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Almir Guineto
Almir Guineto (Almir de Souza Serra, 12 July 1946 - 5 May 2017) was a Brazilian sambista, singer, songwriter and instrumentalist, working in the genres of samba and pagode.
Almir Guineto was director of the samba school Salgueiro, a founder of the Fundo de Quintal samba group, and integrated the Originais do Samba group for 10 years before leaving for a solo career. Born on the Salgueiro hills in Rio de Janeiro in a family of musicians, he is credited as the man who introduced the banjo to samba Read Full BioAlmir Guineto (Almir de Souza Serra, 12 July 1946 - 5 May 2017) was a Brazilian sambista, singer, songwriter and instrumentalist, working in the genres of samba and pagode.
Almir Guineto was director of the samba school Salgueiro, a founder of the Fundo de Quintal samba group, and integrated the Originais do Samba group for 10 years before leaving for a solo career. Born on the Salgueiro hills in Rio de Janeiro in a family of musicians, he is credited as the man who introduced the banjo to samba, and is recognized as one of the main fathers of pagode.
Almir first knew success when his partido "Mordomia" won the first prize in the 1981 MPB-Shell festival. A frequenter of the Cacique de Ramos roda de samba, he took part in the first record of Fundo de Quintal, but by the time of their second album he had already left the group to guide his talent through solo career. At the start of his career, his famous song "Saco Cheio" (Everything that is made on earth/God's name is thrown in the midst/God must be pissed off) came to raise protests from Rio de Janeiro's archbishop, D. Eugênio Sales.
Besides being very famous as a performer, Almir enjoys a lot of recognition as a songwriter, with many songs recorded by artists such as Beth Carvalho, who considers him one of her favourite song sources, Zeca Pagodinho, Dorina and others. Almir is regarded as an artist of the povão, for the big masses know his hits very well. His songs are the most sang-along in parties and reunions where samba is played on account of their popularity.
Almir Guineto has over 12 records edited in Brazil, the first one being O Suburbano, from 1981. His records have a particular samba sound that became trademarked as Almir's, frequently with strong use of the banjo, and with Mauro Diniz often being responsible for the cavaquinho.
His potent, raucous voice is another trademark, which some call a "force of nature". Among his greatest hits are the songs "Conselho", "Insensato Destino", "Rendição", "Pedi ao Céu" and "É, Pois É", the last two even more famous in the voice of Beth Carvalho. One of his most important records is the self-titled Almir Guineto from 1986, which opens with the afro-inspired "Caxambú". "Mãos" is one of his greatest hits in Zeca's voice.
Almir Guineto is respected in Brazil, as one of the most important sambistas.
Discography
Todos os Pagodes (2001)
Almir Guineto (1999)
Pés (1997)
Acima de Deus, só Deus (1995)
Pele de Chocolate (1993)
De Bem com a Vida (1991)
Jeito de Amar (1989)
Olhos da Vida (1988)
Perfume de Champagne (1987)
Almir Guineto (1986)
Sorriso Novo (1985)
A Chave do Perdão (1982)
O Suburbano (1981)
Almir Guineto was director of the samba school Salgueiro, a founder of the Fundo de Quintal samba group, and integrated the Originais do Samba group for 10 years before leaving for a solo career. Born on the Salgueiro hills in Rio de Janeiro in a family of musicians, he is credited as the man who introduced the banjo to samba Read Full BioAlmir Guineto (Almir de Souza Serra, 12 July 1946 - 5 May 2017) was a Brazilian sambista, singer, songwriter and instrumentalist, working in the genres of samba and pagode.
Almir Guineto was director of the samba school Salgueiro, a founder of the Fundo de Quintal samba group, and integrated the Originais do Samba group for 10 years before leaving for a solo career. Born on the Salgueiro hills in Rio de Janeiro in a family of musicians, he is credited as the man who introduced the banjo to samba, and is recognized as one of the main fathers of pagode.
Almir first knew success when his partido "Mordomia" won the first prize in the 1981 MPB-Shell festival. A frequenter of the Cacique de Ramos roda de samba, he took part in the first record of Fundo de Quintal, but by the time of their second album he had already left the group to guide his talent through solo career. At the start of his career, his famous song "Saco Cheio" (Everything that is made on earth/God's name is thrown in the midst/God must be pissed off) came to raise protests from Rio de Janeiro's archbishop, D. Eugênio Sales.
Besides being very famous as a performer, Almir enjoys a lot of recognition as a songwriter, with many songs recorded by artists such as Beth Carvalho, who considers him one of her favourite song sources, Zeca Pagodinho, Dorina and others. Almir is regarded as an artist of the povão, for the big masses know his hits very well. His songs are the most sang-along in parties and reunions where samba is played on account of their popularity.
