Пахом и Прохор
Пахом и Прохор Alekseev is a two piece collaboration project from Moscow, R… Read Full Bio ↴Пахом и Прохор Alekseev is a two piece collaboration project from Moscow, Russia. Пахом delivers schizophasic vocals, claiming he has invented a new genre, according to which one doesn't need neither any common sense in lyrics, nor even a causation between adjacent lyrics' lines. Oftentimes Пахом uses self-invented non-existing words. Прохор assembles a subtle synthpop-esque musical background.
In the early 2013 the duo released the album Курлык.
During rare live gigs, Пахом usually don't bother himself to pay any attention to the original lyrics, performing impromptu. The words are almost unintelligible and the so called 'singing' itself is in fact a mumbling. Sometimes he's unable to distinguish one of his own song from another, resulting in a performing of one song along with the music from another. Later during the same session, the latter song may be performed one more time, when he recognizes a proper music, but the lyrics will be different anyway, due to the impromptu nature. Прохор rarely cares about Пахом's way of performing, rarely even saying a single word during the gig. The whole gig therefore is perceived by a public as a non-linear and uncommon performance.
At first thought, Пахом и Прохор's music can be classified as an avant-garde, experimental or even a post-postmodern creation, but thinking more thoroughly, it is a superb example of a good ol' turbo-chanson.
In the early 2013 the duo released the album Курлык.
During rare live gigs, Пахом usually don't bother himself to pay any attention to the original lyrics, performing impromptu. The words are almost unintelligible and the so called 'singing' itself is in fact a mumbling. Sometimes he's unable to distinguish one of his own song from another, resulting in a performing of one song along with the music from another. Later during the same session, the latter song may be performed one more time, when he recognizes a proper music, but the lyrics will be different anyway, due to the impromptu nature. Прохор rarely cares about Пахом's way of performing, rarely even saying a single word during the gig. The whole gig therefore is perceived by a public as a non-linear and uncommon performance.
At first thought, Пахом и Прохор's music can be classified as an avant-garde, experimental or even a post-postmodern creation, but thinking more thoroughly, it is a superb example of a good ol' turbo-chanson.
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