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Regulate
Warren G Lyrics


Regulators
We regulate any stealin' of his property
We're damn good too, but you can't be any geek off the street
You gotta be handy with the steel, if you know what I mean
Earn your keep
Regulators, mount up

It was a clear black night, a clear white moon
Warren G was on the streets, trying to consume
Some skirts for the eve, so I can get some phones
Rollin' in my ride, chillin' all alone

Just hit the eatside of the LBC
On a mission tryna find Mr. Warren G
Seen a car full of girls, ain't no need to tweak
All you skirts know what's up with 213

So I hooks a left on the 21 and Lewis
Some brothers shootin' dice, so I said, "Let's do this"
I jumped out the ride and said, "What's up?"
Some brothers pulled some gats, so I said, "I'm stuck"

Since these girls peepin' me I'ma glide and swerve
These hookers lookin' so hard they straight hit the curb
Onto bigger, better things than some horny tricks
I see my homie and some suckas all in his mix

I'm gettin' jacked, I'm breakin' myself
I can't believe they taking Warren's wealth
They took my rings, they took my Rolex
I looked at the brother said, "Damn, what's next?"

They got my homie hemmed up and they all around
Can't none of them see him if they going straight pound for pound
They wanna come up real quick before they start to clown
I best pull out my strap and lay them busters down

They got guns to my head
I think I'm going down
I can't believe it's happenin' in my own home town
If I had wings I would fly, let me contemplate
I glanced in the cut and I see my homie Nate

Sixteen in the clip and one in the hole
Nate Dogg is about to make some bodies turn cold
Now they droppin' and yellin', it's a tad bit late
Nate Dogg and Warren G had to regulate

I laid all them busters down, I let my gat explode
Now I'm switching my mind back into freak mode
If you want skirts, sit back and observe
I just left a gang of hoes over there on the curb

Now Nate got the freaks and that's a known fact
Before I got jacked I was on the same track
Back up, back up, 'cause it's on
N-A-T-E and me, the Warren to the G

Just like I thought, they were in the same spot
In need of some desperate help
The Nate Dogg and the G child
Were in need of something else
One of them dames was sexy as hell
I said, "Ooh I like your size"
She said "My car's broke down and you seem real nice, would you let me ride?"
I got a car full of girls and it's going real swell
The next stop is the Eastside Motel

I'm tweaking into a whole new era
G-funk, step to this, I dare ya
Funk on a whole new level

The rhythm is the bass and the bass is the treble

Chords, strings, we brings melody
G-funk, where rhythm is life and life is rhythm

If you know like I know
You don't wanna step to this
It's the G-funk era, funked out with a gangster twist
If you smoke like I smoke
Then you're high like everyday
And if your ass is a buster
213 will regulate

Lyrics © OLE MEDIA MANAGEMENT LP, Sony/ATV Music Publishing LLC, Royalty Network, Warner Chappell Music, Inc.
Written by: Jerry Leiber, Mike Stoller, Nathaniel Hale, Warren Iii Griffin

Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Most interesting comments from YouTube:

Mydoom.A

0:19
On a cool, clear night (typical to Southern California) Warren G travels through his neighborhood, searching for women with whom he might initiate sexual intercourse. He has chosen to engage in this pursuit alone.

*Nate Dogg, having just arrived in Long Beach, seeks Warren. Ironically, Nate passes a car full of women who are excited to see him. He insists to the women that there is no cause for excitement. *

Warren makes a left at 21st Street and Lewis Ave, where he sees a group of young men enjoying a game of dice together. He parks his car and greets them. He is excited to find people to play with, but to his chagrin, he discovers they intend to relieve him of his material possessions. Once the hopeful thieves reveal their firearms, Warren realizes he is in a considerable predicament. *

Meanwhile, Nate passes the women, as they are low on his list of priorities. His primary concern is locating Warren. After curtly casting away the strumpets (whose interest in Nate was such that they crashed their automobile), he serendipitously stumbles upon his friend, Warren G, being held up by the young miscreants. *

