Chet Baker
Chesney Henry "Chet" Baker, Jr. (December 23, 1929 – May 13, 1988) was an A… Read Full Bio ↴Chesney Henry "Chet" Baker, Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter, flugelhornist and vocalist.
Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian David Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one." His well-publicized drug habit also drove his notoriety and fame, Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.
Baker was born and raised in a musical household in Yale, Oklahoma; his father, Chesney Baker, Sr., was a professional guitar player, and his mother, Vera (née Moser) was a talented pianist who worked in a perfume factory. His maternal grandmother, Randi Moser, was Norwegian. Baker began his musical career singing in a church choir. His father introduced him to brass instruments with a trombone, which was replaced with a trumpet when the trombone proved too large.
Baker received some musical education at Glendale Junior High School, but left school at age 16 in 1946 to join the United States Army. He was posted to Berlin, where he joined the 298th Army band. After leaving the army in 1948, he studied theory and harmony at El Camino College in Los Angeles. He dropped out in his second year, however, re-enlisting in the army in 1950. Baker became a member of the Sixth Army Band at the Presidio in San Francisco, but was soon spending time in San Francisco jazz clubs such as Bop City and the Black Hawk. Baker once again obtained a discharge from the army to pursue a career as a professional musician.
Baker's earliest notable professional gigs were with saxophonist Vido Musso's band, and also with tenor saxophonist Stan Getz, though he earned much more renown in 1952 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements.
In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Several things made the Mulligan/Baker group special, the most prominent being the interplay between Mulligan's baritone sax and Baker's trumpet. Rather than playing identical melody lines in unison like bebop giants Charlie Parker and Dizzy Gillespie, the two would complement each other's playing with contrapuntal touches, and it often seemed as if they had telepathy in anticipating what the other was going to play next. The Quartet's version of "My Funny Valentine", featuring a Baker solo, was a hit, and became a tune with which Baker was intimately associated.
The Quartet found success quickly, but lasted less than a year because of Mulligan's arrest and imprisonment on drug charges. Baker formed his own quartet with pianist and composer Russ Freeman in 1953, along with bassists Carson Smith, Joe Mondragon, and Jimmy Bond and drummers Shelly Manne, Larry Bunker, and Bob Neel. The Chet Baker Quartet found success with their live sets, and they released a number of popular albums between 1953 and 1956. In 1953 and 1954, Baker won the Down Beat and Metronome magazines' Readers Jazz Polls, beating the era's two top trumpeters, Miles Davis and Clifford Brown. Down Beat readers also voted Baker as the top jazz vocalist in 1954. In 1956, Pacific Jazz released Chet Baker Sings, a record that increased his profile but alienated traditional jazz fans; he would continue to sing throughout his career.
Due to Baker's chiseled features, he was approached by Hollywood studios, and he made his acting debut in the film Hell's Horizon, released in the fall of 1955. He declined an offer of a studio contract, preferring life on the road as a musician. Over the next few years, Baker fronted his own combos, including a 1955 quintet featuring Francy Boland, where Baker combined playing trumpet and singing. In 1956 Chet Baker completed an eight month tour of Europe, where he recorded Chet Baker In Europe.
He became an icon of the West Coast "cool school" of jazz, helped by his good looks and singing talent. Baker's 1956 recording, released for the first time in its entirety in 1989 as The Route, with Art Pepper, helped further the West Coast jazz sound and became a staple of cool jazz.
Baker began using heroin in the 1950s, resulting in an addiction that lasted the remainder of his life. At times, Baker pawned his instruments for money to maintain his drug habit. In the early 1960s, he served more than a year in prison in Italy on drug charges; he was later expelled from both West Germany and the United Kingdom for drug-related offenses. Baker was eventually deported from West Germany to the United States after running afoul of the law there a second time. He settled in Milpitas in northern California, where he played in San Jose and San Francisco between short jail terms served for prescription fraud.
