1) Face Down (formerly … Read Full Bio ↴At least two bands share the name Face Down.
1) Face Down (formerly known as Machine God) is a post-thrash/death metal band from Sweden.
In 1993 bass player Joakim (Harju) Hedestedt and drummer Richard Bng started a band called Machine God along with guitarist Alex Linder. The band was soon joined by vocalist Marco Aro.
After the first gig in spring 1994, guitarist Joacim Carlsson (Afflicted, General Surgery) joined up and they decided to change the band name to Face Down. Later that year, Linder was replaced by Niklas Ekstrand (ex-Tiamat) due in part to his basic lack of interest. With this line up, the first demo was recorded and duplicated in over 800 copies. These were widely spread and given away and none were sent out to record companies.
Through word of mouth, the demo was picked up by Soundfront Music. After a gig in Stockholm in spring 1995 the band signed a contract with Roadrunner Records (through Soundfront Music.) That was also the last gig with Ekstrand, who didn't seem as eager to work as hard as the rest of the band, who in turn doubled their efforts in order to make a great debut album. The album "Mindfield" was recorded in summer 1995 at Soundfront Studio, with acclaimed producer Daniel Bergstrand. Shortly afterwards, Bng left the band. He was soon replaced by drummer Peter Stjrnvind (Unanimated, Merciless) and Face Down was ready for action.
After the release of "Mindfield" in January 96, the band went on an European tour supporting Napalm Death and Crowbar. Around this time the "Kill The Pain" video was shown several times on MTV's Headbangers Ball and the band also appeared in a live interview on the show. This tour also included a couple of gigs with the legendary At The Gates. The European tour was shortly followed by a co-headline tour in the UK with London thrashers Above All and culminated with a magic gig at London Astoria (Metal Hammer's 4-play Night), supporting Cathedral. Back home in Sweden, Face Down attended the awesome Hultsfred Festival and completely devastated the crowd. After lots of problems with Soundfront Records the band stood without a record deal, but was quickly signed on to Nuclear Blast Records. In Autumn of 1996 the band started to work on their second full-length record.
In February of 1997 the band entered Sunlight Studios with producer Tomas Skogsberg. A total of 15 tracks were recorded for their second release in six weeks time. Upon completion of the recording, the band submitted the masters to Nuclear Blast, who in turn, didn't accept the production. The band was forced to re-record the album at Daniel Bergstrand's Dug Out Productions studio in two weeks in July 1997. After the release of "The Twisted Rule The Wicked" in late 1997, Peter Stjrnvind left the band to join Entombed. Hkan Ericsson (from local act Godblender) was quickly brought in to replace him. Tough times lay ahead. The departure of Peter and even more problems with Nuclear Blast made the morale of the band low. The band played some local shows, got promised a couple of tours but nothing ever materialized. The band decided to set up their own tour in the territory where they were best known, the UK, along with HC band Soulquake System from Kristinehamn.
After completing the UK tour in early 1998 with Soulquake System, the band took a break for a few months. Work was resumed during autumn '98, and the band recorded a three track demo-tape at Sunlight Studio.
At this point the relationship with Nuclear Blast was disintegrating completely and further co-operation was impossible. The band once again found themselves without a record deal, with almost all material written for their third album.
In early 1999, Marco decided to leave the band as The Haunted had made him an offer he could not refuse. Face Down was at its lowest point ever. Facing a bleak future with no record label or lead vocalist, Joakim, Hkan and Joacim tried to hold on a couple of weeks but it was pointless. Face Down was dead... The remaining members went their separate ways in spring of 1999.
Over five years later Joakim (Harju) Hedestedt (who was playing base for Construcdead) felt that it was time to reunite the band. He'd heard about Marco Aro's departure from The Haunted and started making some phone calls to his old band mates. The reaction was very positive. To take on the heavy burden of drummer, Joakim asked his good friend Erik Thyselius (also of Construcdead and Terror 2000). Erik gladly accepted the task and the new Face Down was created. Shortly after the band was signed on to Black Lodge Records.
