Dobie Gray
Dobie Gray (July 26, 1940 - December 6th 2011) was an African American sing… Read Full Bio ↴Dobie Gray (July 26, 1940 - December 6th 2011) was an African American singer and songwriter, whose musical career spanned soul, country, pop and musical theater. His hit records included "The 'In' Crowd" in 1965, and "Drift Away", which was one of the biggest hits of 1973, sold over one million copies, and remains a staple of radio airplay.
Gray was born near Houston, Texas, by his own account in Simonton although some sources suggest the nearby town of Brookshire. His birth name was probably Lawrence Darrow Brown, who is listed in the Fort Bend County Birth Records as being born in 1940 to Jane P. Spencel and Jethro Clifton Brown. Other sources suggest he may have been born Leonard Victor Ainsworth, a name he used on some early recordings.
His family were sharecroppers, and he discovered gospel music through his grandfather, a Baptist minister. In the early 1960s he moved to Los Angeles, intending to pursue an acting career but also singing to make money.
He recorded for several local labels under the names Leonard Ainsworth, Larry Curtis, and Larry Dennis, before Sonny Bono directed him towards the small independent Stripe Records. They suggested that he record under the name "Dobie Gray", an allusion to the then-popular sitcom The Many Loves of Dobie Gillis. His first taste of success came in 1963, when his seventh single "Look At Me", on the Cor-Dak label, recorded with bassist Carol Kaye, reached # 91 on the Billboard Hot 100. However, Gray's first album, Look!, failed to sell.
Greater success came in early 1965 when his original recording of "The 'In' Crowd" (later recorded by Ramsey Lewis) reached # 13 on the chart. Written by Billy Page, arranged by his brother Gene,[8] and produced by Fred Darian. Gray's record reached # 11 on the US R&B chart, and # 25 in the UK. The follow-up, "See You at the Go-Go", recorded with such top session musicians as Kaye, Hal Blaine and Larry Knechtel, also reached the Hot 100, and he issued an album, Dobie Gray Sings For 'In' Crowders That Go Go Go, which featured some self-penned songs.
Gray continued to record, though with little success, for small labels such as Charger and White Whale, as well as contributing to movie soundtracks. He also spent several years working as an actor, including 2½ years in the Los Angeles production of Hair. In 1970, while working in Hair, he joined a band, Pollution, as singer and percussionist. They were managed by actor Max Baer Jr. (best known as "Jethro" in The Beverly Hillbillies), and released two albums of soul-inspired psychedelic rock, Pollution I and Pollution II. The band also included singer Tata Vega and guitarist/singer James Quill Smith. After that, he worked at A & M Records on demo recordings with songwriter Paul Williams.
In 1972, he won a contract with Decca Records, shortly before it became part of MCA, to make an album with producer Mentor Williams, Paul's brother, in Nashville. Among the songs that they recorded at the Quadrafonic Sound Studios, co-owned by session musicians Norbert Putnam and David Briggs, was Mentor Williams' song "Drift Away", featuring a guitar riff by Reggie Young. Released as a single, the song rose to # 5 on the US pop charts, and remains Gray's best known song today. The follow-up, a version of Tom Jans' much-covered song "Loving Arms", made # 61 in the chart. Gray also released three albums with MCA, Drift Away, Loving Arms, and Hey, Dixie, but later stated that MCA were unsure of how to market the albums - "They didn't know where to place a black guy in country music."
In the mid-1970s he moved permanently to Nashville and signed for Capricorn Records, writing songs in collaboration with Troy Seals. His biggest hit singles in the late 1970s were "If Love Must Go", # 78 in 1976, and "You Can Do It", # 37 in late 1978, his last solo chart hit to date. He increasingly concentrated on songwriting, writing songs for a variety of artists including Ray Charles, George Jones, Johnny Mathis, Charley Pride and Don Williams. Gray also toured in Europe, Australia and Africa in the 1970s. He performed in South Africa only after persuading the apartheid authorities to allow him to play to integrated audiences, becoming the first artist to do so in that country. His popularity in South Africa continued through numerous subsequent concert tours.
He re-emerged as a recording artist for Capitol Records in the mid-1980s, recording with producer Harold Shedd. Gray placed two singles in the US Billboard country chart during 1986 and 1987, including "That's One to Grow On" which peaked at #35. His country albums included From Where I Stand in 1986, and he made several appearances at Charlie Daniels' popular Volunteer Jam concerts. He also sang on a number of TV and radio jingles. In 1997, he released the album Diamond Cuts, including both new songs and re-recordings of older material.