In 1968, Baker was savagely beaten (allegedly while attempting to buy drugs) after a gig in The Trident restaurant in Sausalito, California sustaining severe cuts on the lips and broken front teeth, which ruined his embouchure. He stated in the film Let's Get Lost that an acquaintance attempted to rob him one night but backed off, only to return the next night with a group of several men who chased him. He entered a car and became surrounded. Instead of rescuing him, the people inside the car pushed him back out onto the street, where the chase by his attackers continued, and subsequently he was beaten to the point that his teeth, never in good condition to begin with, were knocked out, leaving him without the ability to play his horn. He took odd jobs, among them pumping gas. Meanwhile he was fitted for dentures and worked on his embouchure. Three months later he got a gig in New York City.
Between 1966 and 1974, Baker mostly played flugelhorn and recorded music that could mostly be classified as West Coast jazz.
After developing a new embouchure resulting from dentures, Baker returned to the straight-ahead jazz that began his career. He relocated to New York City and began performing and recording again, including with guitarist Jim Hall. Later in the 1970s, Baker returned to Europe, where he was assisted by his friend Diane Vavra, who took care of his personal needs and otherwise helped him during his recording and performance dates.
From 1978 until his death in 1988, Baker resided and played almost exclusively in Europe, returning to the USA roughly once a year for a few performances. This was Baker's most prolific era as a recording artist. However, as his extensive output is strewn across numerous, mostly small European labels, none of these recordings ever reached a wider audience, even though many of them were well received by critics, who maintain that the period was one of Baker's most mature and rewarding. Of particular importance are Baker's quartet featuring the pianist Phil Markowitz (1978–80) and his trio with guitarist Philip Catherine and bassist Jean-Louis Rassinfosse (1983–85).[citation needed] He also toured with saxophonist Stan Getz during this period.
In 1983, British singer Elvis Costello, a longtime fan of Baker, hired the trumpeter to play a solo on his song "Shipbuilding", from the album Punch the Clock. The song exposed Baker's music to a new audience. Later, Baker often featured Costello's song "Almost Blue" (inspired by Baker's version of "The Thrill Has Gone") in his concert sets, and recorded the song for Let's Get Lost, a documentary film about his life.
The video material recorded by Japanese television during Baker's 1987 tour in Japan showed a man whose face looked much older than he was, but his trumpet playing was alert, lively and inspired. Baker recorded the live album Chet Baker in Tokyo with his quartet featuring pianist Harold Danko, bassist Hein van de Geyn and drummer John Engels less than a year before his death, and it was released posthumously. Silent Night, a recording of Christmas music, was recorded with Christopher Mason in New Orleans in 1986 and released in 1987.
Baker's compositions included "Chetty's Lullaby", "Freeway", "Early Morning Mood", "Two a Day", "So Che Ti Perderò" ("I Know I Will Lose You"), "Il Mio Domani" ("My Tomorrow"), "Motivo Su Raggio Di Luna" ("Tune on a Moon Beam"), "The Route", "Skidadidlin'", "New Morning Blues", "Blue Gilles", "Dessert", and "Anticipated Blues".
At about 3:10 am on May 13, 1988, Baker was found dead on the Prins Hendrikkade, near the Zeedijk, the street below his second-story room of Hotel Prins Hendrik in Amsterdam, Netherlands, with serious wounds to his head. Heroin and cocaine were found in his hotel room, and an autopsy also found these drugs in his body. There was no evidence of a struggle, and the death was ruled an accident. A plaque outside the hotel memorializes him and the room he was staying in, No. 210, is named "The Chet Baker Room".
Baker is buried at the Inglewood Park Cemetery in Inglewood, California.
