BAYNK
Pushing beyond his playlist origins, the New Zealand producer’s debut album… Read Full Bio ↴Pushing beyond his playlist origins, the New Zealand producer’s debut album revels in eccentric details while adhering to traditional pop structures. Like so many electronic artists in the mid-’10s, New Zealand’s BAYNK (Jock Nowell-Usticke) got his start making chill, pop-adjacent songs that seemed primed for placement in mood-based playlists. His early attempts at surf-bro EDM sounded like what Kygo and LeMarquis were putting out on SoundCloud at the time; he used his voice sparingly, mainly as material to be sampled. In the years since, though, he has refined his palette. On 2017’s Someone’s EP I and 2019’s Someone’s EP II, his percussion took on the rhythmic impulse of Four Tet, and his rubbery basslines and glossy experimentalism were reminiscent of early Cashmere Cat and Flume. Using his Auto-Tuned falsetto to further texturize his songs, BAYNK’s fusion of house, R&B, and pop soon set him apart from the many similar acts scattered throughout the scene.
Adolescence is BAYNK’s most meticulous work to date. It revels in eccentric, distinctive details while adhering to traditional pop structures. Most arrangements consist of grainy synth loops, plucky subs, and house-inspired drums; his digital sounds are drenched in reverb and slapped with sidechain. On the Cosmo’s Midnight-assisted “How Does it Feel?” languid synth pulses and a funky bassline give way to some of the sharpest vocal melodies on the album. “Remember,” which features Rainsford, exhibits BAYNK’s talent for peeling a heavily layered song back to its component parts before climaxing into an ecstatic yet graceful drop. This is dance music for headphones, club music for late-night walks.
The best songs on Adolescence bend toward straightforward pop formulas and, tellingly, include non-electronic instruments. “Mine” is led by quiet piano and spacey guitar, while standout “Naked” blends acoustic elements and electric bass with shimmering synths. BAYNK gives his best vocal performances here: “Get caught up on trying to pin you down/Your fingers ’round my neck, they’re feeling soft now," he coos on “Naked,” evoking the warm upper register of Whitney’s Julien Ehrlich. He’s not a great singer, as Tinashe makes plain when she steals the show on “Esther”; he scrubs clean his imperfections with layers of automation, delay, and reverb. Still, BAYNK has a keen ear for melody and knows his limits, wisely ceding the mic to guests while he works the boards.
The album is nominally a concept record about the immediacy of youth and romantic first experiences. “I went through this period of not being able to write anything,” BAYNK told Apple Music. Being in a “stable and happy relationship” wasn’t conducive to inspiration, so to get around his writer’s block, he returned to the creative cocoon of “first love.” Lyrically, the album is imagistic and vague, depicting half-baked scenes of lying in the sun, holding hands in a car, and walking through fields. The narrative never coalesces into anything meaningful, and its emotional pull wanes quickly. First love invigorates but rarely sustains; it’s BAYNK’s elastic and original production that propels the album forward, the pulse of the beat begging us to feel something beyond recognition.
Adolescence is BAYNK’s most meticulous work to date. It revels in eccentric, distinctive details while adhering to traditional pop structures. Most arrangements consist of grainy synth loops, plucky subs, and house-inspired drums; his digital sounds are drenched in reverb and slapped with sidechain. On the Cosmo’s Midnight-assisted “How Does it Feel?” languid synth pulses and a funky bassline give way to some of the sharpest vocal melodies on the album. “Remember,” which features Rainsford, exhibits BAYNK’s talent for peeling a heavily layered song back to its component parts before climaxing into an ecstatic yet graceful drop. This is dance music for headphones, club music for late-night walks.
The best songs on Adolescence bend toward straightforward pop formulas and, tellingly, include non-electronic instruments. “Mine” is led by quiet piano and spacey guitar, while standout “Naked” blends acoustic elements and electric bass with shimmering synths. BAYNK gives his best vocal performances here: “Get caught up on trying to pin you down/Your fingers ’round my neck, they’re feeling soft now," he coos on “Naked,” evoking the warm upper register of Whitney’s Julien Ehrlich. He’s not a great singer, as Tinashe makes plain when she steals the show on “Esther”; he scrubs clean his imperfections with layers of automation, delay, and reverb. Still, BAYNK has a keen ear for melody and knows his limits, wisely ceding the mic to guests while he works the boards.
The album is nominally a concept record about the immediacy of youth and romantic first experiences. “I went through this period of not being able to write anything,” BAYNK told Apple Music. Being in a “stable and happy relationship” wasn’t conducive to inspiration, so to get around his writer’s block, he returned to the creative cocoon of “first love.” Lyrically, the album is imagistic and vague, depicting half-baked scenes of lying in the sun, holding hands in a car, and walking through fields. The narrative never coalesces into anything meaningful, and its emotional pull wanes quickly. First love invigorates but rarely sustains; it’s BAYNK’s elastic and original production that propels the album forward, the pulse of the beat begging us to feel something beyond recognition.
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BAYNK Lyrics
1 Chance One chance to take it all back Be forgiven I'll give you,…
About Me You know about me You know, you know about me, about…
Be in Love I could tell that she wanna love Looking for someone to…
Could You Oh-oh, be there Oh-oh, be there Oh-oh, be there Oh-oh, be th…
DOWN Laughing in the water Curling up beside ya On the bed Bed L…
Esther Oh, I've been waiting for you to show tonight too…
Feel If you go, I don't wanna know My dad said you…
Find You Find, find you yeah Find, find you I can't find (yeah) you …
Go with U I'll go with you, with you, ah Crazy, staring at your…
How Does It Feel? If you go, I don't wanna know My dad said you…
Mine You're there shining brightly But I know you're guarding And…
Naked Face down I get excited when you come around Get caught up…
Off Limits If you got something to say Just say it right away Don't…
Poolside Sitting poolside Wondering if I'll find a girl like you Or i…
Settle It's not what you say to me No, it's just the…
Touch Me Touch me, hold my hand Touch me, hold my hand Touch me,…
Want 2 Boy, you had it from the start Played the game, you…
Water Something's in the water and it's giving people nightmares S…
What You Need Boy, you had it from the start Played the game, you…
When I'm Alone Up in my mind, there's a place I go Trees, open…
Years My light shatters through when my blood boils for you I…