To Venus and Back, the fifth album released by singer and songwriter Tori A… Read Full Bio ↴To Venus and Back, the fifth album released by singer and songwriter Tori Amos, is a two-disc album set including a studio album and a live album. The first disc, titled Venus: Orbiting, features eleven original songs that find Amos experimenting heavily in electronica. It spawned the singles "Bliss", "1000 Oceans", "Glory of the 80's" (Australia, the United Kingdom, and Europe only), and "Concertina" (US only). The second disc, Venus Live, Still Orbiting, is a thirteen-track album compiling live tracks recorded from her Plugged '98 tour. This is the first official live release of Amos's career
To Venus and Back, which began life as a proposed B-sides album, is sparser both in production and arrangement than From the Choirgirl Hotel, but is similar to its predecessor in that it features overt electronica influences and a relatively subdued piano sound. The album finds Amos's voice and piano subverted in a sonic maze of electronic washes and effects, and some songs, notably "Juárez" and the epic "Dātura" are largely built around these effects. Topics covered on the album include unsolved murdered female maquiladora workers in Ciudad Juárez on the US–Mexico border, hallucinogenic plants, and Napoleon Bonaparte.
In November 1999, Tori Amos was quoted by Pulse Magazine as saying that this record says a lot about the shadows and the shadow world
The studio disc of To Venus and Back is recognized as one of Amos's most experimental yet melodic, and received mixed reviews. Some critics praised its originality, innovation and unpredictable song structures, with one reviewer describing the album as having "some of the best vocals of her career, embedded in modern, special-effects-laden soundscapes that move from electronica-spiced piano pop and hip-hop to ambient space music", while others begrudged the album because of its overuse of electronic instruments and lack of Amos's trademark simplistic sound, most present on albums such as Little Earthquakes (1992) and Under the Pink (1994).
The album received two 2000 Grammy Award nominations: Best Female Rock Vocal Performance for "Bliss" and Best Alternative Music Album.
To Venus and Back, priced higher than Amos's previous releases because of its two-disc format, sold 112,000 copies in the US in its first week and debuted at number 12 on the Billboard 200, number 18 on the Top Canadian Albums, and number 22 on the UK Top 40, breaking her run of three consecutive UK Top 10 albums.
Two months after its release in November 1999, the album achieved RIAA Certification, reaching Gold and Platinum sales status simultaneously, due to the release being a double CD set. To Venus and Back remained on the Billboard 200 for 11 weeks, with its final position at # 189 for the week of January 8, 2000, before falling off the chart. As of May 2008, the album has sold 458,000 copies in the US, according to Nielsen SoundScan.
1. "Bliss" 3:42
2. "Juárez" 3:48
3. "Concertina" 3:56
4. "Glory of the 80's" 4:03
5. "Lust" 3:54
6. "Suede" 4:58
7. "Josephine" 2:30
8. "Riot Poof" 3:28
9. "Dātura" 8:25
10. "Spring Haze" 4:44
11. "1000 Oceans" 4:19
Given the conditions under which the album was created, To Venus and Back is unique in that it does not have any studio tracks that serve as B-sides. Instead the album's singles are backed by live tracks recorded from the previous year's tour.
Following the theme of the album's second disc, which is composed of live tracks arranged similarly to an actual concert, the B-sides that appear on the album's singles are live songs performed solo with Amos on the piano. The chart above lists only the songs that were released as B-sides on singles from To Venus and Back.
The sole track recorded during the To Venus and Back recording sessions that does not appear on the album, nor as a B-side, is the nine-minute "Zero Point". Of the song's exclusion from the album, Amos has said that the song wasn't intentionally left off the album, rather an over-sensitivity about a certain gardening issue led "Dātura" to being included instead. The liner notes of To Venus and Back state, "Zero Point - your time is coming". The song was released seven years later on A Piano: The Collection (2006).
Tori Amos - Bösendorfer piano, synthesizers, vocals
Steve Caton – guitar
Jon Evans – bass
Matt Chamberlain – drums, percussion
Andy Gray – additional drum programming on "Suede", "Riot Poof" and "Dātura"
The album was supported by a short tour in 1999, the "Five and a Half Weeks Tour", which Amos co-headlined with Alanis Morissette beginning a month prior to the release of To Venus and Back. Many referred to Amos as the "opening act" for Morissette because she always performed first; however, this was due only to the logistics of setting up a grand piano for performance. An Amos-only stint, the "To Dallas and Back" tour, also took place, but promotional plans were cut when Amos suffered her third miscarriage in November 1999.
