Edwin Fischer
Edwin Fischer (October 6, 1886 – January 24, 1960) was a Swiss classical pi… Read Full Bio ↴Edwin Fischer (October 6, 1886 – January 24, 1960) was a Swiss classical pianist and conductor. He is widely regarded as one of the greatest pianists of the 20th century, particularly in the traditional Germanic repertoire of such composers as Johann Sebastian Bach, Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert. He is also regarded as one of the finest piano pedagogues of modern times.
Fischer was born in Basel and studied music first there, and later in Berlin at the Stern conservatory under Martin Krause. He first came to prominence as a pianist following World War I. In 1926 he became conductor of the Lübeck Musikverein, Lübeck and later conducted in Munich. In 1932 he formed his own chamber orchestra, and was one of the first to be interested in presenting music of the baroque in an historically accurate way. He conducted concertos by the likes of Bach and Wolfgang Amadeus Mozart from the keyboard, which at the time was most unusual.
In 1932 he returned once again to Berlin, succeeding Artur Schnabel in a teaching role at the Berlin Hochschule für Musik. In 1942 he moved back to Switzerland, temporarily putting his career on hold through World War II. Following the war, he began to perform again, as well as giving masterclasses in Lucerne, which were attended by a number of later prominent pianists, Alfred Brendel, Paul Badura-Skoda and Daniel Barenboim among them.
As well as solo recitals, concerto performances, and conducting orchestral works, Fischer also played chamber music. Particularly highly regarded was the piano trio he formed with the cellist Enrico Mainardi and the violinist Georg Kulenkampff (who was replaced by Wolfgang Schneiderhan after his death).
Fischer published a number of books on teaching as well as one on the piano sonatas of Beethoven. He also made a number of recordings, including the first complete recording of Bach's Well-Tempered Clavier for EMI in the 1930s.
Fischer’s complete Well-Tempered Clavier, recorded between 1933 and 1936, is one of the landmarks of the Bach discography, considered the earliest complete performance on record. Fischer's recording is admired in part because he does not use the resources of the modern instrument artificially to embellish the score. His recording of the Bach "48" remains the yardstick against which all pianists measure themselves.
Fischer was born in Basel and studied music first there, and later in Berlin at the Stern conservatory under Martin Krause. He first came to prominence as a pianist following World War I. In 1926 he became conductor of the Lübeck Musikverein, Lübeck and later conducted in Munich. In 1932 he formed his own chamber orchestra, and was one of the first to be interested in presenting music of the baroque in an historically accurate way. He conducted concertos by the likes of Bach and Wolfgang Amadeus Mozart from the keyboard, which at the time was most unusual.
In 1932 he returned once again to Berlin, succeeding Artur Schnabel in a teaching role at the Berlin Hochschule für Musik. In 1942 he moved back to Switzerland, temporarily putting his career on hold through World War II. Following the war, he began to perform again, as well as giving masterclasses in Lucerne, which were attended by a number of later prominent pianists, Alfred Brendel, Paul Badura-Skoda and Daniel Barenboim among them.
As well as solo recitals, concerto performances, and conducting orchestral works, Fischer also played chamber music. Particularly highly regarded was the piano trio he formed with the cellist Enrico Mainardi and the violinist Georg Kulenkampff (who was replaced by Wolfgang Schneiderhan after his death).
Fischer published a number of books on teaching as well as one on the piano sonatas of Beethoven. He also made a number of recordings, including the first complete recording of Bach's Well-Tempered Clavier for EMI in the 1930s.
Fischer’s complete Well-Tempered Clavier, recorded between 1933 and 1936, is one of the landmarks of the Bach discography, considered the earliest complete performance on record. Fischer's recording is admired in part because he does not use the resources of the modern instrument artificially to embellish the score. His recording of the Bach "48" remains the yardstick against which all pianists measure themselves.
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01Sonata Per Pianoforte N. 11 In La Maggiore, KV 331: I. Andante Graziozo (Var. 1/6) (Mozart)Edwin FischerEdwin Fischer
02Das wohltemperierte Klavier [Book II] (2007 Digital Remaster), Das wohltemperierte Klavier (The Well-Tempered Clavier), Book II BWV 870-93, No.9 in E major, BWV 878: PreludeEdwin FischerEdwin Fischer
05Sonata Per Pianoforte N. 10 In Do Maggiore, KV 330: I. Allegro Moderato (Mozart)Edwin FischerEdwin Fischer
06Das wohltemperierte Klavier [Book II] (2007 Digital Remaster), Das wohltemperierte Klavier (The Well-Tempered Clavier), Book II BWV 870-93, No.1 in C major, BWV 870: FugueEdwin FischerEdwin Fischer
08Das Wohltemperierte Klavier BWV846-893 (1999 Digital Remaster), BOOK ONE (1999 Digital Remaster): NoEdwin FischerEdwin Fischer
09Das wohltemperierte Klavier [Book II] (2007 Digital Remaster), Das wohltemperierte Klavier (The Well-Tempered Clavier), Book II BWV 870-93, No.2 in C minor, BWV 871: FugueEdwin FischerEdwin Fischer
10Das wohltemperierte Klavier [Book II] (2007 Digital Remaster), Das wohltemperierte Klavier (The Well-Tempered Clavier), Book II BWV 870-93, No.3 in C sharp major, BWV 872: FugueEdwin FischerEdwin Fischer
11Das wohltemperierte Klavier [Book II] (2007 Digital Remaster), Das wohltemperierte Klavier (The Well-Tempered Clavier), Book II BWV 870-93, No.14 in F sharp minor, BWV 883: FugueEdwin FischerEdwin Fischer
12Das wohltemperierte Klavier [Book II] (2007 Digital Remaster), Das wohltemperierte Klavier (The Well-Tempered Clavier), Book II BWV 870-93, No.18 in G sharp minor, BWV 887: PreludeEdwin FischerEdwin Fischer
14The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C minor, BWV 847Edwin FischerEdwin Fischer
15Sonata Per Pianoforte N. 31 In La Bemolle Maggiore, Op. 110: III. Adagio, Ma Non Troppo - Fuga, Allegro, Ma Non Troppo (Beethoven)Edwin FischerEdwin Fischer
16Das wohltemperierte Klavier [Book I] (2007 Digital Remaster), Das wohltemperierte Klavier (The Well-Tempered Clavier), Book I BWV 846-69 (2007 Digital Remaster), No.23 in B, BWV868: FugueEdwin FischerEdwin Fischer
17Das wohltemperierte Klavier [Book II] (2007 Digital Remaster), Das wohltemperierte Klavier (The Well-Tempered Clavier), Book II BWV 870-93, No.4 in C sharp minor, BWV 873: FugueEdwin FischerEdwin Fischer
18Das wohltemperierte Klavier BWV846-93 (1999 Digital Remaster), Book I: No.1 in C, BWV 846Edwin FischerEdwin Fischer
19Das wohltemperierte Klavier [Book II] (2007 Digital Remaster), Das wohltemperierte Klavier (The Well-Tempered Clavier), Book II BWV 870-93, No.22 in B flat minor, BWV 891: FugueEdwin FischerEdwin Fischer
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