Warren, unaware that Nate is surreptitiously observing the scene unfold, is in disbelief that he's being robbed. The perpetrators have taken jewelry and a name brand designer watch from Warren, who is so incredulous that he asks what else the robbers intend to steal. This is most likely a rhetorical question. *

Observing these unfortunate proceedings, Nate realizes that he may have to use his firearm to deliver his friend from harm. *

The tension crescendos as the robbers point their guns to Warren's head. Warren senses the gravity of his situation. He cannot believe the events unfolding could happen in his own neighborhood. As he imagines himself escaping in a surreal fashion, he catches a glimpse of his friend, Nate. *

Nate has seventeen cartridges (sixteen residing in the pistol's magazine, with a solitary round placed in the chamber and ready to be fired) to expend on the group of robbers. Afterward, he generously shares the credit for neutralizing the situation with Warren, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them. *

Warren recalls that it was the promise of copulation that coaxed him away from his previous activities, and is thankful that Nate knows a way to satisfy these urges. Nate quickly finds the women who earlier crashed their car on Nate's account. He remarks to one that he is fond of her physical appeal. The woman, impressed by Nate's singing ability, asks that he and Warren allow her and her friends to share transportation. Soon, both friends are driving with automobiles full of women to the East Side Motel, presumably to consummate their flirtation in an orgy. *

The third verse is more expository, with Warren and Nate explaining their G Funk musical style. Warren displays his bravado by daring anyone to approach the style. There follows a brief discussion of the genre's musicological features, with special care taken to point out that in said milieu the rhythm is not in fact the rhythm, as one might assume, but actually the bass. Similarly the bass serves a purpose closer to that which the treble would in more traditional musical forms. Nate displays his bravado by claiming that individuals with equivalent knowledge could not even attempt to approach his level of lyrical mastery. Nate goes on to note that if any third party smokes as he does, they would find themselves in a state of intoxication almost daily (from Nate's other works, it can be inferred that the substance referenced is marijuana). Nate concludes his delineation of the night by issuing a threat to "busters," suggesting that he and Warren will further "regulate" any potential incidents in the future (presumably by engaging their antagonists with small arms fire).*



Andwele Harris

On a cool, clear night (typical to Southern California) Warren G travels through his neighborhood, searching for women with whom he might initiate sexual intercourse. He has chosen to engage in this pursuit alone.
Nate Dogg, having just arrived in Long Beach, seeks Warren. Ironically, Nate passes a car full of women who are excited to see him. He insists to the women that there is no cause for excitement.
Warren makes a left at 21st Street and Lewis Ave, where he sees a group of young men enjoying a game of dice together. He parks his car and greets them. He is excited to find people to play with, but to his chagrin, he discovers they intend to relieve him of his material possessions. Once the hopeful thieves reveal their firearms, Warren realizes he is in a considerable predicament.
Meanwhile, Nate passes the women, as they are low on his list of priorities. His primary concern is locating Warren. After curtly casting away the strumpets (whose interest in Nate was such that they crashed their automobile), he serendipitously stumbles upon his friend, Warren G, being held up by the young miscreants.
Warren, unaware that Nate is surreptitiously observing the scene unfold, is in disbelief that he's being robbed. The perpetrators have taken jewelry and a name brand designer watch from Warren, who is so incredulous that he asks what else the robbers intend to steal. This is most likely a rhetorical question.
Observing these unfortunate proceedings, Nate realizes that he may have to use his firearm to deliver his friend from harm.
The tension crescendos as the robbers point their guns to Warren's head. Warren senses the gravity of his situation. He cannot believe the events unfolding could happen in his own neighborhood. As he imagines himself escaping in a surreal fashion, he catches a glimpse of his friend, Nate.
Nate has seventeen cartridges (sixteen residing in the pistol's magazine, with a solitary round placed in the chamber and ready to be fired) to expend on the group of robbers. Afterward, he generously shares the credit for neutralizing the situation with Warren, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them.
Warren recalls that it was the promise of copulation that coaxed him away from his previous activities, and is thankful that Nate knows a way to satisfy these urges. Nate quickly finds the women who earlier crashed their car on Nate's account. He remarks to one that he is fond of her physical appeal. The woman, impressed by Nate's singing ability, asks that he and Warren allow her and her friends to share transportation. Soon, both friends are driving with automobiles full of women to the East Side Motel, presumably to consummate their flirtation in an orgy.
The third verse is more expository, with Warren and Nate explaining their G Funk musical style. Warren displays his bravado by daring anyone to approach the style. There follows a brief discussion of the genre's musicological features, with special care taken to point out that in said milieu the rhythm is not in fact the rhythm, as one might assume, but actually the bass. Similarly the bass serves a purpose closer to that which the treble would in more traditional musical forms. Nate displays his bravado by claiming that individuals with equivalent knowledge could not even attempt to approach his level of lyrical mastery. Nate goes on to note that if any third party smokes as he does, they would find themselves in a state of intoxication almost daily (from Nate's other works, it can be inferred that the substance referenced is marijuana). Nate concludes his delineation of the night by issuing a threat to "busters," suggesting that he and Warren will further "regulate" any potential incidents in the future (presumably by engaging their antagonists with small arms fire).



