McLean's grandfather and father, both also named Donald McLean, had roots originating in Scotland. The Buccis, the family of McLean's mother, Elizabeth, came from Abruzzo in central Italy. Read Full BioDonald McLean III (born October 2, 1945) is an American singer-songwriter, best known for his 1971 hit song "American Pie", an 8.5-minute folk rock "cultural touchstone" about the loss of innocence of the early rock and roll generation (US #1 for four weeks in 1972 and UK #2).
McLean's grandfather and father, both also named Donald McLean, had roots originating in Scotland. The Buccis, the family of McLean's mother, Elizabeth, came from Abruzzo in central Italy. They left Italy and settled in Port Chester, New York at the end of the 19th century. He has other extended family in Los Angeles and Boston. Though some of his early musical influences included Frank Sinatra and Buddy Holly, as a teenager, McLean became interested in folk music, particularly the Weavers' 1955 recording At Carnegie Hall. He often missed long periods of school because of childhood asthma, particularly music lessons, and although McLean slipped back in his studies, his love of music was allowed to flourish. By age 16, he had bought his first guitar and began making contacts in the music business, becoming friends with the folk singers Erik Darling and Fred Hellerman of the Weavers.
McLean recorded Tapestry in 1969 in Berkeley, California during the student riots. After being rejected 72 times by labels, the album was released by Mediarts, a label that had not existed when he first started to look for a label. He worked on the album for a couple of years before putting it out. It attracted good reviews but little notice outside the folk community, though on the Easy Listening chart "Castles in the Air" was a success, and in 1973 "And I Love You So" became a number 1 Adult Contemporary hit for Perry Como.
McLean's major break came when Mediarts was taken over by United Artists Records, thus securing the promotion of a major label for his second album, American Pie. The album launched two number one hits in the title song and "Vincent". American Pie's success made McLean an international star and piqued interest in his first album, which charted more than two years after its initial release.
In 2004, he was inducted into the Songwriters Hall of Fame. In January 2018, BMI certified that "American Pie" and "Vincent" had reached five million and three million airplays respectively.
His composition "And I Love You So" has been sung by Elvis Presley, Perry Como, Helen Reddy, Glen Campbell, and others, and in 2000, Madonna had a hit with a rendition of "American Pie". His other hit singles include "Vincent" (US #12, UK #1 in 1972), "Dreidel" (US #21 in 1972), a rendition of Roy Orbison's "Crying" (US #5, UK #1 in 1980), a rendition of the Skyliners' "Since I Don't Have You" (US #23 in 1980), and "Wonderful Baby" (US AC #1 in 1975).
American Pie
Don McLean Lyrics
Jump to: Overall Meaning | Line by Line Meaning
I can still remember how
That music used to make me smile
And I knew if I had my chance
That I could make those people dance
And maybe they'd be happy for a while
But February made me shiver
With every paper I'd deliver
Bad news on the doorstep
I couldn't take one more step
I can't remember if I cried
When I read about his widowed bride
Something touched me deep inside
The day the music died
So
Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
And them good ole boys were drinking whiskey and rye
Singin' this'll be the day that I die
This'll be the day that I die
Did you write the book of love
And do you have faith in God above
If the Bible tells you so?
Now, do you believe in rock and roll?
Can music save your mortal soul?
And can you teach me how to dance real slow?
Well, I know that you're in love with him
'Cause I saw you dancin' in the gym
You both kicked off your shoes
Man, I dig those rhythm and blues
I was a lonely teenage broncin' buck
With a pink carnation and a pickup truck
But I knew I was out of luck
The day the music died
I started singin'
Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
Them good ole boys were drinking whiskey and rye
And singin' this'll be the day that I die
This'll be the day that I die
Now, for ten years we've been on our own
And moss grows fat on a rolling stone
But, that's not how it used to be
When the jester sang for the king and queen
In a coat he borrowed from James Dean
And a voice that came from you and me
Oh, and while the king was looking down
The jester stole his thorny crown
The courtroom was adjourned
No verdict was returned
And while Lennon read a book on Marx
The quartet practiced in the park
And we sang dirges in the dark
The day the music died
We were singin'
Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
Them good ole boys were drinking whiskey and rye
And singin' this'll be the day that I die
This'll be the day that I die
Helter skelter in a summer swelter
The birds flew off with a fallout shelter
Eight miles high and falling fast
It landed foul on the grass
The players tried for a forward pass
With the jester on the sidelines in a cast
Now the half-time air was sweet perfume
While the sergeants played a marching tune
We all got up to dance
Oh, but we never got the chance
'Cause the players tried to take the field
The marching band refused to yield
Do you recall what was revealed
The day the music died?
