Abeer Nehme
Abeer Nehme (born 19 May 1980) is a Lebanese singer. She performs tradition… Read Full Bio ↴Abeer Nehme (born 19 May 1980) is a Lebanese singer. She performs traditional Tarab music, Lebanese traditional music, Rahbani music, and sacred music from the Maronite Syriac, Orthodox Syriac, and Byzantine traditions. In 2009 she joined Jean-Marie Riachi for the album Belaaks. The song "Belaaks" (On the Contrary) is a duet with Ramy Ayach and is an oriental jazz arrangement of "Quizás, quizás, quizás" in the Lebanese dialect.
Abeer Nehme is an exceptional singer and a musicologist from Lebanon, the country worldwide renowned for its unique cultural model that joins the charming heritage of the East to the modern classism of the West.
Abeer has been referred to as "The All Styles Specialist" because of her talent in performing dialogues between different styles of music with her amazing voice: Oriental modal traditional styles, Lebanese styles, Syriac Aramaic religious ethnic style, Greek Byzantine religious style and Opera and modern western styles.
Abeer is a Qanun player (an oriental traditional instrument) and earned a bachelor degree with the highest ever earned grade in oriental singing from the USEK University (Université Saint-Esprit de Kaslik). Her renown exceeded quickly the Lebanese audience to reach the Arab then the Greek and the Syriac international audiences.
As a professional in ethnic old music, Abeer interpreted, amongst other interpretations, a complete album of traditional Orthodox Syriac chants (a dialect of Aramaic) with the Syrian National Philharmonic Orchestra under the patronage of the Syriac Patriarch of Antioch, his Holiness Moran Mor Ignatios Zakka Iwas II.
As an Oriental modern singer, this elegant performer played the leading role in various musical plays. Abeer participated as an honored guest amongst major superstars in international festivals throughout the world, and preformed as a soloist in several concerts accompanied by various International Philharmonic Orchestras among which the National Philharmonic Orchestra of Greece, Germany, Egypt, Tunisia etc "Abirou Salati" (Aroma of my prayer) is a spiritual journey through different styles of music; from the old music traditions of the fathers of the church, traditions of prayer and profound spiritualism, to the modernism of the people of God in the twenty first century, a modernism of grandiosity and majesty.
Abeer Nehme is an exceptional singer and a musicologist from Lebanon, the country worldwide renowned for its unique cultural model that joins the charming heritage of the East to the modern classism of the West.
Abeer has been referred to as "The All Styles Specialist" because of her talent in performing dialogues between different styles of music with her amazing voice: Oriental modal traditional styles, Lebanese styles, Syriac Aramaic religious ethnic style, Greek Byzantine religious style and Opera and modern western styles.
Abeer is a Qanun player (an oriental traditional instrument) and earned a bachelor degree with the highest ever earned grade in oriental singing from the USEK University (Université Saint-Esprit de Kaslik). Her renown exceeded quickly the Lebanese audience to reach the Arab then the Greek and the Syriac international audiences.
As a professional in ethnic old music, Abeer interpreted, amongst other interpretations, a complete album of traditional Orthodox Syriac chants (a dialect of Aramaic) with the Syrian National Philharmonic Orchestra under the patronage of the Syriac Patriarch of Antioch, his Holiness Moran Mor Ignatios Zakka Iwas II.
As an Oriental modern singer, this elegant performer played the leading role in various musical plays. Abeer participated as an honored guest amongst major superstars in international festivals throughout the world, and preformed as a soloist in several concerts accompanied by various International Philharmonic Orchestras among which the National Philharmonic Orchestra of Greece, Germany, Egypt, Tunisia etc "Abirou Salati" (Aroma of my prayer) is a spiritual journey through different styles of music; from the old music traditions of the fathers of the church, traditions of prayer and profound spiritualism, to the modernism of the people of God in the twenty first century, a modernism of grandiosity and majesty.
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Abeer Nehme Lyrics
Aamel Nasini إعمل ناسيني يا تاعبني معاك خليني على نار كده بالأيام سهر لي…
Addaysh Bhebak أنا لمّا بشوفك بحلم فيك اللي عم بتداوي جروحي أنا ليش…
Baadni Bhebak بحبك، بعدني بحبك وكل شي خصوا فينا بيزعلني صعبة، شيلك من قلبي…
Bala Ma Nhess خوفي قول لك شو بحس لك ونبطل أصحاب وتبرم فينا الدنيا…
Belaaks قلت لي بتحبيني وع طول مش راح تنسيني شو صار تعاملتينى…
Bi Saraha بصراحة هيدي أوّل مَرّة بحب بصراحة هيدي كذبة كل شاب بيقل لي…
Byeba Nas بيبقى ناس تسهر حدك ليالي قلبها بينباس بيرخص لها العمر الغالي…
El Meelad El Jayi في مغارة وشجرة مضواية في شمعة حمرا وصورة قديمة ع المراية وفي…
Fallou فلوا اللي كانوا معي والبيت صار حجار لا سقف حامل سقف…
Fi Asfour في عصفور على العالي، عّم بيدور فوق الدوالي جايّ لحاله طالع…
Fi Safari في سفري وترحالي حلمي وفي دروب الشمسِ يَسري دمي لممالك الشعر …
Flute أنحت مزماراً من عظامي يغني إشتياقك، يغني إشتياقك يا ليل، يا …
Haidi El Deni مرات بتوعى وما بتعرف من شو زعلان مرات بتوعى وبتقضي نهارك…
Hikayi ضويت بشباكي شمعة وفي بقلبي حكاية وكل ما الشمعة تسكب دمعة…
Kil Ma T'illi كل ما تقل لي إنك جاي بصير بشوف الوقت مراية عم يتمرى…
Kirmali كرمالي لا بقى تسأل، لا بقى تسأل كرمالي مين اللي فينا…
Ossotna حبيبي الهيئة بكرة مطوّل مافي شي بالإيد حبيبي الماضي أنا وإنت…
Saggan سجّان قافل عليّ بيبان وعملت لي قلبان قلبي اللي كان غلبان ذاي…
Sawt صوت الندِى لمِّن بيبوس الزهر صوت الهوا الماشي عَوجّ النهر صو…
Shou Bheb شو بحب يكثروا الأيام شو بحب عيدك كل سنة شو بحب قل…
Talfantelak تلفنتلك قلت بقلك مش وحدي بس إشتقتلك كلشي فيي عطر ثيابي دقة ق…
Wada't El Layl كل شي بيذكرني فيك ، مابدي إتذكرو كل شي خصو بماضيك…
Waynak وينك وينك شو أخبارك قلي بعدك بتحنلي بعدا التطليعة بعيونك بتو…
Ya Tara شو صاير يا ترى, ما فيي كمل هيك حبي ماشي لورى,…
Rivka Alam
on Shlom Lekh Mariam
So beautiful