In 2000, Wigan Casino DJ, Kev Roberts, compiled The Northern Soul Top 500, which was based on a survey of northern soul fans. Gray's "Out On The Floor", a 1966 recording which had been a British chart hit in 1975, was placed in the Top 10. "Drift Away" became a hit again in 2003, when it was covered by Uncle Kracker on his No Stranger to Shame album. The recording was a duet between Kracker and Gray, who was also featured in the video. It ended in the nineteenth place in the Billboard Year-End Hot 100 singles of 2003.
Gray was born near Houston, Texas, by his own account in Simonton although some sources suggest the nearby town of Brookshire. His birth name was probably Lawrence Darrow Brown, who is listed in the Fort Bend County Birth Records as being born in 1940 to Jane P. Spencel and Jethro Clifton Brown. Other sources suggest he may have been born Leonard Victor Ainsworth, a name he used on some early recordings.
His family were sharecroppers, and he discovered gospel music through his grandfather, a Baptist minister. In the early 1960s he moved to Los Angeles, intending to pursue an acting career but also singing to make money.
He recorded for several local labels under the names Leonard Ainsworth, Larry Curtis, and Larry Dennis, before Sonny Bono directed him towards the small independent Stripe Records. They suggested that he record under the name "Dobie Gray", an allusion to the then-popular sitcom The Many Loves of Dobie Gillis. His first taste of success came in 1963, when his seventh single "Look At Me", on the Cor-Dak label, recorded with bassist Carol Kaye, reached # 91 on the Billboard Hot 100. However, Gray's first album, Look!, failed to sell.
Greater success came in early 1965 when his original recording of "The 'In' Crowd" (later recorded by Ramsey Lewis) reached # 13 on the chart. Written by Billy Page, arranged by his brother Gene,[8] and produced by Fred Darian. Gray's record reached # 11 on the US R&B chart, and # 25 in the UK. The follow-up, "See You at the Go-Go", recorded with such top session musicians as Kaye, Hal Blaine and Larry Knechtel, also reached the Hot 100, and he issued an album, Dobie Gray Sings For 'In' Crowders That Go Go Go, which featured some self-penned songs.
Gray continued to record, though with little success, for small labels such as Charger and White Whale, as well as contributing to movie soundtracks. He also spent several years working as an actor, including 2½ years in the Los Angeles production of Hair. In 1970, while working in Hair, he joined a band, Pollution, as singer and percussionist. They were managed by actor Max Baer Jr. (best known as "Jethro" in The Beverly Hillbillies), and released two albums of soul-inspired psychedelic rock, Pollution I and Pollution II. The band also included singer Tata Vega and guitarist/singer James Quill Smith. After that, he worked at A & M Records on demo recordings with songwriter Paul Williams.
In 1972, he won a contract with Decca Records, shortly before it became part of MCA, to make an album with producer Mentor Williams, Paul's brother, in Nashville. Among the songs that they recorded at the Quadrafonic Sound Studios, co-owned by session musicians Norbert Putnam and David Briggs, was Mentor Williams' song "Drift Away", featuring a guitar riff by Reggie Young. Released as a single, the song rose to # 5 on the US pop charts, and remains Gray's best known song today. The follow-up, a version of Tom Jans' much-covered song "Loving Arms", made # 61 in the chart. Gray also released three albums with MCA, Drift Away, Loving Arms, and Hey, Dixie, but later stated that MCA were unsure of how to market the albums - "They didn't know where to place a black guy in country music."
In the mid-1970s he moved permanently to Nashville and signed for Capricorn Records, writing songs in collaboration with Troy Seals. His biggest hit singles in the late 1970s were "If Love Must Go", # 78 in 1976, and "You Can Do It", # 37 in late 1978, his last solo chart hit to date. He increasingly concentrated on songwriting, writing songs for a variety of artists including Ray Charles, George Jones, Johnny Mathis, Charley Pride and Don Williams. Gray also toured in Europe, Australia and Africa in the 1970s. He performed in South Africa only after persuading the apartheid authorities to allow him to play to integrated audiences, becoming the first artist to do so in that country. His popularity in South Africa continued through numerous subsequent concert tours.
He re-emerged as a recording artist for Capitol Records in the mid-1980s, recording with producer Harold Shedd. Gray placed two singles in the US Billboard country chart during 1986 and 1987, including "That's One to Grow On" which peaked at #35. His country albums included From Where I Stand in 1986, and he made several appearances at Charlie Daniels' popular Volunteer Jam concerts. He also sang on a number of TV and radio jingles. In 1997, he released the album Diamond Cuts, including both new songs and re-recordings of older material.