- Baker was photographed by William Claxton for his book Young Chet: The Young Chet Baker. An Academy Award-nominated 1988 documentary about Baker, Let's Get Lost, portrays him as a cultural icon of the 1950s, but juxtaposes this with his later image as a drug addict. The film, directed by fashion photographer Bruce Weber, was shot in black-and-white and includes a series of interviews with friends, family (including his three children by third wife Carol Baker), associates and women friends, interspersed with film from Baker's earlier life, and with interviews with Baker from his last years.
- Time after Time: The Chet Baker Project, written by playwright James O'Reilly, toured Canada in 2001 to much acclaim. The musical play Chet Baker – Speedball explores aspects of his life and music, and was premiered in London at the Oval House Theatre in February 2007, with further development of the script and performances leading to its revival at the 606 Club in the London Jazz Festival of November 2007.
- Baker was reportedly the inspiration for the character Chad Bixby, played by Robert Wagner in the 1960 film All the Fine Young Cannibals. Another film, to be titled Prince of Cool, about Baker's life, was cancelled as of January 2008.
- In 1991, singer/songwriter David Wilcox recorded the song "Chet Baker's Unsung Swan Song" on his album Home Again, speculating on what might have been Baker's last thoughts before falling to his death. The song was later covered by k.d. lang as "My Old Addiction" on her 1997 album Drag.
- The song "Chet Baker", which appears on the 2007 CD Wally Page and Johnny Mulhern: Live at the Annesley House, by Irish folk singer-songwriter Wally Page, describes the end of Baker's life in Amsterdam.
- Jeroen de Valk has written a biography of Baker which is available in several languages: Chet Baker: His Life and Music is the English translation.
Other biographies include James Gavin's Deep In A Dream—The Long Night of Chet Baker, and Matthew Ruddick's Funny Valentine. Baker's "lost memoirs" are available in the book As Though I Had Wings, which includes an introduction by Carol Baker.
- He is portrayed by Ethan Hawke in the 2015 film Born to Be Blue.
- The Australian electronica musician Nicholas James Murphy chose Chet Faker as his stage name, in order to pay homage to Chet Baker, who was a big influence for him.
Honors
In 1987 Chet Baker was inducted into the Big Band and Jazz Hall of Fame.
In 1989 he was elected to Down Beat Jazz Hall of Fame by that magazine's Critics Poll.
In 1991 he was inducted into the Oklahoma Jazz Hall of Fame.
In 2005 Oklahoma Governor Brad Henry and the Oklahoma House of Representatives proclaimed July 2 as "Chet Baker Day".
In 2007 Mayor of the City of Tulsa, Kathy Taylor, proclaimed December 23 as "Chet Baker Day".
On October 10, 2015 Yale, Oklahoma held the inaugural Chet Baker Jazz Festival in Baker's honor.
Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian David Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one." His well-publicized drug habit also drove his notoriety and fame, Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.
Baker was born and raised in a musical household in Yale, Oklahoma; his father, Chesney Baker, Sr., was a professional guitar player, and his mother, Vera (née Moser) was a talented pianist who worked in a perfume factory. His maternal grandmother, Randi Moser, was Norwegian. Baker began his musical career singing in a church choir. His father introduced him to brass instruments with a trombone, which was replaced with a trumpet when the trombone proved too large.
Baker received some musical education at Glendale Junior High School, but left school at age 16 in 1946 to join the United States Army. He was posted to Berlin, where he joined the 298th Army band. After leaving the army in 1948, he studied theory and harmony at El Camino College in Los Angeles. He dropped out in his second year, however, re-enlisting in the army in 1950. Baker became a member of the Sixth Army Band at the Presidio in San Francisco, but was soon spending time in San Francisco jazz clubs such as Bop City and the Black Hawk. Baker once again obtained a discharge from the army to pursue a career as a professional musician.
Baker's earliest notable professional gigs were with saxophonist Vido Musso's band, and also with tenor saxophonist Stan Getz, though he earned much more renown in 1952 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements.