Carla Kannem

[G:]
Regulators
we regulate any stealing of his property
and we damn good too
But you can't be any geek off the street,
gotta be handy with the steel if you know what I mean, earn your keep!
REGULATORS!!! MOUNT UP!

[G:]
It was a clear black night, a clear white moon
Warren G was on the streets, trying to consume
some skirts for the eve, so I can get some funk
just rollin in my ride, chillin all alone

[Nate:]
Just hit the Eastside of the LBC
on a mission trying to find Mr. Warren G.
Seen a car full of girls ain't no need to tweak
all you skirts know what's up with 213

[G:]
So I hooks a left on the 21 and Lewis
some brothas shootin dice so I said "Let's do this"
I jumped out the ride, and said "What's up?"
some brothas pulled some gats so I said "I'm stuck."

[Nate:]
Since these girls peepin me I'ma glide and swerve
these hookers lookin so hard they straight hit the curb
Won'tcha think of better things than some horny tricks
I see my homey and some suckers all in his mix

[G:]
I'm gettin jacked, I'm breakin myself
I can't believe they taking Warren's wealth
they took my rings, they took my rolex
I looked at the brotha said "Damn, what's next?"

[Nate:]
They got my homey hemmed up and they all around
ain't none of them seeing if they going straight pound for pound
I gotta come up real quick before they start to clown
I best pull out my strap and lay them busters down

[G:]
They got guns to my head
I think I'm going down
I can't believe this happenin in my own town
If I had wings I could fly
let me contemplate
I glanced in the cut and I see my homey Nate

[Nate:]
Sixteen in the clip and one in the hole
Nate Dogg is about to make some bodies turn cold
now they droppin and yellin
it's a tad bit late
Nate Dogg and Warren G had to regulate

I laid all them busters down
I let my gat explode
now I'm switching my mind back into freak mode
if you want skirts sit back and observe
I just left a gang of those over there on the curb

[G:]
Now Nate got the freaks
and that's a known fact
before I got jacked I was on the same track
back up back up cause it's on
N A T E and me
the Warren to the G

[Nate:]
Just like I thought
they were in the same spot
in need of some desperate help
the Nate Dogg and the G-child
were in need of something else
one of them dames was sexy as hell
I said "ooo I like your size."
she said "my car's broke down and you seem real nice,
would ya let me ride?"
I got a car full of girls and it's going real swell
the next stop is the Eastside Motel

[G:]
I'm tweaking
into a whole new era
G-Funk
step to this
I dare ya
Funk
on a whole new level

[Nate:]
the rhythm is the bass and the bass is the treble

[G:]
Chords
Strings
We brings
Melody
G-Funk
where rhythm is life
and life is rhythm

[Nate:]
If you know like I know
you don't wanna step to this
It's the G-Funk era
funked out with a gangsta twist
if you smoke like I smoke
then you high like everyday
and if your ass is a buster
213 will regulate



Ian Honour

On a cool, clear night (typical to Southern California) Warren G travels through his neighborhood, searching for women with whom he might initiate sexual intercourse. He has chosen to engage in this pursuit alone.

