare’s epic sci-fi franchise Mass Effect and the dramatic score for Tripwire Interactive’s groundbreaking Red Orchestra 2: Heroes of Stalingrad. With a penchant for injecting powerful emotions and memorable themes, Sam’s original scores range from sweeping sci-fi and orchestral bombast to fantasy landscapes.
Graduating from Indiana University as a computer programmer, Sam sought to combine his passion for writing imaginative music and interactive media. In 2003 he won the Game Audio Network Guild award for young composers. His first foray into the profession of scoring music for video games was Capcom’s Maximo Vs. Army of Zin.
Sam’s career propelled to new heights when he was approached to co-write the score for Mass Effect with Jack Wall. Sam penned various memorable compositions such as the iconic “Mass Effect Theme,” as well as “From the Wreckage,” “Sovereign’s Theme,” “Victory,” “Uplink,” and many more. The ‘80s inspired electronic score was lauded by critics as “One of the most memorable and unique soundtracks in gaming,” (Game Informer) and won Best Original Score awards from IGN, GameSpy and GameSpot.
For Mass Effect 2, Sam was again tapped for his adept skill of inventive blending of analog synths with orchestral instrumentation. The soundtrack featured a suitably darker and more cinematic musical experience to complement the sequel’s heavier subject matter. Mass Effect 2 received British Academy (BAFTA) and Spike TV VGA nominations for Best Original Score.
After enjoying the collaborative process on the Mass Effect franchise, Sam branched out as a solo composer, composing ninety minutes of classical-influenced orchestral score for Red Orchestra 2: Heroes of Stalingrad. Sam composed the evocative, emotional and haunting music that sets the mood for one of the most brutal battles in all of human history – the battle for Stalingrad. Red Orchestra 2 features a unique dynamic music system that adapts the emotional mood of the soundtrack to match the morale of the player based on the flow of the battle. To highlight the differences between the two warring powers Sam wrote a completely unique soundtrack for both the German and Russian perspectives.
In 2012 Sam returns to the sci-fi genre, contributing original music for the highly anticipated Mass Effect 3. The soundtrack features gripping musical arrangements that set the captivating tone for Commander Shepard’s struggle to take Earth back from an ancient alien race known as the Reapers.
Sam resides in Chicago and is currently writing his debut artist album.
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Storm Clouds Over Stalingrad
Sam Hulick Lyrics
No lyrics text found for this track.
The lyrics can frequently be found in the comments below, by filtering for lyric videos or browsing the comments in the different videos below.
Frederick J. Chen
Unlike red alert or cod waw, ro2 truly respects the soldiers of "we-call-evil" armies. The anti war atmosphere in ro2 is absolutely the charm makes it beautiful.
Herbivore The Carnivore
Why were you expecting red alert to be serious at all, that's your own fucking fault
XxTherussianhatxX
Red alert in no way takes itself seriously.
GaroK
People say Ro2 is anti-war but I don't actually see in what way is it so anti-war. You just get to play as the bad guys and see that they're not super evil red-glowing eye villains and can feel pain and cry for mother. But still, the characters you are playing with are blood thirsty psychopaths and you can easily tell that by their voice lines. Wouldn't exactly call that anti war unless I'm missing the bigger picture.
Atoka220
This game...Saw and heard some brutal shit in it
It'll always be my all time faveourite
Just when you are left alone, and hear the enemy voices around every corners, and it can give you a genuine feel of fear. Or ducking in cover as you hear a sharp crack, and as you look over, the guy that was just covering you is now dead on the floor.
My most brutal experience was when i was still new to the game, and we were playing on commissar's house, having a firefight from our building to the opposite one, and we were on the ground floor. I was trying my best not to get seen and shot, but as i was trying to peek, the guy next to me got shot and i was just sitting there traumatized while he was drowning in his blood lol
alykkt
<3
FireRanger
0:34
Перевод "Полчища тёмные громят дом родной. Но будем здесь стоять. Здесь насмерть стоять!"
"The dark horde is ravaging our homeland
But we will stand here
Stand here to the death"
Polat Alemdar
i listen this song for this part
Knossos
@tootyfruity70
"Working as intended."
tootyfruity70
iif i use the translate feature of google on the russian words you used it says "dark hordes attaking the house mother here stand the death" lol googles translation system at its finest