Cécile McLorin Salvant
Cécile McLorin Salvant was born and raised in Miami, Florida of a French mother and a Haitian father. She started classical piano studies at 5, and began singing in the Miami Choral Society at 8. Early on, she developed an interest in classical voice, began studying with private instructors, and later with Edward Walker, vocal teacher at the University of Miami.
In 2007, Cécile moved to Aix-en-Provence, France, to study law as well as classical and baroque voice at the Darius Milhaud Conservatory. Read Full BioCécile McLorin Salvant was born and raised in Miami, Florida of a French mother and a Haitian father. She started classical piano studies at 5, and began singing in the Miami Choral Society at 8. Early on, she developed an interest in classical voice, began studying with private instructors, and later with Edward Walker, vocal teacher at the University of Miami.
In 2007, Cécile moved to Aix-en-Provence, France, to study law as well as classical and baroque voice at the Darius Milhaud Conservatory. It was in Aix-en-Provence, with reedist and teacher Jean-François Bonnel, that she started learning about improvisation, instrumental and vocal repertoire ranging from the 1910s on, and sang with her first band. In 2009, after a series of concerts in Paris, she recorded her first album "Cécile", with Jean-François Bonnel's Paris Quintet. A year later, she won the Thelonious Monk competition in Washington D.C.
Cécile performs unique interpretations of unknown and scarcely recorded jazz and blues compositions. She focuses on a theatrical portrayal of the jazz standard and composes music and lyrics which she also sings in French, her native language as well as in Spanish. She enjoys popularity in Europe and in the United States, performing in clubs, concert halls, and festivals accompanied by renowned musicians like Jean-Francois Bonnel, Rodney Whitaker, Aaron Diehl, Dan Nimmer, Sadao Watanabe, Jacky Terrasson (with an a noted collaboration in his "Gouache" Universal CD), Archie Shepp, and Jonathan Batiste. She sings for the 2nd consecutive year for the Chanel’s « Chance » ad campaign. In August 2012, Cécile recorded at the Avatar Studios a CD to be released early next year for the Mack Avenue Label with Aaron Diehl, Rodney Whitaker, Herlin Riley and James Chirillo.
Cécile has performed at numerous festivals such as Jazz à Vienne, Ascona, Whitley Bay, Montauban, Foix, with Wynton Marsalis and the Jazz at Lincoln Center Orchestra in New York’s Lincoln Center and Chicago’s Symphony Center and with her own band at the Kennedy Center, the Spoleto Jazz Festival, Detroit Jazz Festival and other venues.
Ben Ratliff writes in The New York Times “she sings clearly, with her full pitch range, from a pronounced low end to full and distinct high notes, used sparingly — like the one I heard a few weeks ago at Dizzy’s Club Coca-Cola on the last word of “What a Little Moonlight Can Do,” the spire in a magnificent set. Her voice clamps into each song, performing careful variations on pitch, stretching words but generally not scatting; her face conveys meaning, representing sorrow or serenity like a silent-movie actor. She also presents a lot of jazz history, and other things…”
In 2007, Cécile moved to Aix-en-Provence, France, to study law as well as classical and baroque voice at the Darius Milhaud Conservatory. Read Full BioCécile McLorin Salvant was born and raised in Miami, Florida of a French mother and a Haitian father. She started classical piano studies at 5, and began singing in the Miami Choral Society at 8. Early on, she developed an interest in classical voice, began studying with private instructors, and later with Edward Walker, vocal teacher at the University of Miami.
In 2007, Cécile moved to Aix-en-Provence, France, to study law as well as classical and baroque voice at the Darius Milhaud Conservatory. It was in Aix-en-Provence, with reedist and teacher Jean-François Bonnel, that she started learning about improvisation, instrumental and vocal repertoire ranging from the 1910s on, and sang with her first band. In 2009, after a series of concerts in Paris, she recorded her first album "Cécile", with Jean-François Bonnel's Paris Quintet. A year later, she won the Thelonious Monk competition in Washington D.C.
Cécile performs unique interpretations of unknown and scarcely recorded jazz and blues compositions. She focuses on a theatrical portrayal of the jazz standard and composes music and lyrics which she also sings in French, her native language as well as in Spanish. She enjoys popularity in Europe and in the United States, performing in clubs, concert halls, and festivals accompanied by renowned musicians like Jean-Francois Bonnel, Rodney Whitaker, Aaron Diehl, Dan Nimmer, Sadao Watanabe, Jacky Terrasson (with an a noted collaboration in his "Gouache" Universal CD), Archie Shepp, and Jonathan Batiste. She sings for the 2nd consecutive year for the Chanel’s « Chance » ad campaign. In August 2012, Cécile recorded at the Avatar Studios a CD to be released early next year for the Mack Avenue Label with Aaron Diehl, Rodney Whitaker, Herlin Riley and James Chirillo.