Nate Dogg, having just arrived in Long Beach, seeks Warren. Ironically, Nate passes a car full of women who are excited to see him. He insists to the women that there is no cause for excitement.

Warren makes a left at 21st Street and Lewis Ave, where he sees a group of young men enjoying a game of dice together. He parks his car and greets them. He is excited to find people to play with, but to his chagrin, he discovers they intend to relieve him of his material possessions. Once the hopeful thieves reveal their firearms, Warren realizes he is in a considerable predicament.

Meanwhile, Nate passes the women, as they are low on his list of priorities. His primary concern is locating Warren. After curtly casting away the strumpets (whose interest in Nate was such that they crashed their automobile), he serendipitously stumbles upon his friend, Warren G, being held up by the young miscreants.

Warren, unaware that Nate is surreptitiously observing the scene unfold, is in disbelief that he’s being robbed. The perpetrators have taken jewelry and a name brand designer watch from Warren, who is so incredulous that he asks what else the robbers intend to steal. This is most likely a rhetorical question.

Observing these unfortunate proceedings, Nate realizes that he may have to use his firearm to deliver his friend from harm.

The tension crescendos as the robbers point their guns to Warren’s head. Warren senses the gravity of his situation. He cannot believe the events unfolding could happen in his own neighborhood. As he imagines himself escaping in a surreal fashion, he catches a glimpse of his friend, Nate.

Nate has seventeen cartridges to expend (sixteen residing in the pistol’s magazine, with a solitary round placed in the chamber and ready to be fired) on the group of robbers, and he uses many of them. Afterward, he generously shares the credit for neutralizing the situation with Warren, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them.

Warren recalls that it was the promise of copulation that coaxed him away from his previous activities, and is thankful that Nate knows a way to satisfy these urges.

Nate quickly finds the women who earlier crashed their car on Nate’s account. He remarks to one that he is fond of her physical appeal. The woman, impressed by Nate’s singing ability, asks that he and Warren allow her and her friends to share transportation. Soon, both friends are driving with automobiles full of women to the East Side Motel, presumably to consummate their flirtation in an orgy.

The third verse is more expository, with Warren and Nate explaining their G Funk musical style. Warren displays his bravado by claiming that individuals with equivalent knowledge could not even attempt to approach his level of lyrical mastery. There follows a brief discussion of the genre’s musicological features, with special care taken to point out that in said milieu the rhythm is not in fact the rhythm, as one might assume, but actually the bass. Similarly the bass serves a purpose closer to that which the treble would in more traditional musical forms. Nate goes on to note that if any third party smokes as he does, they would find themselves in a state of intoxication daily (from Nate’s other works, it can be inferred that the substance referenced is marijuana). Nate concludes his delineation of the night by issuing a vague threat to “busters,” suggesting that he and Warren will further “regulate” any potential incidents in the future (presumably by engaging their enemies with small arms fire).



All comments from YouTube:

Lovelyti TV

still can't believe it's been 20years since pac was killed and 22yrs since this song came out, damn how time flies! i STILL remember rapping this song word for word on the play ground, you couldn't tell us we was a part of 213 lol.
"and if your ass is a busta, 213 will regulateeeee!"🎵
R.I.P. Nate Dogg & 2Pac the game ain't the same, and thanks Warren G for everything you contributed to hiphop as well!🙌

WLMJR76

We are truly blessed to have lived during the '90s. The best time of my life.

Josue Giron

A real hip hop head speaking the fucking truth!!! People now won’t ever understand wtf your talking bout

Ac Ramirez

Same to you

Jimmy K

Much luv! 2020

Ac Ramirez

@Peachy Googles what's up

31 More Replies...

Sam Sapper

Before auto-tune there was Nate Dogg.

Al Hollywood

Before Nate Dogg, there was Michael Mcdonald

George Bland

Damn right!

Abed atieh

The Ficho he doesn't have to

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