The Bones of J.R. Jones is a project from American singer, guitarist, and s… Read Full Bio ↴The Bones of J.R. Jones is a project from American singer, guitarist, and songwriter Jonathon Linaberry (born in central New York State in 1982).
J.R. is said to have started dabbling in music when he was six and his mother mandated – as she did with his older and younger brothers – that he take piano lessons. A self-taught guitar and banjo player, J.R.’s fondness for old gospel hymns, bluesmen like Son House and R.L. Burnside, and artists like The Carter Family and Tom Waits, helped shape his sound, which has been described as “haunting stomp blues tempered with a touch of honey.”
Growing up the middle of three brothers, J.R.’s childhood developed in him a strong sense of home and yearning to return to it – despite being shot in the back by his blood brother with a BB gun – the pellet is still nestled comfortably behind his ribs to this day.
J.R. pulls from a constellation of sensory experiences “the smell of being in an apple orchard first thing in the morning, the sound of boots on old wood floorboards, the feeling of falling asleep to the hum of a fan in the summer, early autumn in the country” that inspire and inform his music.
With a musical style that adeptly toes the line between folky and sorrowful lullabies to dirty, grainy, blues-influenced songs, J.R.’s voice communicates a level of intimacy and passion that carries with it a quiet sense of loss, yearning, and wanting.
Performing on stage with a kick drum, high-hat, and guitar/banjo (as well as the occasional harmonica and kazoo) J.R.’s live shows are visually impressive – a powerful and dynamic display that showcases his musical and emotional range.
His songs speak of sorrow and hope, a longing for home, and, he says, “The more unsavory desires and wants in your life – those demons and devils that haunt you.” *
*taken from his website, The-Wildness.com.
J.R. is said to have started dabbling in music when he was six and his mother mandated – as she did with his older and younger brothers – that he take piano lessons. A self-taught guitar and banjo player, J.R.’s fondness for old gospel hymns, bluesmen like Son House and R.L. Burnside, and artists like The Carter Family and Tom Waits, helped shape his sound, which has been described as “haunting stomp blues tempered with a touch of honey.”
Growing up the middle of three brothers, J.R.’s childhood developed in him a strong sense of home and yearning to return to it – despite being shot in the back by his blood brother with a BB gun – the pellet is still nestled comfortably behind his ribs to this day.
J.R. pulls from a constellation of sensory experiences “the smell of being in an apple orchard first thing in the morning, the sound of boots on old wood floorboards, the feeling of falling asleep to the hum of a fan in the summer, early autumn in the country” that inspire and inform his music.
With a musical style that adeptly toes the line between folky and sorrowful lullabies to dirty, grainy, blues-influenced songs, J.R.’s voice communicates a level of intimacy and passion that carries with it a quiet sense of loss, yearning, and wanting.
Performing on stage with a kick drum, high-hat, and guitar/banjo (as well as the occasional harmonica and kazoo) J.R.’s live shows are visually impressive – a powerful and dynamic display that showcases his musical and emotional range.
His songs speak of sorrow and hope, a longing for home, and, he says, “The more unsavory desires and wants in your life – those demons and devils that haunt you.” *
*taken from his website, The-Wildness.com.
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Dark was the Yearling
The Bones of J.R. Jones Lyrics
Broken Land Silver tongues to wips Seeing your dreams swing from tall tr…
Dreams to Tell What′s that creepin' ′cross my floor? Didn't I tell you shut…
Good Friend Of Mine Well I saw you today and I thought for a…
Hearts Racing Our hearts our racing, let's go chase them down My blood…
St. James' Bed It was down by old Joe's barroom, on the corner…
The Dark ヒプノシスマイク Bright Dark いざ決着 光差す その場所へ Bright and dark, brigh…
The Plan Ah, ah Ah, ah Boy, if you need someone, don't let me…
This Fire Pull me out of this fire, I'm burning to slow Pull…
Nolan
on Bless Your Soul
Oh, when all of your ghosts in your dark hollow
All them move to whats holy in you
Oh and Bless Your Soul
If your keeping time, aint hard if your blind
Just tap your feet to your prayers off beat
Oh and Bless Your Soul
Oh, Lord only knows
'Cause I, got all sorts of time
Yes I got all sorts of time
Oh, when all of your ghost in your dark hollow
All them move to whats holy in you
'Cuase your keeping time, aint hard if your blind
Just tap your feet of your prayers off beat
Oh and BLESS YOUR SOUL
Lord only knows
'Cause I, got all sorts of time
I got all sorts of time
Yes I got all sorts of time
Mel Menchini
on St. James' Bed
These are the lyrics to "St. James Infirmary" not "St. James's Bed". They're not even close. Literally the only thing they have in common is St. James.
Tonio Niémo
on Hearts Racing
Love this one... keep it simple, keep that melancholia...