In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Several things made the Mulligan/Baker group special, the most prominent being the interplay between Mulligan's baritone sax and Baker's trumpet. Rather than playing identical melody lines in unison like bebop giants Charlie Parker and Dizzy Gillespie, the two would complement each other's playing with contrapuntal touches, and it often seemed as if they had telepathy in anticipating what the other was going to play next. The Quartet's version of "My Funny Valentine", featuring a Baker solo, was a hit, and became a tune with which Baker was intimately associated.
The Quartet found success quickly, but lasted less than a year because of Mulligan's arrest and imprisonment on drug charges. Baker formed his own quartet with pianist and composer Russ Freeman in 1953, along with bassists Carson Smith, Joe Mondragon, and Jimmy Bond and drummers Shelly Manne, Larry Bunker, and Bob Neel. The Chet Baker Quartet found success with their live sets, and they released a number of popular albums between 1953 and 1956. In 1953 and 1954, Baker won the Down Beat and Metronome magazines' Readers Jazz Polls, beating the era's two top trumpeters, Miles Davis and Clifford Brown. Down Beat readers also voted Baker as the top jazz vocalist in 1954. In 1956, Pacific Jazz released Chet Baker Sings, a record that increased his profile but alienated traditional jazz fans; he would continue to sing throughout his career.
Due to Baker's chiseled features, he was approached by Hollywood studios, and he made his acting debut in the film Hell's Horizon, released in the fall of 1955. He declined an offer of a studio contract, preferring life on the road as a musician. Over the next few years, Baker fronted his own combos, including a 1955 quintet featuring Francy Boland, where Baker combined playing trumpet and singing. In 1956 Chet Baker completed an eight month tour of Europe, where he recorded Chet Baker In Europe.
He became an icon of the West Coast "cool school" of jazz, helped by his good looks and singing talent. Baker's 1956 recording, released for the first time in its entirety in 1989 as The Route, with Art Pepper, helped further the West Coast jazz sound and became a staple of cool jazz.
Baker began using heroin in the 1950s, resulting in an addiction that lasted the remainder of his life. At times, Baker pawned his instruments for money to maintain his drug habit. In the early 1960s, he served more than a year in prison in Italy on drug charges; he was later expelled from both West Germany and the United Kingdom for drug-related offenses. Baker was eventually deported from West Germany to the United States after running afoul of the law there a second time. He settled in Milpitas in northern California, where he played in San Jose and San Francisco between short jail terms served for prescription fraud.
In 1968, Baker was savagely beaten (allegedly while attempting to buy drugs) after a gig in The Trident restaurant in Sausalito, California sustaining severe cuts on the lips and broken front teeth, which ruined his embouchure. He stated in the film Let's Get Lost that an acquaintance attempted to rob him one night but backed off, only to return the next night with a group of several men who chased him. He entered a car and became surrounded. Instead of rescuing him, the people inside the car pushed him back out onto the street, where the chase by his attackers continued, and subsequently he was beaten to the point that his teeth, never in good condition to begin with, were knocked out, leaving him without the ability to play his horn. He took odd jobs, among them pumping gas. Meanwhile he was fitted for dentures and worked on his embouchure. Three months later he got a gig in New York City.
Between 1966 and 1974, Baker mostly played flugelhorn and recorded music that could mostly be classified as West Coast jazz.
After developing a new embouchure resulting from dentures, Baker returned to the straight-ahead jazz that began his career. He relocated to New York City and began performing and recording again, including with guitarist Jim Hall. Later in the 1970s, Baker returned to Europe, where he was assisted by his friend Diane Vavra, who took care of his personal needs and otherwise helped him during his recording and performance dates.
From 1978 until his death in 1988, Baker resided and played almost exclusively in Europe, returning to the USA roughly once a year for a few performances. This was Baker's most prolific era as a recording artist. However, as his extensive output is strewn across numerous, mostly small European labels, none of these recordings ever reached a wider audience, even though many of them were well received by critics, who maintain that the period was one of Baker's most mature and rewarding. Of particular importance are Baker's quartet featuring the pianist Phil Markowitz (1978–80) and his trio with guitarist Philip Catherine and bassist Jean-Louis Rassinfosse (1983–85).[citation needed] He also toured with saxophonist Stan Getz during this period.