Almir Guineto has over 12 records edited in Brazil, the first one being O Suburbano, from 1981. His records have a particular samba sound that became trademarked as Almir's, frequently with strong use of the banjo, and with Mauro Diniz often being responsible for the cavaquinho.
His potent, raucous voice is another trademark, which some call a "force of nature". Among his greatest hits are the songs "Conselho", "Insensato Destino", "Rendição", "Pedi ao Céu" and "É, Pois É", the last two even more famous in the voice of Beth Carvalho. One of his most important records is the self-titled Almir Guineto from 1986, which opens with the afro-inspired "Caxambú". "Mãos" is one of his greatest hits in Zeca's voice.
Almir Guineto is respected in Brazil, as one of the most important sambistas.
Discography
Todos os Pagodes (2001)
Almir Guineto (1999)
Pés (1997)
Acima de Deus, só Deus (1995)
Pele de Chocolate (1993)
De Bem com a Vida (1991)
Jeito de Amar (1989)
Olhos da Vida (1988)
Perfume de Champagne (1987)
Almir Guineto (1986)
Sorriso Novo (1985)
A Chave do Perdão (1982)
O Suburbano (1981)
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Caxambu
by Almir Guineto
Intro: G G6 G G6 see D7 G
G D7 G
Olha vamos na dança do Caxambu
see G Am
Saravá, jongo, saravá Engoma, meu filho que eu quero ver
D7 G Am
Você rodar até o amanhecer Engoma, meu filho que eu quero ver
D7 G
Você rodar até o amanhecer
G see
O tambom tá batendo é pra valer
G
É na palma da mão que eu quero ver
Am
O tambor tá batendo é pra valer
D7 G
E na palma da mão que eu quero ver
D7 G see G
Dona Celestina me da água pra beber
see G see G
Se você não me der água vou falar mau de você
D7 G see G
Deu meia noite. o galo já cantou
see G D7 G
Na igreja bate o sino é na dança do jogo que eu vou
D7 G see G
Deu meia noite. o galo já cantou
see G D7 G
Na igreja bate o sino é na dança do jogo que eu vou
G see G see
Carreiro novo que não sabe carrear
G see G D7
O carro tomba e o boi fica no lugar
G see G see
Carreiro novo que não sabe carrear
G see G D7
O carro tomba e o boi fica no lugar
see G
Quem nunca viu vem ver caldeirão sem fundo ferver
Am D7 G
Quem nunca viu vem ver caldeirão sem fundo ferver
"Repete segunda parte"
G see G
O tambom tá batendo é pra valer É na palma da mão que eu querover
Am G
Lyrics © Warner/Chappell Music, Inc.
Written by: ELCIO FRANCISCO DOS SANTOS, JORGE BAZILIO DOS SANTOS, JORGE DOS SANTOS, JOSE FRANCISCO DOS SANTOS
Lyrics Licensed & Provided by LyricFind
by Almir Guineto
Intro: G G6 G G6 see D7 G
G D7 G
Olha vamos na dança do Caxambu
see G Am
Saravá, jongo, saravá Engoma, meu filho que eu quero ver
D7 G Am
Você rodar até o amanhecer Engoma, meu filho que eu quero ver
D7 G
Você rodar até o amanhecer
G see
O tambom tá batendo é pra valer
G
É na palma da mão que eu quero ver
Am
O tambor tá batendo é pra valer
D7 G
E na palma da mão que eu quero ver
D7 G see G
Dona Celestina me da água pra beber
see G see G
Se você não me der água vou falar mau de você
D7 G see G
Deu meia noite. o galo já cantou
see G D7 G
Na igreja bate o sino é na dança do jogo que eu vou
D7 G see G
Deu meia noite. o galo já cantou
see G D7 G
Na igreja bate o sino é na dança do jogo que eu vou
G see G see
Carreiro novo que não sabe carrear
G see G D7
O carro tomba e o boi fica no lugar
G see G see
Carreiro novo que não sabe carrear
G see G D7
O carro tomba e o boi fica no lugar
see G
Quem nunca viu vem ver caldeirão sem fundo ferver
Am D7 G
Quem nunca viu vem ver caldeirão sem fundo ferver
"Repete segunda parte"
G see G
O tambom tá batendo é pra valer É na palma da mão que eu querover
Am G
Lyrics © Warner/Chappell Music, Inc.
Written by: ELCIO FRANCISCO DOS SANTOS, JORGE BAZILIO DOS SANTOS, JORGE DOS SANTOS, JOSE FRANCISCO DOS SANTOS
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
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