To Venus and Back, which began life as a proposed B-sides album, is sparser both in production and arrangement than From the Choirgirl Hotel, but is similar to its predecessor in that it features overt electronica influences and a relatively subdued piano sound. The album finds Amos's voice and piano subverted in a sonic maze of electronic washes and effects, and some songs, notably "Juárez" and the epic "Dātura" are largely built around these effects. Topics covered on the album include unsolved murdered female maquiladora workers in Ciudad Juárez on the US–Mexico border, hallucinogenic plants, and Napoleon Bonaparte.
In November 1999, Tori Amos was quoted by Pulse Magazine as saying that this record says a lot about the shadows and the shadow world
The studio disc of To Venus and Back is recognized as one of Amos's most experimental yet melodic, and received mixed reviews. Some critics praised its originality, innovation and unpredictable song structures, with one reviewer describing the album as having "some of the best vocals of her career, embedded in modern, special-effects-laden soundscapes that move from electronica-spiced piano pop and hip-hop to ambient space music", while others begrudged the album because of its overuse of electronic instruments and lack of Amos's trademark simplistic sound, most present on albums such as Little Earthquakes (1992) and Under the Pink (1994).
The album received two 2000 Grammy Award nominations: Best Female Rock Vocal Performance for "Bliss" and Best Alternative Music Album.
To Venus and Back, priced higher than Amos's previous releases because of its two-disc format, sold 112,000 copies in the US in its first week and debuted at number 12 on the Billboard 200, number 18 on the Top Canadian Albums, and number 22 on the UK Top 40, breaking her run of three consecutive UK Top 10 albums.
Two months after its release in November 1999, the album achieved RIAA Certification, reaching Gold and Platinum sales status simultaneously, due to the release being a double CD set. To Venus and Back remained on the Billboard 200 for 11 weeks, with its final position at # 189 for the week of January 8, 2000, before falling off the chart. As of May 2008, the album has sold 458,000 copies in the US, according to Nielsen SoundScan.
1. "Bliss" 3:42
2. "Juárez" 3:48
3. "Concertina" 3:56
4. "Glory of the 80's" 4:03
5. "Lust" 3:54
6. "Suede" 4:58
7. "Josephine" 2:30
8. "Riot Poof" 3:28
9. "Dātura" 8:25
10. "Spring Haze" 4:44
11. "1000 Oceans" 4:19
Given the conditions under which the album was created, To Venus and Back is unique in that it does not have any studio tracks that serve as B-sides. Instead the album's singles are backed by live tracks recorded from the previous year's tour.
Following the theme of the album's second disc, which is composed of live tracks arranged similarly to an actual concert, the B-sides that appear on the album's singles are live songs performed solo with Amos on the piano. The chart above lists only the songs that were released as B-sides on singles from To Venus and Back.
The sole track recorded during the To Venus and Back recording sessions that does not appear on the album, nor as a B-side, is the nine-minute "Zero Point". Of the song's exclusion from the album, Amos has said that the song wasn't intentionally left off the album, rather an over-sensitivity about a certain gardening issue led "Dātura" to being included instead. The liner notes of To Venus and Back state, "Zero Point - your time is coming". The song was released seven years later on A Piano: The Collection (2006).
Tori Amos - Bösendorfer piano, synthesizers, vocals
Steve Caton – guitar
Jon Evans – bass
Matt Chamberlain – drums, percussion
Andy Gray – additional drum programming on "Suede", "Riot Poof" and "Dātura"
The album was supported by a short tour in 1999, the "Five and a Half Weeks Tour", which Amos co-headlined with Alanis Morissette beginning a month prior to the release of To Venus and Back. Many referred to Amos as the "opening act" for Morissette because she always performed first; however, this was due only to the logistics of setting up a grand piano for performance. An Amos-only stint, the "To Dallas and Back" tour, also took place, but promotional plans were cut when Amos suffered her third miscarriage in November 1999.
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To Venus and Back
Tori Amos Lyrics
1000 Oceans These tears I've cried I've cried 1,000 oceans and if it see…
Bliss Father I killed my monkey I let it out To…
Concertina Clouds descending I'm not policing What you think and drea…
Cooling Maybe I didn't like to hear But I still can't believe…
Datura Get out of my garden Passion vine Texas sage Indigo spires …
Dātura Get out of my garden Passion vine Texas sage Indigo spi…
Glory Of The 80's I took a taxi form LA to Venus In 1985…
Josephine Not tonight josephine. In an army's strength therein Lies …
Juarez Dropped off the edge again down in Juarez "Don't even bat…
Juárez Dropped off the edge again down in Juarez “don’t even bat an…
Lust Hey you gender nectar sifting Through the grain of gold…
Mr. Zebra Hello Mr. Zebra Can I have your sweater Cause it's cold cold…
Riot Poof You know what you know So you go and break the terror…
Spring Haze Well I know it's just a spring haze But I…
Suede Suede you always felt like suede There are days I…
Sugar Don't say morning's come Don't say it's up to me If I…