Barbara Schlick
Barbara Schlick [b. July 21, 1943 - Würzburg, Germany]
The admired G… Read Full Bio ↴Barbara Schlick [b. July 21, 1943 - Würzburg, Germany]
The admired German soprano, Barbara Schlick, studied at the College of Music in Würzburg with Henriette Klink-Schneider and with Hilde Wesselmann in Essen, later with Gisela Rohmert and Rudolf Piernay.
In 1966 Barbara Schlick joined Adolf Scherbaum’s Baroque ensemble as a soloist, and began to sing widely in Europe. In 1972 she toured North America as soloist with Paul Kuentz and his chamber orchestra. In subsequent years she established a strong international reputation as an interpreter of baroque and classic music, performing in nearly all of the important musical centres of Europe, Israel, Japan, Canada, America and Russia. At noted festivals of early music (Ansbach, Berlin, Bruges, Göttingen, Lisbon, London, Paris) she has worked together with directors such as Frans Brüggen, William Christie, Michel Corboz, Reinhard Goebel, Philippe Herreweghe, René Jacobs, Ton Koopman, Sigiswald Kuijken and Karl Friedrich Beringer.
Barbara Schlick's interpretations are comprehensively documented through radio, television, and CD-recordings, among others G.P. Telemann’s cantata ‘Ino’ with Musica Antiqua Cologne (Archiv Produktion), J.S. Bach’ St John Passion (BWV 245), St Matthew Passion (BWV 244), B minor Mass (BWV 232) and Christmas Oratorio (BWV 248) under Philippe Herreweghe, as well as G.F. Händel’s opera ‘Giulio Cesare’ under René Jacobs (Harmonia Mundi France). Together with the counter-tenor Kai Wessel she has recorded songs and duets of Max Reger (Cavalli-Records).
Most recently, Barbara Schlick has devoted much of her energy to lied interpretation and gives frequent recitals with pianist Elzbieta Kalvelage.
Since 1997 Barbara Schlick has been professor at the College of Music in Cologne and guest instructor at the College of Music in Maastricht.
The admired G… Read Full Bio ↴Barbara Schlick [b. July 21, 1943 - Würzburg, Germany]
The admired German soprano, Barbara Schlick, studied at the College of Music in Würzburg with Henriette Klink-Schneider and with Hilde Wesselmann in Essen, later with Gisela Rohmert and Rudolf Piernay.
In 1966 Barbara Schlick joined Adolf Scherbaum’s Baroque ensemble as a soloist, and began to sing widely in Europe. In 1972 she toured North America as soloist with Paul Kuentz and his chamber orchestra. In subsequent years she established a strong international reputation as an interpreter of baroque and classic music, performing in nearly all of the important musical centres of Europe, Israel, Japan, Canada, America and Russia. At noted festivals of early music (Ansbach, Berlin, Bruges, Göttingen, Lisbon, London, Paris) she has worked together with directors such as Frans Brüggen, William Christie, Michel Corboz, Reinhard Goebel, Philippe Herreweghe, René Jacobs, Ton Koopman, Sigiswald Kuijken and Karl Friedrich Beringer.
Barbara Schlick's interpretations are comprehensively documented through radio, television, and CD-recordings, among others G.P. Telemann’s cantata ‘Ino’ with Musica Antiqua Cologne (Archiv Produktion), J.S. Bach’ St John Passion (BWV 245), St Matthew Passion (BWV 244), B minor Mass (BWV 232) and Christmas Oratorio (BWV 248) under Philippe Herreweghe, as well as G.F. Händel’s opera ‘Giulio Cesare’ under René Jacobs (Harmonia Mundi France). Together with the counter-tenor Kai Wessel she has recorded songs and duets of Max Reger (Cavalli-Records).
Most recently, Barbara Schlick has devoted much of her energy to lied interpretation and gives frequent recitals with pianist Elzbieta Kalvelage.
Since 1997 Barbara Schlick has been professor at the College of Music in Cologne and guest instructor at the College of Music in Maastricht.
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03Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Aria: Alto: Bereite dich, ZionBarbara SchlickBarbara Schlick
05Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Choral: Wie soll ich dich empfangenBarbara SchlickBarbara Schlick
06Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Evanglelista: Es begab sich aber zu der ZeitBarbara SchlickBarbara Schlick
07Mass in B Minor, BWV 232, Symbolum Nicenum: Et in unum Dominum (soprano I & alto)Barbara SchlickBarbara Schlick
08Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: SinfoniaBarbara SchlickBarbara Schlick
09Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Recitative: Alto: Nun wird mein liebster BräutigamBarbara SchlickBarbara Schlick
10Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Choral: Soprano: Er ist auf Erden kommen arm. Recitativo: Basso: Wer will die Liebe recht erhöhenBarbara SchlickBarbara Schlick
11Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Choral: Ach mein herzliebes Jesulein!Barbara SchlickBarbara Schlick
12Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Aria: Basso: Grosser Herr, und starker KönigBarbara SchlickBarbara Schlick
13Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Evangelista: Und es waren Hirten in derselben GegendBarbara SchlickBarbara Schlick
14Christmas Oratorio BWV248, Cantata 3: Am dritten Weihnachtsfeiertage: Coro: Herrscher des HimmelsBarbara SchlickBarbara Schlick
15Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Choral: Brich an, o schönes MorgenlichtBarbara SchlickBarbara Schlick
16Christmas Oratorio BWV248, Cantata 1: Am ersten Weihnachtsfeiertage: Coro: Jauchzet, frohlocket, auf, preiset dei Tag!Barbara SchlickBarbara Schlick
17Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Evangelista: Und der Engel sprach. Angelus: Soprano: Fürchtet euch nichtBarbara SchlickBarbara Schlick
18Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Aria: Tenore: Frohe Hirten, eilt, ach eiletBarbara SchlickBarbara Schlick
19Christmas Oratorio BWV248, Cantata 2: Am zweiten Weihnachtsfeiertage: Recitativo: Basso: Was Gott dem Abraham verheissenBarbara SchlickBarbara Schlick
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