Eric B. & Rakim
Eric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid in Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued to release two more albums in 1990, Let the Rhythm Hit 'Em and in 1992 Read Full BioEric B. & Rakim were a hip-hop duo from New York City, New York, United States composed of DJ Eric Barrier (born November 8, 1965) and MC Rakim (born William Michael Griffin Jr.). The duo went on to release 4 studio albums with their 1987, Paid in Full being regarded as one the most influential albums in Hip Hop. In 1988, they released their second album titled, Follow The Leader. They later continued to release two more albums in 1990, Let the Rhythm Hit 'Em and in 1992, Don't Sweat the Technique in which they went on to split in that same year.
Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.
Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.
In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.
The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.
Eric B. & Rakim were almost universally recognized as the best DJ & MC duo. Not only was their chemistry superb, but individually, each represented the absolute peak in their respective skills. Eric B. was a hugely influential DJ and beatmaker whose taste for hard-hitting James Brown samples touched off a stampede through the Godfather of Soul's back catalog that continues up to the present day. Rakim, meanwhile, still tops fan polls as the greatest MC of all time. He crafted his rhymes like poetry, filling his lines with elaborate metaphors and complex internal rhymes, and he played with the beat like a jazzman, earning a reputation as the smoothest-flowing MC ever to pick up a mic. His articulation was clear, his delivery seemingly effortless, and his influence on subsequent MCs incalculable. Together, their peerless technique on the microphone and turntables upped the ante for all who followed them, and their advancement of hip-hop as an art form has been acknowledged by everyone from Gang Starr to the Wu-Tang Clan. While certain elements of their sound might come off as slightly dated today, it's also immediately clear how much of a hand Eric B. & Rakim had in leading hip-hop into the modern age.
Eric B. was born Eric Barrier in 1965 in Elmhurst, Queens; his future partner, William Griffin, Jr., was born in 1968 and also hailed from the suburbs of New York, specifically Wyandanch, Long Island. At age 16, Griffin converted to Islam and adopted the name Rakim Allah. Barrier played trumpet and guitar early on, but switched to the turntables in high school, and eventually landed a job as the mobile DJ for radio station WBLS. It was there that he met Rakim, and the two officially formed a partnership in 1985. Their first single -- "Eric B. Is President" (an ode to Barrier's DJ skills) b/w "My Melody" -- was released on the tiny Harlem-based indie label Zakia. It was a street-level sensation during the summer of 1986, and the duo was picked up by the larger 4th & Broadway imprint. The equally monumental singles "I Ain't No Joke" and "I Know You Got Soul" sampled James Brown and his cohort Bobby Byrd, respectively, and their utter funkiness began to revolutionize the sound of hip-hop. Moreover, Rakim's line "pump up the volume" on the latter track was in turn sampled itself, becoming the basis for M/A/R/R/S' hit of the same name.
In 1987, 4th & Broadway issued the duo's full-length debut, Paid in Full; accompanied by a mighty underground buzz, the record climbed into the Top Ten on the R&B LP charts (as would all of their subsequent albums). Additionally, the British DJ duo Coldcut remixed the title cut into a bona fide U.K. smash. The exposure helped make "Paid in Full"'s drum track one of the most sampled beats this side of James Brown's "Funky Drummer"; it provided the foundation for Milli Vanilli's "Girl You Know It's True," among many other, more credible hits. On the heels of Paid in Full, Eric B. & Rakim signed with MCA subsidiary Uni and consolidated their reputation with another landmark hip-hop album, 1988's Follow the Leader. The title cut took its place among the classic singles already in their canon, and Jody Watley soon tapped the duo for a guest spot on her 1989 single "Friends," which brought them into the pop Top Ten for the first and only time.
The 1990 follow-up Let the Rhythm Hit 'Em proved relatively disappointing from a creative standpoint, although 1992's slightly jazzier Don't Sweat the Technique was a more consistent affair that bolstered their legacy. As it turned out, the record also completed that legacy. The duo's contract with MCA was almost up, and they had discussed the possibility of each recording a solo album. Unfortunately, the resulting tension over the future of their partnership ultimately destroyed it. In the aftermath of the breakup, various legal issues prevented both parties from starting their solo careers for quite some time.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Paid in Full
Eric B. & Rakim Lyrics
[Eric B]: Yo Rakim what's up?
