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Camané
Camané is widely accepted as one of the most impressive and representative male voices of the new generation of Fado male singers. "The greatest fadista since Amália Rodrigues and Maria da Fé," is how British biographer David Bret, an expert of the medium, describes him.
He started gaining recognition in Portugal in 1979 after winning the "Grande Noite do Fado" (Great Fado Night). After this first step, the true "alfacinha" (inhabitant of Lisbon) Read Full BioCamané is widely accepted as one of the most impressive and representative male voices of the new generation of Fado male singers. "The greatest fadista since Amália Rodrigues and Maria da Fé," is how British biographer David Bret, an expert of the medium, describes him.
He started gaining recognition in Portugal in 1979 after winning the "Grande Noite do Fado" (Great Fado Night). After this first step, the true "alfacinha" (inhabitant of Lisbon) consistently worked his way up with well accepted records and great shows at places ranging from small "Casas de Fado" (Fado clubs) in Lisbon as well as sold out audiences throughout Europe in some of the most prestigious festivals and venues. Camane was formerly married to another great fadista, Aldina Duarte.
He has released five albums: "Uma Noite de Fados" (1995), "Na Linha da Vida" (1998) marking the beginning of three records produced by José Mário Branco, "Esta Coisa da Alma" (2000), "Pelo Dia Dentro" (2001) and "Como sempre... Como dantes" (live in 2003). These have been released in several european and asian countries. He has been distinguished with several awards for his voice and talent.
He started gaining recognition in Portugal in 1979 after winning the "Grande Noite do Fado" (Great Fado Night). After this first step, the true "alfacinha" (inhabitant of Lisbon) Read Full BioCamané is widely accepted as one of the most impressive and representative male voices of the new generation of Fado male singers. "The greatest fadista since Amália Rodrigues and Maria da Fé," is how British biographer David Bret, an expert of the medium, describes him.
He started gaining recognition in Portugal in 1979 after winning the "Grande Noite do Fado" (Great Fado Night). After this first step, the true "alfacinha" (inhabitant of Lisbon) consistently worked his way up with well accepted records and great shows at places ranging from small "Casas de Fado" (Fado clubs) in Lisbon as well as sold out audiences throughout Europe in some of the most prestigious festivals and venues. Camane was formerly married to another great fadista, Aldina Duarte.
He has released five albums: "Uma Noite de Fados" (1995), "Na Linha da Vida" (1998) marking the beginning of three records produced by José Mário Branco, "Esta Coisa da Alma" (2000), "Pelo Dia Dentro" (2001) and "Como sempre... Como dantes" (live in 2003). These have been released in several european and asian countries. He has been distinguished with several awards for his voice and talent.
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Se Ao Menos Houvesse Um Dia
by Camané
Se ao menos houvesse um dia
Luas de prata gentia
Nas asas de uma gazela
E depois, do seu cansaço,
Procurasse o teu regaço
No vão da tua janela
Se ao menos houvesse um dia
Versos de flor tão macia
Nos ramos com as cerejas
E depois, do seu outono,
Se dessem ao abandono
Nos lábios, quando me beijas
Se ao menos o mar trouxesse
O que dizer e me esquece
Nas crinas da tempestade
As palavras litorais
As razões iniciais
Tudo o que não tem idade
Se ao menos o teu olhar
Desse por mim ao passar
Como um barco sem amarra
Deste fado onde me deito
Subia até ao teu peito
Nas veias de uma guitarra
Contributed by Katherine F. Suggest a correction in the comments below.
by Camané
Se ao menos houvesse um dia
Luas de prata gentia
Nas asas de uma gazela
E depois, do seu cansaço,
Procurasse o teu regaço
No vão da tua janela
Se ao menos houvesse um dia
Versos de flor tão macia
Nos ramos com as cerejas
E depois, do seu outono,
Se dessem ao abandono
Nos lábios, quando me beijas
Se ao menos o mar trouxesse
O que dizer e me esquece
Nas crinas da tempestade
As palavras litorais
As razões iniciais
Tudo o que não tem idade
Se ao menos o teu olhar
Desse por mim ao passar
Como um barco sem amarra
Deste fado onde me deito
Subia até ao teu peito
Nas veias de uma guitarra
Contributed by Katherine F. Suggest a correction in the comments below.
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