In 2000, Wigan Casino DJ, Kev Roberts, compiled The Northern Soul Top 500, which was based on a survey of northern soul fans. Gray's "Out On The Floor", a 1966 recording which had been a British chart hit in 1975, was placed in the Top 10. "Drift Away" became a hit again in 2003, when it was covered by Uncle Kracker on his No Stranger to Shame album. The recording was a duet between Kracker and Gray, who was also featured in the video. It ended in the nineteenth place in the Billboard Year-End Hot 100 singles of 2003.
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Dobie Gray Lyrics
A Change Is Gonna Come I was born by the river in a little tent…
Ain't That Good News Oh my baby's comin home tomorrow Ain't that good news Man, a…
Crazy Crazy Crazy for feeling so lonely I'm crazy Crazy for f…
Cupid Cupid draw back your bow And let your arrow go Straight to…
Drift Away Day after day I'm more confused Yet I look for the…
Driftaway Day after day I'm more confused Yet I look for the…
Eddie's Song I went out a-searching for a friend of mine Hadn′t seen…
Feelings Feelings, Nothing more than feelings, Trying to forget my fe…
Good Old Song All the world is a room and the room is…
If I Ever Needed You It's takin' some time to learn How much it means…
In Crowd I'm in with the in crowd I go where the…
It's Not Because We Didn't Try If we had it to do all over If we had…
It's Over Your baby doesn't love you anymore Golden days before they…
Lean On Me Sometimes in our lives We all have pain We all have sorrow …
Let Me Go Till I'm Gone Everybody used to tell me Every man's a king I don't have…
Love Is On The Line Love is on the line When the same mistakes are made Over…
Lovin' Arms If you could see me now The one who said that…
Lovin' The Easy Way Sweet Georgia honey spending my money But I don′t care we're…
Loving Arms If you could see me now The one who said that…
Now That I'm Without You When I went on my own It was hard for you…
Old Time Feeling I could lie here forever and listen to the falling…
Out On The Floor Yeah, yeah, yeah, babe's it's out of sight Out on the…
Rockin' Chair Rock on rocking chair Seems like all your friends are there …
Roll On Sweet Mississippi Roll on sweet Mississippi deep and wide You′re a river more…
Rose Time has been blessing me patience is the best for me i…
See You at the Go Go There's a place Not far from here Everybody who's hip will k…
Slip Away What would I give for just a few moments What would…
Slow Rain I've tried to reach you till i thought you telephone would r…
So High You′re telling me darling you can do it in style Imagination…
Streets Of Fire Have you heard the song of sirens filling up the…
Sweet Lovin Woman well l've got no place to hide no train to ride…
Sweet Lovin' Woman Well, I've got no place to hide No train to ride…
That's One to Grow On True devotion, sweet emotions Have spent the night out in th…
The "In" Crowd I'm in with the in crowd I go where the…
The In-Crowd I'm in with the in crowd, I go where the…
There's A Honky Tonk Angel When was the last time you kissed me And I don't…
Watch Out For Lucy Hey out in the country at the crossroads bar You don't…
We Had It All She's graceful to the eye Elegant and tall To see her walk…
What a Wonderful World Don't know much about history Don't know much biology Don't …
You Are so Beatiful [Chorus] The love I lost Was a sweet love The love…
You Can Do It Take your shoes off, let your hair down Time for you…
Robert Davison
on Rockin' Chair
It's not "buckets dance" it's "biscuits done" referring to a mother making biscuits (as in the Southern American food staple, not like cookies) in keeping with the song's theme of sentimental childhood memories.
Robert Davison
on Rockin' Chair
Keep rocking, rocking chair
It looks like your pals are here with you
They can't go anywhere without you
They used to write songs about you
Keep rocking, rocking chair
Mom, are the buckets dancing?
I can hear the buckets, but not the man who's just hanging there
You watch the world from the comfort of your rocking chair
I remember all the fantasies that come back to me
The daydream I had at the store about the things I'd buy
I remember all the drops of summer rain
When I relaxed, swaying in the middle of the day
So comfortable that I didn't want to get up and play
Rock me away, rocking chair
Keep rocking, rocking chair
Take me away to a dream or two
Don't ever leave me, because I'll miss you; keep rocking, rocking chair
Back on the radio
Yes, I used to play it all alone
Late at night when she would come to visit me
Too young to understand love
But we loved each other anyway
I asked her if she wanted to rock with me
Just hold my hand, close your eyes, and follow me
Let's explore the night together; rock me
Keep rocking, yeah
Rock me
Would you rock me, honey?
I'm going to see my mother
Make me
Make me feel at home
Ricky Ray
on Streets Of Fire
the song streets of fire is co written by dobie gray and ricky ray rector and the publishing for ricky ray rector is ricky ray music bmi
Mimi MamaTshimo Mufamadi
on Cupid
Straight to my loves heart.