[Rakim]: Yo I'm doing the knowledge E. I'm trying to get paid in full
[E]: Well check this out since Nobry Walters is our agency right?
[R]: True
[E]: Kara Lewis is our agent
[R]: Word up
[E]: Zakia/4th & Broadway is our record company
[R]: Indeed
[E]: Okay so who we rollin with?
[R]: We rollin with Rush
[E]: Of Rushtown Management. Check this out since we talking over
This def beat that I put together, I want to hear some of them
Def rhymes, know what I'm sayin? And together, we can get
Paid in full...
Thinkin of a master plan
'cause ain't nuthin but sweat inside my hand
So I dig into my pocket, all my money is spent
So I dig deeper but still comin up with lint
So I start my mission- leave my residence
Thinkin how could I get some dead presidents
I need money, I used to be a stick-up kid
So I think of all the devious things I did
I used to roll up, this is a hold up, ain't nuthin funny
Stop smiling, be still, don't nuthin move but the money
But now I learned to earn 'cause I'm righteous
I feel great! so maybe I might just
Search for a 9 to 5, if I strive
Then maybe I'll stay alive
So I walk up the street whistlin this
Feelin out of place 'cause, man, do I miss
A pen and a paper, a stereo, a tape of
Me and Eric be , and a nice big plate of
Fish, which is my favorite dish
But without no money it's still a wish
'cause I don't like to dream about gettin paid
So I dig into the books of the rhymes that I made
To now test to see if I got pull
Hit the studio, 'cause I'm paid in full
Lyrics © Universal Music Publishing Group
Written by: BENJAMIN NAGARI, ERIC BARRIER, WILLIAM GRIFFIN
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
L C
@Lazaro Rodriguez You are right. Another thing people forget is that this was NEW and creative THEN. Like we had not heard anything like this when this came out. Eric B. and Rakim and other producers of the time came up with these combinations no one else had thought up of before.
People Under The Stairs (were) and others are still making beats and sounds too.
But music evolves and changes.
I wouldn't mind some of current soul singers to bring back that James Brown sound either. James Brown inspired alot of the early rap breakbeat sound. Maybe Lee Fields with some Anderson Paak?
There is some decent music today by real rappers. You just have to look for it off mainstream commercial stuff.
What we need is return to fundamentals. Producer musicians and vocalists that appreciate the art in its purest form. Not just computer studio beat manipulators but guys that can actually play and make new sounds and original music and can rhyme and flow worth a damn.
Guys that can tell a message or story but make it interesting while rhyming. Not just repeating some cliche over looped beats.
tzahi bar
Btw, that woman singing in the background does that in Hebrew.
She is saying:
"If generous's doors are locked, God's doors are open"
It's from an old traditional poetry.
Check out:
עפרה חזה - אם ננעלו
https://m.youtube.com/watch?v=ZRnzTTYk7_Q
https://lyricstranslate.com/en/im-nin039alu-%D7%90%D7%9D-%D7%A0%D7%A0%D7%A2%D7%9C%D7%95-if-doors-are-shut.html
Dennis Bergkamp
Please tell me Someone Is Still listening to this masterpiece in 2021
I AM WEALTH
Indubitably!!!!
Bird Gang
Hi
Millz ODay
I am
twisted view labs
Still a banger...a true timeless classic
2010HarleyDynaFXD
Of course
eob71
This shit is art. This track was so ahead of it’s time. Eric B and Rakim were so insanely brilliant. We even knew it in 1988 y’all.
twisted view labs
33 years later and it still slaps
Andy Best
It really puts into context how over-produced and bland a lot of music is now.
William Henneberger
Futuristic. Imagine how good this song sounded in the 80s? I was there and when I tell you this was LIFE, I'm not lying. He was a 2000s/2020s rapper transported back in time. Eric B. as well, with these clever samples.