We started singin'
Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
Them good ole boys were drinking whiskey and rye
And singin' this'll be the day that I die
This'll be the day that I die
Oh, and there we were all in one place
A generation lost in space
With no time left to start again
So come on Jack be nimble, Jack be quick
Jack Flash sat on a candlestick
'Cause fire is the devil's only friend
Oh, and as I watched him on the stage
My hands were clenched in fists of rage
No angel born in Hell
Could break that Satan's spell
And as the flames climbed high into the night
To light the sacrificial rite
I saw Satan laughing with delight
The day the music died
He was singin'
Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
Them good ole boys were drinking whiskey and rye
Singin' this'll be the day that I die
This'll be the day that I die
I met a girl who sang the blues
And I asked her for some happy news
But she just smiled and turned away
I went down to the sacred store
Where I'd heard the music years before
But the man there said the music wouldn't play
And in the streets the children screamed
The lovers cried, and the poets dreamed
But not a word was spoken
The church bells all were broken
And the three men I admire most
The Father, Son, and the Holy Ghost
They caught the last train for the coast
The day the music died
And they were singing
Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
And them good ole boys were drinking whiskey and rye
Singin' this'll be the day that I die
This'll be the day that I die
They were singing
Bye, bye Miss American Pie
Drove my Chevy to the levee but the levee was dry
Them good ole boys were drinking whiskey and rye
Singin' this'll be the day that I die
American Pie is a song by Don McLean that was released in 1971. It is a tribute to the history of American rock and roll, exploring the impact it had on society and how it felt to lose some of its biggest players. The song reveals the personal experiences of the artist and how he viewed the world after losing three rock and roll legends who passed away in a plane crash on February 3, 1959. The song begins with “A long long time ago, I can still remember how, that music used to make me smile.” This implies that the piece is a nostalgic retrospective of the time gone by when music was an integral part of life.
The first verse of the song sets the tone for what is to follow, and the second verse explains why the singer is feeling the pain. These verses refer to the assassination of John F. Kennedy, which occurred while the singer was still in high school. The verse “But February made me shiver, with every paper I'd deliver. Bad news on the doorstep, I couldn't take one more step” refers to the death of Buddy Holly, Ritchie Valens, and the Big Bopper, who all died in a plane crash on February 3, 1959. The lyrics also refer to music's ability to bring people together and make them happy, “And maybe they'd be happy for a while.”
The remainder of the song alludes to the political and cultural changes that occurred starting from the early 1960s. Don McLean references the Beatles and Bob Dylan and their impact on American culture. The song also takes a darker turn, referencing the Altamont Free Concert, where a concertgoer was killed by the Hell's Angels, and the rise of Charles Manson, whose influence Don McLean calls the "Satan's spell." The song concludes with "The Father, Son, and the Holy Ghost, they caught the last train for the coast, the day the music died," suggesting that music will never be the same again. Overall, American Pie is an intricate, nostalgic ode to a period of time that created a significant impact on society and culture, both good and bad.
Line by Line Meaning
A long long time ago
The songwriter is reflecting on a distant past.
I can still remember how That music used to make me smile
The songwriter recalls how much he enjoyed music in his younger days.
And I knew if I had my chance That I could make those people dance And maybe they'd be happy for a while
The songwriter believes that music has the power to bring joy and happiness to people's lives.
But February made me shiver With every paper I'd deliver Bad news on the doorstep I couldn't take one more step I can't remember if I cried When I read about his widowed bride Something touched me deep inside The day the music died
The songwriter is referring to the plane crash that killed Buddy Holly, Ritchie Valens, and The Big Bopper on February 3, 1959, which he sees as the day that the innocence and joy of early rock and roll was lost.
So Bye, bye Miss American Pie Drove my Chevy to the levee but the levee was dry And them good ole boys were drinking whiskey and rye Singin' this'll be the day that I die This'll be the day that I die
The songwriter is bidding farewell to the ideal of American culture that he associated with early rock and roll, represented here by the metaphor of 'Miss American Pie,' and acknowledging that this event has marked the end of an era.
Did you write the book of love And do you have faith in God above If the Bible tells you so? Now, do you believe in rock and roll? Can music save your mortal soul? And can you teach me how to dance real slow?
