Céu
Born Maria do Céu Whitaker Poças on 17th April 1980 in São Paulo, Brazil, her father was a composer, arranger, and musicologist. It was from him that she learned to appreciate Brazil's classical music composers, particularly Heitor Villa-Lobos and Ernesto Nazaré, as well as popular musicians like Orlando Silva.
By the age of fifteen she had decided to become a musician, and by her late teens she had studied music theory, as well as the violão (nylon-stringed Brazilian guitar). Read Full BioBorn Maria do Céu Whitaker Poças on 17th April 1980 in São Paulo, Brazil, her father was a composer, arranger, and musicologist. It was from him that she learned to appreciate Brazil's classical music composers, particularly Heitor Villa-Lobos and Ernesto Nazaré, as well as popular musicians like Orlando Silva.
By the age of fifteen she had decided to become a musician, and by her late teens she had studied music theory, as well as the violão (nylon-stringed Brazilian guitar). Her songs reveal her many influences, which include samba, valsa, choro, soul, rhythm and blues, hip hop, reggae, afrobeat, and electrojazz. In particular, she cites as influences the music of Billie Holiday, Ella Fitzgerald, Lauryn Hill, and Erykah Badu.
By her late teens Céu was performing onstage with major artists and exploring the repertoire of the marchinhas (turn-of-the-century carnival music). Soon after that she relocated temporarily to New York City, where she had a chance meeting with fellow Brazilian musician Antonio Pinto, who became her flatmate while he was going through some financial difficulties. She later learned that he was actually a distant cousin, and their relationship was renewed when he teamed up with lead producer Beto Villares, composer of the musical score for the film O Ano em que Meus Pais Saíram de Férias, to help her record her album.
By the age of fifteen she had decided to become a musician, and by her late teens she had studied music theory, as well as the violão (nylon-stringed Brazilian guitar). Read Full BioBorn Maria do Céu Whitaker Poças on 17th April 1980 in São Paulo, Brazil, her father was a composer, arranger, and musicologist. It was from him that she learned to appreciate Brazil's classical music composers, particularly Heitor Villa-Lobos and Ernesto Nazaré, as well as popular musicians like Orlando Silva.
By the age of fifteen she had decided to become a musician, and by her late teens she had studied music theory, as well as the violão (nylon-stringed Brazilian guitar). Her songs reveal her many influences, which include samba, valsa, choro, soul, rhythm and blues, hip hop, reggae, afrobeat, and electrojazz. In particular, she cites as influences the music of Billie Holiday, Ella Fitzgerald, Lauryn Hill, and Erykah Badu.
By her late teens Céu was performing onstage with major artists and exploring the repertoire of the marchinhas (turn-of-the-century carnival music). Soon after that she relocated temporarily to New York City, where she had a chance meeting with fellow Brazilian musician Antonio Pinto, who became her flatmate while he was going through some financial difficulties. She later learned that he was actually a distant cousin, and their relationship was renewed when he teamed up with lead producer Beto Villares, composer of the musical score for the film O Ano em que Meus Pais Saíram de Férias, to help her record her album.
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Malemolencia
Céu Lyrics
veio até mim
quem deixou me olhar assim
não pediu minha permissão
não pude evitar
tirou meu ar
fiquei sem chão
menino bonito
menino bonito ai
ai menino bonito
menino bonito ai
é tudo o que eu posso
lhe adiantar
o que é um beijo se eu posso ter o teu olhar
cai na dança cai
vem pra roda da malemolência
Contributed by Aaron M. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
Céu (Oficial)
Para assistir meu novo clipe "Amor Pixelado" e ouvir a música em todas as plataformas digitais: https://slap.lnk.to/CeuTropix
Alexei Adriano
Descobri tarde! Diria que a Céu é minha paixão da primavera 2017. O bom de chegar tarde é ter 5 álbuns impecáveis pra se deliciar!!!
philippe bernard
Bem que sendo francês (ou talvez por isso mesmo), cheguei à descobrir a Céu bastante cedo; logo em 2005 quando ela começou à cantar na distante Europa... Mas o fato é que vocês brasileiros muitas vezes não estão dando bola nenhuma para o seus artistas de valor, daqueles que vão se bonificando com tempo (egual ao nosso vinho) e não se esquecendo de um ano para outro !
E juro a você que é muito bom também seguir uma artista paso a paso, com se fui filha sua de uma certa forma, passando com ela pelas diversas fases da vida, e da música !
Dante Botelho
Nossa sim, eu aqui descobrindo em 2020
Hebert P.
Descobri mês passado, ainda tenho o APKÁ! Rapaz, que som bom!
Xanda Chong
"O que é um beijo, se eu posso ter o teu olhar? ❤️❤️❤️✨
Leticia Pinheiro
Mulher, tu é inspiradora. ♥
Caetano Viçoso
O que me impressiona na Céu, é o "lance", o estilo intenso ao cumulo, mas com elementos tão tão discretos, sutis. Quando se ouve João Bosco, por exemplo, tem-se o mesmo exagero de estilo e lance no canto, mas são com elementos mais "explicitos", mais pra fora. A Céu faz isso de forma muito mais contida nos caracteristicos, mas tão intensa quanto... é muito estilo pra uma pessoa só, hehe.
Caetano Viçoso
@Gabriel Varizi sem dúvida! grande abraço.
Gabriel Varizi
meu deus, sim! demorei 4 anos pra ler esse comentário mas resumiu completamente o que eu penso dessa relação que ela tem com sutileza x intensidade, ainda mais nos últimos dois álbuns, ela é uma baita artista