In 1983, British singer Elvis Costello, a longtime fan of Baker, hired the trumpeter to play a solo on his song "Shipbuilding", from the album Punch the Clock. The song exposed Baker's music to a new audience. Later, Baker often featured Costello's song "Almost Blue" (inspired by Baker's version of "The Thrill Has Gone") in his concert sets, and recorded the song for Let's Get Lost, a documentary film about his life.
The video material recorded by Japanese television during Baker's 1987 tour in Japan showed a man whose face looked much older than he was, but his trumpet playing was alert, lively and inspired. Baker recorded the live album Chet Baker in Tokyo with his quartet featuring pianist Harold Danko, bassist Hein van de Geyn and drummer John Engels less than a year before his death, and it was released posthumously. Silent Night, a recording of Christmas music, was recorded with Christopher Mason in New Orleans in 1986 and released in 1987.
Baker's compositions included "Chetty's Lullaby", "Freeway", "Early Morning Mood", "Two a Day", "So Che Ti Perderò" ("I Know I Will Lose You"), "Il Mio Domani" ("My Tomorrow"), "Motivo Su Raggio Di Luna" ("Tune on a Moon Beam"), "The Route", "Skidadidlin'", "New Morning Blues", "Blue Gilles", "Dessert", and "Anticipated Blues".
At about 3:10 am on May 13, 1988, Baker was found dead on the Prins Hendrikkade, near the Zeedijk, the street below his second-story room of Hotel Prins Hendrik in Amsterdam, Netherlands, with serious wounds to his head. Heroin and cocaine were found in his hotel room, and an autopsy also found these drugs in his body. There was no evidence of a struggle, and the death was ruled an accident. A plaque outside the hotel memorializes him and the room he was staying in, No. 210, is named "The Chet Baker Room".
Baker is buried at the Inglewood Park Cemetery in Inglewood, California.
- Baker was photographed by William Claxton for his book Young Chet: The Young Chet Baker. An Academy Award-nominated 1988 documentary about Baker, Let's Get Lost, portrays him as a cultural icon of the 1950s, but juxtaposes this with his later image as a drug addict. The film, directed by fashion photographer Bruce Weber, was shot in black-and-white and includes a series of interviews with friends, family (including his three children by third wife Carol Baker), associates and women friends, interspersed with film from Baker's earlier life, and with interviews with Baker from his last years.
- Time after Time: The Chet Baker Project, written by playwright James O'Reilly, toured Canada in 2001 to much acclaim. The musical play Chet Baker – Speedball explores aspects of his life and music, and was premiered in London at the Oval House Theatre in February 2007, with further development of the script and performances leading to its revival at the 606 Club in the London Jazz Festival of November 2007.
- Baker was reportedly the inspiration for the character Chad Bixby, played by Robert Wagner in the 1960 film All the Fine Young Cannibals. Another film, to be titled Prince of Cool, about Baker's life, was cancelled as of January 2008.
- In 1991, singer/songwriter David Wilcox recorded the song "Chet Baker's Unsung Swan Song" on his album Home Again, speculating on what might have been Baker's last thoughts before falling to his death. The song was later covered by k.d. lang as "My Old Addiction" on her 1997 album Drag.
- The song "Chet Baker", which appears on the 2007 CD Wally Page and Johnny Mulhern: Live at the Annesley House, by Irish folk singer-songwriter Wally Page, describes the end of Baker's life in Amsterdam.
- Jeroen de Valk has written a biography of Baker which is available in several languages: Chet Baker: His Life and Music is the English translation.
