Amanda Shaw
When Amanda Shaw takes the stage, the petite fiddler commands the attention… Read Full Bio ↴When Amanda Shaw takes the stage, the petite fiddler commands the attention of the audience with a poignant and rhythmic sound that only a Louisiana prodigy could deliver. At the transitional age of 19, Amanda Shaw is a powerful performer, composer, and arranger who has been touring nationally and internationally since she was eight years old. She has recorded three critically-acclaimed albums, won a Big Easy Award for Best Female Entertainer and has even had two feature roles in Disney movies. The New Orleans native is a pioneer of the new breed of young, roots-based musicians who have embraced both the traditional sounds of Louisiana and the pop sounds of the mainstream.
Like many prolific artists, Amanda was engaged in music from a very early age becoming a classically trained violinist who--at the age of eight--became the youngest soloist with the Baton Rouge Symphony. As her talent matured, so did her taste in music. Her parents nurtured her musical foundation by immersing their daughter in every diverse style that the universally recognized epicenter of music, New Orleans, has to offer. “I love how I can go anywhere in New Orleans and here an electric Jazz rift coming from one corner, and then a traditional Creole tune on the other,” exclaims Shaw. The Delta Blues, Zydeco, Jazz, and Brass are just a sampling of Amanda’s musical influences.
However, it was the emotional and passionate rhythm of the Cajun fiddle that drew Amanda’s musical ear. Amanda counts Loretta Lynn, Dolly Parton, Chrissie Hynde, and Bonnie Raitt as her primary influences. Not only for their strong vocals and powerful styles, but also because they broke new ground with their crossover success and successfully integrating the sound of their roots to the mainstream. Amanda has spent her youth implementing the same mission as her role models, becoming one of the leading Cajun fiddlers today. Her deep talent led to becoming one of the youngest headliners at music festivals not only throughout the country, but also the world!
Ms. Shaw is now ready to take the national stage with her fourth album, Good Southern Girl, and re-introduce herself to the industry as an adult. The album is the first to capture her effervescent spirit of a live performance, and showcase her ability to expand her musical repertoire. This can be mostly attributed to the record’s Producer Trina Shoemaker, the first woman to win a Grammy for Best Engineered Album, which she earned for Sheryl Crow’s acclaimed, The Globe Sessions. While recording in the New Orleans-based studio, the Music Shed, Trina pushed the songstress to previously unrealized heights, which is clearly translated in the tone and quality of the album.
“This album is so great because you can hear creative freedom radiate through every second of its 42 minutes. Not many artists, or record producers for that matter, are given the keys to the studio so to speak. Poorman Mayfield provided the resources and let Amanda and I collaborate from there”, says Shoemaker.
They began by adhering to Amanda’s traditional track selection formula, which consists of original tunes, classic covers, as well as traditional fiddle-fare. Her talent for songwriting and composing shines in two of the four original songs, Good Southern Girl and Cruise. "I love sharing my own songs with the world. I describe my title track, Good Southern Girl, as a tribute to what I value most: good music, good food, good life." The five classic covers range from a playful and bluesy rendition of Sam Cooke’s That’s It I Quit, to a rocking showcase of non-stop fiddling energy in Jefferson Starship’s Git Fiddler from their Red Octopus record. The album ends with Blues de la Frontier, one of the first traditional Cajun tunes that Amanda ever learned. A crowd favorite, it has a special place in Amanda’s heart as the song she can always call to and know that the energy is going to crank up a few notches. It is a fun and poetic bookend to this diverse, yet remarkably cohesive album.
Shaw was in elementary school when she made her national television debut on The Rosie O'Donnell Show. Her first two self-released albums, Little Black Dog and I’m Not a Bubblegum Pop Princess, have consistently been among the top ten best sellers at the New Orleans Jazz and Heritage Festival, where she has drawn record crowds since she was 10. Following roles in the Disney movies, Stuck in the Suburbs (2004) and Now You See It (2005), she was tapped for the title role in the hit series Hannah Montana. In a move that exemplifies the then young teen’s focus of an artist well beyond her years, Amanda Shaw took the road less traveled and declined. Rather than signing with Disney, she accepted an offer to join Rounder Records, the famous independent record label that has upheld their focus of celebrating roots music. Two years later her critically acclaimed third album, Pretty Runs Out, made its debut with Billboard Magazine listing it as one of their “Best Bets of 2008.”
Good Southern Girl marks Amanda’s debut with Poorman Mayfield, the newly established record label by world-renowned jazz musician and fellow New Orleans native, Irvin Mayfield. The two stars share a similar passion that reaches past the bounds of their individual success. Mayfield proclaims, “With all of my pursuits, Jazz is the starting point. It is both the tool for my success, as well as the beneficiary of it. In much the same way, Cajun music is the foundation for all of Amanda’s work; it is her way to transform the listener's experience and to embark into her very own genre of music.”
In 2009, Ms. Shaw was recognized as the Emerging Cultural Leader by the State of Louisiana. She takes her role as ambassador for her home state very seriously. “I bring New Orleans with me everywhere I go. All that I want is to live every day to the fullest and share my love of the city with the rest of the world.” With the Spring 2010 release of Good Southern Girl, Shaw succeeds in translating the culture, vibrancies, and eclectic spirit of Louisiana to the rest of the world under the guise of a perfectly assembled 13-track set.