The songwriter is posing a series of questions about the role of music and religion in people's lives, and suggesting that music has the power to be a spiritual force that can bring salvation to the soul.
Well, I know that you're in love with him 'Cause I saw you dancin' in the gym You both kicked off your shoes Man, I dig those rhythm and blues
The songwriter is reminiscing about a past love affair and the power of rock and roll to bring people together and create a sense of joy and community.
I was a lonely teenage broncin' buck With a pink carnation and a pickup truck But I knew I was out of luck I started singin'
The songwriter is describing his own youth and sense of isolation, and suggesting that music was a form of self-expression and rebellion against the constraints of society.
Them good ole boys were drinking whiskey and rye And singin' this'll be the day that I die
The songwriter is referring back to the earlier refrain, suggesting that the sense of cultural loss and disillusionment he feels is widely shared.
Now, for ten years we've been on our own And moss grows fat on a rolling stone But, that's not how it used to be When the jester sang for the king and queen In a coat he borrowed from James Dean And a voice that came from you and me Oh, and while the king was looking down The jester stole his thorny crown The courtroom was adjourned No verdict was returned And while Lennon read a book on Marx The quartet practiced in the park And we sang dirges in the dark We were singin'
The songwriter is painting a picture of a historical moment in which music and culture played a more powerful role in society than they do now, and suggesting that this sense of community and shared purpose has been lost in the years that have passed since then.
Helter skelter in a summer swelter The birds flew off with a fallout shelter Eight miles high and falling fast It landed foul on the grass The players tried for a forward pass With the jester on the sidelines in a cast
The songwriter is using a series of surreal and disjointed images to suggest the chaos and instability of contemporary society.
Now the half-time air was sweet perfume While the sergeants played a marching tune We all got up to dance Oh, but we never got the chance 'Cause the players tried to take the field The marching band refused to yield Do you recall what was revealed The day the music died?
The songwriter is describing a chaotic scene in which cultural forces are clashing and no progress is being made, a reflection of the broader sense of social unrest that characterized the late 1960s and early 1970s.
Oh, and there we were all in one place A generation lost in space With no time left to start again So come on Jack be nimble, Jack be quick Jack Flash sat on a candlestick 'Cause fire is the devil's only friend Oh, and as I watched him on the stage My hands were clenched in fists of rage No angel born in Hell Could break that Satan's spell And as the flames climbed high into the night To light the sacrificial rite I saw Satan laughing with delight He was singin'
The songwriter is referencing the cultural turmoil of the 1960s and 1970s, giving voice to the sense of anger and disillusionment that many young people felt towards the establishment and mainstream culture.
I met a girl who sang the blues And I asked her for some happy news But she just smiled and turned away I went down to the sacred store Where I'd heard the music years before But the man there said the music wouldn't play And in the streets the children screamed The lovers cried, and the poets dreamed But not a word was spoken The church bells all were broken
The songwriter is describing the breakdown in communication and cultural values that he sees as symptomatic of contemporary society, suggesting that many people are feeling lost and disillusioned.
And the three men I admire most The Father, Son, and the Holy Ghost They caught the last train for the coast And they were singing
The songwriter is referencing the Christian Holy Trinity, but reinterpreting it in light of the cultural and social upheavals of modern times.
They were singing bye, bye Miss American Pie Drove my Chevy to the levee but the levee was dry Them good ole boys were drinking whiskey and rye Singin' this'll be the day that I die
The song returns to its earlier refrain, emphasizing the sense of disillusionment and cultural loss that many people are feeling.
Lyrics © Universal Music Publishing Group
Written by: Don McLean
Lyrics Licensed & Provided by LyricFind
Orange Asphalt
When I was a little kid, my Dad would play this for me countless times because he knew how much I loved this song.
So when he passed away, after a three year battle of A.L.S.😢
I wrote a parody of this song as a tribute to my late father.
VERSE 1
Long long time ago,
I can still remember how his music used to make us smile.
A 1959 born man,
thought he had a long lifespan,
and we could all be together for a while.
But 2016 made us shiver, for his right leg began to quiver,
it got worse with each step, he couldn’t take one more step.
He wrote software he could upload, used computers, and advanced codes,
and now sun’s set on his road, we call it his ORANGE ASPHALT.
Oh my my Stephen was a smart guy,
he has been here, for 60 years, now he says his good-byes,
he’s in Heaven, that’s where today he resides,
saying one day you’ll be by my side, one day you’ll be by my side.
