Bronski Beat
Bronski Beat was a very popular Scottish synth pop trio of the 1980s.
At their height, the band comprised distinctive and diminutive Scottish singer Jimmy Somerville, backed by fellow Scot Steve Bronski and Londoner Larry Steinbacheck, both of whom played keyboards and percussion.
Formed in 1983, their debut hit came the following year - the striking tale of a boy who was cast away by his family and neighbours for being gay. Called Smalltown Boy Read Full BioBronski Beat was a very popular Scottish synth pop trio of the 1980s.
At their height, the band comprised distinctive and diminutive Scottish singer Jimmy Somerville, backed by fellow Scot Steve Bronski and Londoner Larry Steinbacheck, both of whom played keyboards and percussion.
Formed in 1983, their debut hit came the following year - the striking tale of a boy who was cast away by his family and neighbours for being gay. Called Smalltown Boy, it peaked at Number 3 in the UK and was accompanied by a memorable video of Somerville leaving home, forlornly eating an apple on a train, being attacked by a homophobic gang and being returned to his family by the police.
The song quickly established the trio as an outlet for gay issues – all three members were homosexual – and the follow-up single Why? pursued the same energetic and electronic formula musically, while the lyrics focussed more centrally and darkly on anti-gay prejudice. Again, it made the Top 10 in the UK.
At the end of 1984, the trio released an album which was provocatively titled The Age Of Consent. The sleeve inside listed the varying ages of consent for homosexual sex in different nations around the world. At the time, the age of consent for gay men in the UK was 21.
A third single was released from it, again causing controversy. It Ain't Necessarily So, the George and Ira Gershwin classic (from Porgy and Bess) which questions the authenticity of Biblical tales, reached the UK Top 20. Playing the clarinet solos in the song was Richard Coles, with whom Somerville would later team up to form The Communards.
In 1985, the trio joined up with Marc Almond to record a version of the Donna Summer classic I Feel Love. The full version was actually a medley, also incorporating snippets of "Love to Love You Baby" and "Johnny Remember Me." It reached Number 3 in the UK charts, equaling the feats of "Smalltown Boy," and was memorably described by one critic as "the gayest record ever made".
Following the remix album Hundreds & Thousands, Somerville quit the band, stating he wanted a career which was "more political". Presumably this related to internal politics rather than the lyrical direction of the band, as his new project relied almost entirely on unpolitical songs and cover versions – and they were a huge success in doing so. He teamed up with Coles to form The Communards and in 1986 outsold all other singles in the UK with their version of Don't Leave Me This Way.
Bronski Beat recruited John Foster as Somerville's replacement. A very catchy single called Hit That Perfect Beat managed to equal the two previous biggest hits by reaching Number 3 in the UK charts. In 1986, they released their second album, Truthdare Doubledare.
In 1989, Jonathan Hellyer became lead singer, and the band extensively toured the U.S. and had one minor hit with the song Cha Cha Heels, a one-off collaboration sung by American actress and singer Eartha Kitt.
Bronski Beat released their third and final album, Rainbow Nation, in 1995. They split that year.
The songs "Smalltown Boy" and "Why" were sampled by producers Steve Angello and Axwell under the moniker Supermode (originally Supermongo) for their song "Tell Me Why". "Tell Me why" peaked at #13 on the UK singles chart.
In 2018, London Records issued a remastered and expanded 2CD edition of their debut, The Age of Consent. Remastered from the original 1984 analogue tapes, it includes demos, BBC sessions, remixes and unreleased tracks.
At their height, the band comprised distinctive and diminutive Scottish singer Jimmy Somerville, backed by fellow Scot Steve Bronski and Londoner Larry Steinbacheck, both of whom played keyboards and percussion.
Formed in 1983, their debut hit came the following year - the striking tale of a boy who was cast away by his family and neighbours for being gay. Called Smalltown Boy Read Full BioBronski Beat was a very popular Scottish synth pop trio of the 1980s.
At their height, the band comprised distinctive and diminutive Scottish singer Jimmy Somerville, backed by fellow Scot Steve Bronski and Londoner Larry Steinbacheck, both of whom played keyboards and percussion.
Formed in 1983, their debut hit came the following year - the striking tale of a boy who was cast away by his family and neighbours for being gay. Called Smalltown Boy, it peaked at Number 3 in the UK and was accompanied by a memorable video of Somerville leaving home, forlornly eating an apple on a train, being attacked by a homophobic gang and being returned to his family by the police.
The song quickly established the trio as an outlet for gay issues – all three members were homosexual – and the follow-up single Why? pursued the same energetic and electronic formula musically, while the lyrics focussed more centrally and darkly on anti-gay prejudice. Again, it made the Top 10 in the UK.
At the end of 1984, the trio released an album which was provocatively titled The Age Of Consent. The sleeve inside listed the varying ages of consent for homosexual sex in different nations around the world. At the time, the age of consent for gay men in the UK was 21.
A third single was released from it, again causing controversy. It Ain't Necessarily So, the George and Ira Gershwin classic (from Porgy and Bess) which questions the authenticity of Biblical tales, reached the UK Top 20. Playing the clarinet solos in the song was Richard Coles, with whom Somerville would later team up to form The Communards.
In 1985, the trio joined up with Marc Almond to record a version of the Donna Summer classic I Feel Love. The full version was actually a medley, also incorporating snippets of "Love to Love You Baby" and "Johnny Remember Me." It reached Number 3 in the UK charts, equaling the feats of "Smalltown Boy," and was memorably described by one critic as "the gayest record ever made".
