Winter
Steeleye Span formed in 1969 from members of Fairport Convention and out of… Read Full Bio ↴Steeleye Span formed in 1969 from members of Fairport Convention and out of the ashes of Sweeney's Men creating a distinctive fusion of both British folk with electric rock music. The resulting first version of the band was formed by ex-Fairport bassist Ashley Hutchings and built around two pairs of vocalists, Tim Hart and Maddy Prior and Gay & Terry Woods. Rhythm was to be supplied largely by Hutchings' bass, and without drums.

Tensions between the band grew during the production in 1970 of their first album, Hark! The Village Wait to the point where they never again worked together after its completion, but the music itself shows no signs of these difficulties. While having a rock sensibility there is a greater sense of the authentic folk tradition than even in the best of Fairport, and a particular beauty arising from the two pairs of voices. The Woods being replaced by admired folk stalwart Martin Carthy, with violinist Peter Knight to widen the musical textures, the group late in 1970 recorded their most admired record Please to see the King. Ten Man Mop followed in 1971, more accomplished but generally felt to be less exciting. The expensive gatefold sleeve swallowed the band's royalties, and was referred to as a tombstone, since Hutchings and Carthy then left, to pursue Hutchings' new vision of a specifically English strand of folk rock with The Albion Band, and Steeleye Mk 2 folded.

However the inclusion of the less celebrated and more rock orientated replacements Rick Kemp and Bob Johnson led to the most commercially successful phase in the band's existence, vocalist Maddy Prior becoming the primary focus of the band, and a run of well received albums, from Below the Salt and Now we Are Six, their first with drummer Nigel Pegrum, to their eighth, and most commercially successful, All Around my Hat, in 1975.

Still active, they have a claim to be one of the longest-lived and perhaps the most commercially successful of all the folk rock bands of the era, thanks to their hit singles Gaudete and All Around My Hat, 3 top 40 albums and even a certified "gold" record with All Around My Hat.

Tim Hart died of lung cancer on 24 December 2009, aged 61.
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Winter
Steeleye Span Lyrics


Blow your Trumpet Gabriel Blow your trumpet, Gabriel Blow louder, louder And I hope th…
Bright Morning Star Bright morning star a-rising Bright morning star a-rising …
Chanticleer All this night shrill chanticleer Day's proclaiming trumpet…
Down in Yon Forest Down in yon forest there stands a hall The bells of…
Good King Wenceslas Good King Wenceslas looked out On the feast of Stephen Whe…
Hark the Herald Angels Sing Hark the herald angels sing Glory to the newborn King Peace …
In the Bleak Midwinter In the bleak midwinter, frosty winds made moan Earth stood …
See Amid the Winter's Snow Hail, thou ever blessed morn Hail, redemption's happy dawn S…
The First Nowell The first Nowell the angel did say Was to certain poor…
Today in Bethlehem Come all with singing, come all with singing To the place…
Unconquered Sun With solstice here we'll celebrate This sacred time and hav…


Ben - Moderator


on Bonny Moorhen

Hi Stuart, We have corrected the description above.

Stuart Tartan


on Bonny Moorhen

The song Bonny Moorhen by Steeleye Span is a traditional Scottish ballad that tells the story of a bird, the Bonny Moorhen, and its journey through the glen and over the sea. The narrator of the song expresses affection and admiration for the bird and asks others to toast its health when they are out drinking. The Bonny Moorhen is described as having a rainbow of feathers, including blue, which is unusual for a bird, and invites it to come to the narrator. However, in the second verse, the song takes a darker turn as the narrator reveals that the bird has gone over the sea and will not return until the summer. But when it does return, only certain people will know, suggesting that not everyone will be happy about the Bonny Moorhen's return. The third verse introduces a new element to the story, two men named Ronald and Donald who are out on the fen, presumably trying to hunt or harm the bird. The narrator calls for the Bonny Moorhen to come to them for safety. Overall, the song is a mix of admiration for the beauty of nature and a warning about the dangers that can lurk in it. The Bonny Moorhen represents something pure and innocent, but there are those who would try to harm it, and the song is a call to protect it.

This description of the song completely misses the point in every way. It IS NOT about a bird.
It is an allegorical Jacobite-era song about Bonny Prince Charlie (the bonny moorhen). The colours mentioned, for instance, are the colours of the Clan Stuart tartan.