VERSE 2
Did you know he met a girl,
at university where his life unfurled, for she you see was his future love.
Their relationship began as friends of course,
despite flaws love’s a greater force,
and yes they were both blessed by the lord above.
Oh
he purposed and became engaged, and their requested marriage was arranged,
they were the best of husbands and wives, it was the best day of their lives.
They had 3 great kids who they both adore, and one married a man of Canadian lore,
but sadly the great wedding wasn’t before our man Stephen’s ORANGE ASPHALT.
I started singing
My my Stephen was smart guy,
he has been here, for 60 years, now he says his good-byes,
he’s in Heaven, that’s where today he resides’
saying one day you’ll be by my side, one day you’ll be by my side.
VERSE 3
Now for decades music was a loved thing, he cherished with his beloved siblings, and wow what a very merry group they were.
Yes
their loving parents were so filled with joy, they were deeply proud of their girls and their boys, it was an extraordinary concert yes sir.
Well
he passed his great love for the art, to his 3 kids he loved with all his heart, he entertained them with his gift, and their spirits he did lift.
Yeah
on his great guitar he was indeed a bliss, and he truly was a musical artist,
his musical hands will sorely be missed, oh yes after his ORANGE ASPHALT.
We started singing
My my Stephen was a smart guy,
he has been here for 60 years, now he says his good-byes,
he’s in Heaven, that’s where today he resides’
saying one day you’ll be by my side, one day you’ll be by my side.
VERSE 4
Destination visitation anticipation for vacation, he loved one spot in this whole nation.
Yes up in York Maine was a sensation, at his vast family’s cabin’s location, his thing was nature hiking exploration.
Oh
Bar Harbor, and Jordon Pond, and Mount Cadillac, Black woods and beyond, on the island he loved it all, Mount Desert Island it is called.
Yes
Steve loved the state of Maine the very best, yes his favorite in the hemisphere of the west,
Maine mourns the loss of one of it’s guests, oh yes after Steve’s ORANGE ASPHALT
Maine started singing
My my Stephen was a smart guy,
he has been here for 60 years, now he says his good-byes,
he’s in Heaven, that’s where today he resides,
saying one day you’ll be by my side, one day you’ll be by my side.
VERSE 5
Oh this song’s title I’ll explain what that is, it’s long story but it goes something like this, it all started with a video game.
It has a
total of 30 levels it’s true, and we advanced to the level 22, and yes orange asphalt is that level’s given name.
Because
you control a motorcycle, on a sunset lit road for a while, Stephen took that level to heart, I guess that was his favorite part.
Because
ever since then he asked from morning to 9, may I name this after, favorite level of mine,
we will treasure late Steve’s famous line, “Can I call this ORANGE ASPHALT?”.
He’s probably singing
My my Stephen was a smart guy,
he has been here for 60 years, now he says his good-byes,
he’s in Heaven, that’s where today he resides,
saying one day you’ll be by my side, one day you’ll be by my side.
VERSE 6
We already missed Stephen yes, when he had been cursed with A.L.S., we miss the man he used to be.
We took the task to help our man, in any possible way we can, the bad illness proceeded unfortunately.
On July 10 2019, his fate we feared had been seen, and zero words were spoken, the hearts of us were broken.
And the level Steve admired best, I took to my heart cross my chest,
I named the song you know the rest, Steve may call it ORANGE ASPHALT.
And I was singing….
My my Stephen was a smart guy,
he has been here for 60 years, now he says his good-byes,
he’s in Heaven, that’s where today he resides,
saying one day you’ll be by my side, one day you’ll be by my side.
FINALE
We were singing….
My my Stephen was a smart guy,
he has been here for 60 years, now he says his good-byes,
he’s in Heaven, that’s where today he resides,
saying one you’ll be by my side.
jim monroe
The song has nostalgic themes,[20] stretching from the late 1950s until late 1969 or 1970. Except to acknowledge that he first learned about Buddy Holly's death on February 3, 1959 – McLean was age 13 – when he was folding newspapers for his paper route on the morning of February 4, 1959 (hence the line "February made me shiver/with every paper I'd deliver"), McLean has generally avoided responding to direct questions about the song's lyrics; he has said: "They're beyond analysis. They're poetry."[21] He also stated in an editorial published in 2009, on the 50th anniversary of the crash that killed Buddy Holly, Ritchie Valens, and J. P. "The Big Bopper" Richardson (who are alluded to in the final verse in a comparison with the Christian Holy Trinity), that writing the first verse of the song exorcised his long-running grief over Holly's death and that he considers the song to be "a big song ... that summed up the world known as America".[22] McLean dedicated the American Pie album to Holly.