Following the remix album Hundreds & Thousands, Somerville quit the band, stating he wanted a career which was "more political". Presumably this related to internal politics rather than the lyrical direction of the band, as his new project relied almost entirely on unpolitical songs and cover versions – and they were a huge success in doing so. He teamed up with Coles to form The Communards and in 1986 outsold all other singles in the UK with their version of Don't Leave Me This Way.
Bronski Beat recruited John Foster as Somerville's replacement. A very catchy single called Hit That Perfect Beat managed to equal the two previous biggest hits by reaching Number 3 in the UK charts. In 1986, they released their second album, Truthdare Doubledare.
In 1989, Jonathan Hellyer became lead singer, and the band extensively toured the U.S. and had one minor hit with the song Cha Cha Heels, a one-off collaboration sung by American actress and singer Eartha Kitt.
Bronski Beat released their third and final album, Rainbow Nation, in 1995. They split that year.
The songs "Smalltown Boy" and "Why" were sampled by producers Steve Angello and Axwell under the moniker Supermode (originally Supermongo) for their song "Tell Me Why". "Tell Me why" peaked at #13 on the UK singles chart.
In 2018, London Records issued a remastered and expanded 2CD edition of their debut, The Age of Consent. Remastered from the original 1984 analogue tapes, it includes demos, BBC sessions, remixes and unreleased tracks.
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Smalltown Boy
Bronski Beat Lyrics
To your soul
To your soul
Cry
Cry
Cry
You leave in the morning with everything you own in a little black case
Alone on a platform, the wind and the rain on a sad and lonely face
Mother will never understand why you had to leave
But the answers you seek will never be found at home
The love that you need will never be found at home
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Pushed around and kicked around, always a lonely boy
You were the one that they'd talk about around town as they put you down
And as hard as they would try they'd hurt to make you cry
But you never cried to them, just to your soul
No, you never cried to them, just to your soul
Run away, turn away, run away, turn away, run away (crying to your soul)
Run away, turn away, run away, turn away, run away (crying to your soul)
Run away, turn away, run away, turn away, run away (crying to your soul)
Run away, turn away, run away, turn away, run away
Cry, boy, cry
Cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
You leave in the morning with everything you own in a little black case
Alone on a platform, the wind and the rain on a sad and lonely face
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Lyrics © BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Downtown Music Publishing, Warner Chappell Music, Inc.
Written by: James William Somerville, Larry Steinbacheck, Steve Bronski
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Dora Tiscareno
So were the 60's GREAT
Try listening to those songs you'll fall in love with so many of them
Such a different time we all got along.... didnt matter what race your were...NO BULLYING
We didnt have CELL PHONES...we would use a pay phones (phone booths) glass boxes...
they were almost on every corner
This is how were got the word around to let our friends and their friends
everyone know where the next house party was...or beach🏖party
It
was all done by word of mouth or we gave out flyers
Our house parties had live bands playing....AMAZING
I'll give you an Example:
YOUTUBE
Black Betty
It's not a racial song
We would party like that in a friends back yard
day or night
I hope you enjoy the 60's
Music
Anne Edge
@Bjorno
Dear Bjorno, you seem to be a sad and angry person, and yes I did really cry when I saw the video for
Small Town Boy, for the first time in 1981 or 1982. Isn’t that a terrible thing? Ooh the world is coming to an end!
Perhaps you’re not aware of the fact that violence and hatred against LGBLQ people at that time was casually accepted. I did not know.
I think I was unaware of it before that moment because it had not impacted me. I was unaware. The song affected me. It affected me a lot and if that is a problem for you I suggest you find a therapist.
So seek help for your anger, it might do you some good.
Andreia Lopes
@Mark Stanley
To your soul
To your soul
Cry
Cry
Cry
You leave in the morning with everything you own in a little black case
Alone on a platform, the wind and the rain on a sad and lonely face
Mother will never understand why you had to leave
But the answers you seek will never be found at home
The love that you need will never be found at home
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Pushed around and kicked around, always a lonely boy
You were the one that they'd talk about around town as they put you down
And as hard as they would try they'd hurt to make you cry
But you never cried to them, just to your soul
No, you never cried to them, just to your soul
Run away, turn away, run away, turn away, run away (crying to your soul)
Run away, turn away, run away, turn away, run away (crying to your soul)
Run away, turn away, run away, turn away, run away (crying to your soul)
Run away, turn away, run away, turn away, run away
Cry, boy, cry
Cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
Cry, boy, cry, boy, cry
You leave in the morning with everything you own in a little black case
Alone on a platform, the wind and the rain on a sad and lonely face
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Run away, turn away, run away, turn away, run away
Bobby Miss The 80s
There is something special about a song that can make you very sad and nostalgic and make your soul want to dance at the same time. ✌
Tayline Amaral
totally agree
Bart De Reu
Exactly this feeling. Can't describe it better.
C
❤️❤️ Encompasses how I feel 100%
M S
You hit it 👌💯💯💯!!!
Wye Nin Chew
True, you got the point
HellsKitsch
I did not drink. I did not do drugs. I just danced all night in clubs and I felt as high as anyone. Music is the answer to everything.
Rafał Krukowski
Music- HEALS!!!
Dekuuchiha
dancing without drugs or drinking?
M. Haslam
@ptrsrfns Well done. Keep it up.