Like many prolific artists, Amanda was engaged in music from a very early age becoming a classically trained violinist who--at the age of eight--became the youngest soloist with the Baton Rouge Symphony. As her talent matured, so did her taste in music. Her parents nurtured her musical foundation by immersing their daughter in every diverse style that the universally recognized epicenter of music, New Orleans, has to offer. “I love how I can go anywhere in New Orleans and here an electric Jazz rift coming from one corner, and then a traditional Creole tune on the other,” exclaims Shaw. The Delta Blues, Zydeco, Jazz, and Brass are just a sampling of Amanda’s musical influences.
However, it was the emotional and passionate rhythm of the Cajun fiddle that drew Amanda’s musical ear. Amanda counts Loretta Lynn, Dolly Parton, Chrissie Hynde, and Bonnie Raitt as her primary influences. Not only for their strong vocals and powerful styles, but also because they broke new ground with their crossover success and successfully integrating the sound of their roots to the mainstream. Amanda has spent her youth implementing the same mission as her role models, becoming one of the leading Cajun fiddlers today. Her deep talent led to becoming one of the youngest headliners at music festivals not only throughout the country, but also the world!
Ms. Shaw is now ready to take the national stage with her fourth album, Good Southern Girl, and re-introduce herself to the industry as an adult. The album is the first to capture her effervescent spirit of a live performance, and showcase her ability to expand her musical repertoire. This can be mostly attributed to the record’s Producer Trina Shoemaker, the first woman to win a Grammy for Best Engineered Album, which she earned for Sheryl Crow’s acclaimed, The Globe Sessions. While recording in the New Orleans-based studio, the Music Shed, Trina pushed the songstress to previously unrealized heights, which is clearly translated in the tone and quality of the album.
“This album is so great because you can hear creative freedom radiate through every second of its 42 minutes. Not many artists, or record producers for that matter, are given the keys to the studio so to speak. Poorman Mayfield provided the resources and let Amanda and I collaborate from there”, says Shoemaker.
They began by adhering to Amanda’s traditional track selection formula, which consists of original tunes, classic covers, as well as traditional fiddle-fare. Her talent for songwriting and composing shines in two of the four original songs, Good Southern Girl and Cruise. "I love sharing my own songs with the world. I describe my title track, Good Southern Girl, as a tribute to what I value most: good music, good food, good life." The five classic covers range from a playful and bluesy rendition of Sam Cooke’s That’s It I Quit, to a rocking showcase of non-stop fiddling energy in Jefferson Starship’s Git Fiddler from their Red Octopus record. The album ends with Blues de la Frontier, one of the first traditional Cajun tunes that Amanda ever learned. A crowd favorite, it has a special place in Amanda’s heart as the song she can always call to and know that the energy is going to crank up a few notches. It is a fun and poetic bookend to this diverse, yet remarkably cohesive album.
Shaw was in elementary school when she made her national television debut on The Rosie O'Donnell Show. Her first two self-released albums, Little Black Dog and I’m Not a Bubblegum Pop Princess, have consistently been among the top ten best sellers at the New Orleans Jazz and Heritage Festival, where she has drawn record crowds since she was 10. Following roles in the Disney movies, Stuck in the Suburbs (2004) and Now You See It (2005), she was tapped for the title role in the hit series Hannah Montana. In a move that exemplifies the then young teen’s focus of an artist well beyond her years, Amanda Shaw took the road less traveled and declined. Rather than signing with Disney, she accepted an offer to join Rounder Records, the famous independent record label that has upheld their focus of celebrating roots music. Two years later her critically acclaimed third album, Pretty Runs Out, made its debut with Billboard Magazine listing it as one of their “Best Bets of 2008.”
Good Southern Girl marks Amanda’s debut with Poorman Mayfield, the newly established record label by world-renowned jazz musician and fellow New Orleans native, Irvin Mayfield. The two stars share a similar passion that reaches past the bounds of their individual success. Mayfield proclaims, “With all of my pursuits, Jazz is the starting point. It is both the tool for my success, as well as the beneficiary of it. In much the same way, Cajun music is the foundation for all of Amanda’s work; it is her way to transform the listener's experience and to embark into her very own genre of music.”
In 2009, Ms. Shaw was recognized as the Emerging Cultural Leader by the State of Louisiana. She takes her role as ambassador for her home state very seriously. “I bring New Orleans with me everywhere I go. All that I want is to live every day to the fullest and share my love of the city with the rest of the world.” With the Spring 2010 release of Good Southern Girl, Shaw succeeds in translating the culture, vibrancies, and eclectic spirit of Louisiana to the rest of the world under the guise of a perfectly assembled 13-track set.
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Amanda Shaw Lyrics
Brick Wall You call my number Slow at night Boy Your spoiling for a fig…
Chirmolito Humba and Tonio From Tijuana, Mexico Hard workin' people …
Easy On Your Way Out Hey, boy Looking fine You're ok boy Do you feel alright You…
Garden of Eden Hey, look in the air There's smoke filling everywhere And, t…
Gone Look at all Those fancy clothes But these gonna keep us Warm…
I Don't Want to Be Your Friend I don't wanna see your face I don't wanna hear your…
Pretty Runs Out I'm not my cowboy boots I'm not my faded jeans I'm not…
What's Wrong With You I don't think You understand My circumstance My motivation I…
What's Wrong With You? I don't think You understand My circumstance My motivation I…
Woulda Coulda Shoulda You could have been a good for my body, boy Not…