Some commentators have identified the song as outlining the darkening of cultural mood, as over time the cultural vanguard passed from Pete Seeger and Joan Baez (the "King and Queen" of folk music), then from Elvis Presley (known as "the King" of Rock and Roll), to Bob Dylan ("the Jester" – who wore a jacket similar to that worn by cultural icon James Dean, was known as "the voice of his generation" ("a voice that came from you and me"),[23] and whose motorcycle accident ("in a cast") left him in reclusion for many years, recording in studios rather than touring ("on the sidelines"), to The Beatles (John Lennon, punned with Lenin, and "the Quartet" – although McLean has stated the Quartet is a reference to other people[6]), to The Byrds (who wrote one of the first psychedelic rock songs, "Eight Miles High", and then "fell fast" – the song was banned, one of the group entered rehabilitation (known colloquially as a "fallout shelter"), and shortly after, the group declined as it lost members, changed genres, and alienated fans), to The Rolling Stones (who released Jumpin' Jack Flash and Their Satanic Majesties Request ("Jack Flash", "Satan", "The Devil"), and used Hells Angels – "Angels born in Hell" – as event security, with fatal consequences, bringing the 1960s to a violent end[24]), and to Janis Joplin (the "girl who sang the blues" but just "turned away" – she died of a heroin overdose the following year).
It has also been speculated that the song contains numerous references to post-World War II American political events, such as the assassination of John F. Kennedy (known casually as "Jack") and subsequent killing of his assassin (whose courtroom trial obviously ended as a result ("adjourned"),[25] the Cuban Missile Crisis ("Jack be nimble, Jack be quick"),[26] the murders of civil rights workers Chaney, Goodman, and Schwerner,[27] and elements of culture such as sock hops ("kicking off shoes" to dance, preventing damage to the varnished floor), cruising with a pickup truck,[25][28] the rise of the political protest song ("a voice that came from you and me"), drugs and the Counterculture, the Manson Family's and murders in the "summer swelter" of 1969 (the Beatles' song "Helter Skelter") and much more.[6]
Many additional and alternative interpretations have also been proposed.
For example, Bob Dylan's first performance in Great Britain was also at a pub called "The King and Queen", and he also appeared more literally "on the sidelines in a (the) cast" – as one of many stars at the back far right of the cover art of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band ("the Sergeants played a marching tune").[26]
The song title itself is a reference to apple pie, an unofficial symbol of the United States and one of its signature comfort foods,[29] as seen in the popular expression "As American as apple pie".[30] By the twentieth century, this had become a symbol of American prosperity and national pride.[30]
When asked what "American Pie" meant, McLean jokingly replied, "It means I don't ever have to work again if I don't want to."[31] Later, he stated, "You will find many interpretations of my lyrics but none of them by me ... Sorry to leave you all on your own like this but long ago I realized that songwriters should make their statements and move on, maintaining a dignified silence."[32] He also commented on the popularity of his music, "I didn't write songs that were just catchy, but with a point of view, or songs about the environment."
In February 2015, however, McLean announced he would reveal the meaning of the lyrics to the song when the original manuscript went for auction in New York City, in April 2015.[33] The lyrics and notes were auctioned on April 7, and sold for $1.2 million.[34] In the sale catalogue notes, McLean revealed the meaning in the song's lyrics: "Basically in 'American Pie' things are heading in the wrong direction. ... It [life] is becoming less idyllic. I don't know whether you consider that wrong or right but it is a morality song in a sense."[35] The catalogue confirmed some of the better-known references in the song's lyrics, including mentions of Elvis Presley ("the king") and Bob Dylan ("the jester"), and confirmed that the song climaxes with a description of the death of Meredith Hunter at the Altamont Free Concert, ten years after the plane crash that killed Holly, Valens, and Richardson.[35]
Mike Mills of R.E.M. reflected: "'American Pie' just made perfect sense to me as a song and that's what impressed me the most. I could say to people this is how to write songs. When you've written at least three songs that can be considered classic that is a very high batting average and if one of those songs happens to be something that a great many people think is one of the greatest songs ever written you've not only hit the top of the mountain but you've stayed high on the mountain for a long time."[36]
비정한세상
A long long time ago I can still remember
how that music used to make me smile
And I knew if I had my chance
That I could make those people dance
and maybe they'd be happy for a while
But February made me shiver
with every paper I'd deliver
Bad news on the doorstep
I couldn't take one more step
I can't remember if I cried
when I read about his widowed bride
Something touched me deep inside
the day the music died.