Cécile has performed at numerous festivals such as Jazz à Vienne, Ascona, Whitley Bay, Montauban, Foix, with Wynton Marsalis and the Jazz at Lincoln Center Orchestra in New York’s Lincoln Center and Chicago’s Symphony Center and with her own band at the Kennedy Center, the Spoleto Jazz Festival, Detroit Jazz Festival and other venues.
Ben Ratliff writes in The New York Times “she sings clearly, with her full pitch range, from a pronounced low end to full and distinct high notes, used sparingly — like the one I heard a few weeks ago at Dizzy’s Club Coca-Cola on the last word of “What a Little Moonlight Can Do,” the spire in a magnificent set. Her voice clamps into each song, performing careful variations on pitch, stretching words but generally not scatting; her face conveys meaning, representing sorrow or serenity like a silent-movie actor. She also presents a lot of jazz history, and other things…”
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I Didn't Know What Time It Was
Cécile McLorin Salvant Lyrics
I didn't know what time it was then I met you
Oh, what a lovely time it was, how sublime it was too
I didn't know what day it was you held my hand
Warm like the month of may it was and I'll say it was grand
Grand to be alive, to be young, to be mad, to be yours alone
Grand to see your face, feel your touch, hear your voice
Say I'm all your own
I did not know what year it was, live was no prize
I wanted love and there it was, shining out of your eyes
I'm wise and I know what time it's now.
Grand to be alive, to be young, to be mad, to be yours alone
Grand to see your face, hear your voice, feel your touch
Say I'm all your own
I did not know what year it was, live was no prize
I wanted love and there it was, shining out of your eyes
I'm wise and I know what time it's now.
I didn't know what time it was then I met you
Oh, what a lovely time it was, how sublime it was too
I didn't know what day it was you held my hand
Warm like the month of may it was and I'll say it was grand
Grand to be alive, to be young, to be mad, to be yours alone
Grand to see your face, hear your voice, feel your touch
Say I'm all your own
I didn't know what year it was, live was no prize
I wanted love and there it was, shining out of your eyes
I'm wise and I know what time it's now.
Lyrics © CONCORD MUSIC PUBLISHING LLC, Warner Chappell Music, Inc.
Written by: LORENZ HART, RICHARD RODGERS
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
maria mansilla
I didn't know what time it was then I met you
Oh, what a lovely time it was, how sublime it was too
I didn't know what day it was you held my hand
Warm like the month of may it was and I'll say it was grand
Grand to be alive, to be young, to be mad, to be yours alone
Grand to see your face, feel your touch, hear your voice
Say I'm all your own
I did not know what year it was, live was no prize
I wanted love and there it was, shining out of your eyes
I'm wise and I know what time it's now
(instrumental)
Grand to be alive, to be young, to be mad, to be yours alone
Grand to see your face, hear your voice, feel your touch
Say I'm all your own
I did not know what year it was, live was no prize
I wanted love and there it was, shining out of your eyes
I'm wise and I know what time it's now
I didn't know what time it was then I met you
Oh, what a lovely time it was, how sublime it was too
I didn't know what day it was you held my hand
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Warm like the month of may it was and I'll say it was grand
Grand to be alive, to be young, to be mad, to be yours alone
Grand to see your face, hear your voice, feel your touch
Say I'm all your own
I didn't know what year it was, live was no prize
I wanted love and there it was, shining out of your eyes
I'm wise and I know what time it's now
miltsar
her phrasing and musical choices are excellent...and her voice is so smooth ...like honey pouring ....
María Fernanda
feel the same
WhatTheFilm. Review
Loving every moment very nice she’s so special.
Huston Summers
I hear Billie, Ella, Sarah, Wow! It is great that Jazz will live as long as such young geniuses rekindle it in their soul.
BettyCarterFan
I hear Betty! Love this.
K Ju
Well put!
Agnieszka Joanna
I feel the same about her voice
rdberg1957
First time I've ever heard her. She has such a sweet sound coupled with an intense driving pulse that carries you with her. I hear a little bit of Sarah and a little bit of Billie. And that ain't bad.
Ronan Cowan
i really dig the arrangement of this tune. very elegant
Deborah Richardson
Beautiful thank you so much 🎶🔊🎹🎸🎙