When Stevie Wonder applied his tremendous songwriting talents to the unsettled social morass that was the early '70s, he produced one of his greatest, most important works, a rich panoply of songs addressing drugs, spirituality, political ethics, the unnecessary perils of urban life, and what looked to be the failure of the '60s dream — all set within a collection of charts as funky and catchy as any he'd written before. Two of the highlights, "Living for the City" and "Too High Read Full BioWhen Stevie Wonder applied his tremendous songwriting talents to the unsettled social morass that was the early '70s, he produced one of his greatest, most important works, a rich panoply of songs addressing drugs, spirituality, political ethics, the unnecessary perils of urban life, and what looked to be the failure of the '60s dream — all set within a collection of charts as funky and catchy as any he'd written before. Two of the highlights, "Living for the City" and "Too High," make an especially deep impression thanks to Stevie's narrative talents; on the first, an eight-minute mini-epic, he brings a hard-scrabble Mississippi black youth to the city and illustrates, via a brilliant dramatic interlude, what lies in wait for innocents. (He also uses his variety of voice impersonations to stunning effect.) "Too High" is just as stunning, a cautionary tale about drugs driven by a dizzying chorus of scat vocals and a springing bassline. "Higher Ground," a funky follow-up to the previous album's big hit ("Superstition"), and "Jesus Children of America" both introduced Wonder's interest in Eastern religion. It's a tribute to his genius that he could broach topics like reincarnation and transcendental meditation in a pop context with minimal interference to the rest of the album. Wonder also made no secret of the fact that "He's Misstra Know-It-All" was directed at Tricky Dick, aka Richard Milhouse Nixon, then making headlines (and destroying America's faith in the highest office) with the biggest political scandal of the century. Putting all these differing themes and topics into perspective was the front cover, a striking piece by Efram Wolff portraying Stevie Wonder as the blind visionary, an artist seeing far better than those around him what was going on in the early '70s, and using his astonishing musical gifts to make this commentary one of the most effective and entertaining ever heard.
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Too High
Stevie Wonder Lyrics
Dodo do do do dodo
Do do dodo do dodo
Dodo dodo do do
Dodo do do do dodo
Do do do do dodo do
Dodo dodo dodo
I'm too high
I'm too high
But I ain't touched the sky
I'm too high
I'm too high
But I ain't touched the sky
She's a girl in a dream
She sees a four eyed cartoon monster on the T.V. screen
She takes another puff and says "It's a crazy scene"
That red is green
And she's a tangerine
I'm too high
I'm too high
But I ain't left the ground
I'm too high
I'm too high
I hope I never ever come down
She's the girl in her life
But her world's a superficial paradise
She had a chance to make it big more than once or twice
But no dice
She wasn't very nice
Ooh
Dodo do do do dodo
Do do dodo do dodo
Do do do do do do
Dodo do do do dodo
Do do dodo do dodo
Dodo dodo dodo dodo dodo dodo
I'm too high
I'm too high
I can't ever touch the sky
I'm too high
I'm so high
I feel like I'm about to die
She's a girl of the past
I guess that I got to her at last
A did you hear the news about the girl today
She passed away
What did her friend say
They said she's too high
Too high
Can't hang around anyway
Dodo do do do dodo
Do do dodo do dodo
Do do do
Do do do do
Lyrics © Sony/ATV Music Publishing LLC, Songtrust Ave
Written by: STEVIE WONDER
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Gluemonkey
Thumbs up if you came here because it's Stevie Wonder!
sweet one loves
ME ME ME, I came here because Stevie is just flawless
Jerry Woo
Loretta Byrd llpppppp
John Harris
@cddcx eddj Pls dont
Loretta Byrd
Yes
cddcx eddj
He can't see the thumbs up
M.D. Jonas
Some of THE most KICK-ASS drumming EVER...and it's STEVIE behind the kit!!!...The man is supernatural.
Quazen Carneshim
Very superstitious
The Madrummer
RIGHT?! It molded so much of my drumming style! I took it with me even into metal and punk. SO amazing.
Jay
Apart from the brilliant jazz drumming, I also love the two harmonica solos running simultaneously.