so
Bye bye Miss American Pie
Drove my chevy to the levee
But the levee was dry
And good old boys were
drinking whiskey and rye
Singing this will be the day that I die
This will be the day that I die
Did you write the Book of Love
and do you have faith in God above
If the Bible tells you so
Now do you believe in rock 'n roll
Can music save your mortal soul
And can you teach me
how to dance real slow?
Well, I know that you're in love with him
cause I saw you dancin in the gym
You both kicked off your shoes
Man, I dig those rhythm and blues
I was a lonely teenage bronckin buck
With a pink carnation and a pickup truck
But I knew that I was out of luck
The day the music died
I started singing
Now for ten years we've been on our own
and moss grows fat on a rollin stone
But that's not how it used to be
When the Jester sang for the king and Queen in a coat
He borrowed from James Dean
and a voice that came from you and me
Oh, and while the king was looking down
the Jester stole his thorny crown
The courtroom was adjourned,
no verdict was returned
And while Lenin read a book on Marx
the quartet practiced in the park
and we sang dirges in the dark
the day the music died.
We were singing
Helter-skelter in the summer swelter
the Byrds flew off with a fallout shelter
Eight miles high and fallin fast,
it landed foul out on the grass
the players tried for a forward pass,
with the Jester on the sidelines in a cast
Now the half-time air was sweet perfume
While the Sergeants played a marching tune
We all got up to dance
but we never got the chance
Cause the players tried to take the field,
the marching band refused to yield
Do you recall what was revealed
the day the music died
We started singin
Oh, and there we were all in one place,
A generation lost in space
with no time left to start again
So come on, Jack be nimble, Jack be quick
Jack Flash sat on a candlestick
'cause fire is the Devil's only friend
Oh, and as I watched him on the stage,
my hands were clenched in fists of rage
No angel born in hell
Could break that Satan's spell
And as the flames climbed high into the night
To light the sacrificial rite
I saw Satan laughing with delight
the day the music died.
He was singing
I met a girl who sang the blues
and I asked her for some happy news
But she just smiled and turned away
I went down to the sacred store
where I heard the music years before
But the man there said the music wouldn't play
And in the streets the children screamed
The lovers cried and the poets dreamed
But not a word was spoken
The church bells all were broken
And the three men I admire the most
The Father, Son and the Holy Ghost
They caught the last train for the coast
The day the music died
And they were singing
Brian Garrow
It’s April 28, 2023 and I just heard the President/Prime Minister of South Korea sang this at a official state banquet and diplomatic reception. He did the first verse and I gotta give him credit. He won over everyone in that room. Well done sir. You touched many American hearts. Thank you.
大韓帝國
Not Prime Minister. He is President
Brian Garrow
@大韓帝國 Thank you for sharing this with us. Have a great weekend!
오동재
Great Yoon can make better S.Korea
Dylan S
Truly shows the kids how legendary this song is. put a smile on my face that’s for sure
woans1026
@오동재 위대해서 국제호구라고 놀림을 받냐?
Tainá Copetti Bernardi
The first song I learned to sing in English at 5 years old. The first song I learned to play on the guitar. The song of my life. Timeless, this gives me goosebumps and this feeling for a decade I wish I have lived in.
TheBeatlesAndQueen
👍
Roy Douglas
A monumental classic for sure!!Glad you love it too! God bless you.
Don Reinke
I remember hearing American Pie for the first time in December 1971 on the old KIMN AM in Denver CO riding around in my moms brand new 72 Gran Torino. I was 13 years old.
It continued to get frequent airplay well into 1972 (although a cut-down version rather than the 8 minute plus long version), I didn't even know there was a long version for several years after it was released.
Fifty years on, I still occasionally hear it on an oldies station, its in the top 5 of my favorite pop/rock songs of all time.
I often wish there was a song like this that told the story of pop music and the culture that went along with it in the decades since, (other than Billy Joels "We didn't start the Fire")
They dont write them like that anymore (to borrow the lyrics from an 80s song)....and likely never will.