Other biographies include James Gavin's Deep In A Dream—The Long Night of Chet Baker, and Matthew Ruddick's Funny Valentine. Baker's "lost memoirs" are available in the book As Though I Had Wings, which includes an introduction by Carol Baker.
- He is portrayed by Ethan Hawke in the 2015 film Born to Be Blue.
- The Australian electronica musician Nicholas James Murphy chose Chet Faker as his stage name, in order to pay homage to Chet Baker, who was a big influence for him.
Honors
In 1987 Chet Baker was inducted into the Big Band and Jazz Hall of Fame.
In 1989 he was elected to Down Beat Jazz Hall of Fame by that magazine's Critics Poll.
In 1991 he was inducted into the Oklahoma Jazz Hall of Fame.
In 2005 Oklahoma Governor Brad Henry and the Oklahoma House of Representatives proclaimed July 2 as "Chet Baker Day".
In 2007 Mayor of the City of Tulsa, Kathy Taylor, proclaimed December 23 as "Chet Baker Day".
On October 10, 2015 Yale, Oklahoma held the inaugural Chet Baker Jazz Festival in Baker's honor.
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My Funny Valentine
Chet Baker Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
My funny Valentine, sweet comic Valentine
You make me smile with my heart
Your looks are laughable
Unphotographable
Yet you're my favorite work of art
Is your figure less than Greek?
Is your mouth a little weak?
When you open it to speak
Are you smiling?
But don't change a hair for me
Not if you care for me
Stay little Valentine, stay
Each day is Valentine's Day
You make me smile with my heart
Your looks are laughable
Unphotographable
Yet you're my favorite work of art
Is your figure less than Greek?
Is your mouth a little weak?
When you open it to speak
Are you smiling?
But don't change a hair for me
Not if you care for me
Stay little Valentine, stay
Each day is Valentine's Day
Chet Baker’s iconic song “My Funny Valentine” is a melancholy love song that speaks to the heart of anyone who has ever loved someone a little out of the ordinary. The ballad is interpreted as a message of reassurance towards an unconventional lover who is worried about their flaws. As the first two lines suggest, the lover is both funny and sweet, making the singer smile "with [their] heart." However, the lover is also physically unconventional, with looks that are "laughable" and "unphotographable" and, perhaps, a weak mouth. But the singer reassures them that they love them anyway and would not want them to change a thing.
The song is a beautiful, heartfelt tribute to love that looks beyond the surface and acknowledges that true beauty lies beneath. It speaks to anyone who has ever loved someone who is less than perfect and reassures them that love is about much more than physical appearance. The song ends with the singer urging the lover to remain, saying that every day is Valentine's Day when you're in love.
Line by Line Meaning
My funny Valentine, sweet comic Valentine
You, my lover, are a unique and funny person, yet sweet and lovely.
You make me smile with my heart
Your presence fills my heart with joy and happiness.
Your looks are laughable
Your appearance may be amusing or comical to others.
Unphotographable
It's difficult to capture your beauty and essence in a photograph.
Yet you're my favorite work of art
Despite what others may think, to me, you are a masterpiece.
Is your figure less than Greek?
Does your physical appearance not conform to society's traditional beauty standards?
Is your mouth a little weak?
Do you struggle to communicate effectively and confidently?
When you open it to speak
When you express yourself verbally.
Are you smiling?
Do you wear a smile on your face even if things aren't perfect?
But don't change a hair for me
I love you just the way you are, and I don't want you to change for my sake.
Not if you care for me
If you love me, you don't have to change yourself to make me happy.
Stay little Valentine, stay
Please don't leave me, my dear Valentine.
Each day is Valentine's Day
I want to celebrate our love and affection every single day, not just on this holiday.
Lyrics © TuneCore Inc., CONCORD MUSIC PUBLISHING LLC, Warner Chappell Music, Inc.
Written by: Lorenz Hart, Richard Rodgers
Lyrics Licensed & Provided by LyricFind