After successfully recording a 3 track demo in the summer of 2004, the band were invited to appear at 'Sweden Rock', the country's largest and most renouned music festival, and also the legendary 'Decibel 2000' festival. Hard work was resumed as the band once again hit the 'Fear and Loathing' recording studio in order to put down tracks for their long awaited third album, 'The Will To Power.'
Produced by Jocke Skog, the album took the band in new directions whilst maintaining the sheer aggression, brutality and impact of their former releases.
Final line-up:
Marco Aro - Vocals
Rickard Dahlberg - Guitar
Joakim Hedestedt - Bass
Christofer Barkensjö - Drums
Former members:
Joacim Carlsson - Guitar (1994-2006)
Erik Thyselius - Drums (2004-2006)
Håkan Ericsson - Drums (1997-1999)
Peter Stjärnvind - Drums (1995-1997)
Richard Bång - Drums (1993-1995)
Niklas Ekstrand - Guitar (1994-1995)
Alex Linder - Guitar (1993-1994)
Henrik Blomquist - Audio Warfare (1994-1996)
Discography
One Eyed Man (Demo, 1994)
Mindfield (1996)
The Twisted Rule the Wicked (1997)
Demo (2004)
The Will to Power (2005)
Demo (2006)
2) Face Down is also a French southern-metal band.
http://www.myspace.com/facedownattitude
Drained
Face Down Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Lives in a fading breath of compassion
Destroyed - by my final deed
All beauty must die
Time to rid your mind of the vermin
Rid it of vermin like me
All you thought you achieved
Is crushed underneath my boot on your chest
I'm the last thing you'll see
Drained - a cut from the blade so sordid
Unpure
Drown - my filth is pulling you under
Hate - I'm bleeding you dry
I'm bleeding you dry
Brace yourself
This is far from over
If you fight, kick and scream
I'll only go slower
Drained - a cut from the blade so sordid
Unpure
Drown - my filth is pulling you under
Hate - I'm bleeding you dry
I'm bleeding you dry
Drained - a cut from the blade so sordid
Unpure
Drown - my filth is pulling you under
Hate - I'm bleeding you dry
I'm bleeding you dry
"When you look down at me
You'll see a fool
When you look up at me
You'll see your lord
When you look straight at me
You'll see yourself"
Now you're mine, a dog on a leash
Salvation at hand, but too far to reach
The sheer thought of it all is making you sick
A gun to your head, all you heard was.. click!
Taking my time to watch you squirm
Mercy is something that you earn
The sound of your body slamming the deck
Is outshined by the sound when I'm snapping your neck
Who will decide and who's to blame?
Place your bets in this high stakes game
There's millions of ways to enter
And only one way to leave
The lyrics of the song Drained by Face Down delve into the theme of destruction, hate, and power play. The first verse opens up with the singer reflecting on their own fading compassion that now resides in a frozen heart. All beauty must die, and the singer has been destroyed by their final deed, indicating that they have done something terrible to someone. In the following lines, the singer urges the listener to rid their mind of vermin like them. They have crushed everything the listener thought they had achieved, and now they dominate their every move.
The chorus of Drained implies that the singer's filth is pulling the listener under, and they are bleeding them dry. The singer enjoys exerting their power on the listener and reminds them that there is no escape from their hold. In the second verse, the singer continues to assert their authority by saying that the listener is theirs, a dog on a leash. The listener's salvation is at hand but too far to reach, indicating that they are trapped in the situation.
The lyrics of the song come together to paint a bleak picture of the consequences of hate and power play. The singer enjoys dominating the listener, who is powerless to break free from their hold. The line "there's millions of ways to enter, and only one way to leave" serves as a warning to the listener that they are in a desperate situation, and there may be no escape.
Line by Line Meaning
Trapped - inside this frozen heart
The singer is emotionally trapped and has been for some time
Lives in a fading breath of compassion
The singer can't seem to hold onto their love for others
Destroyed - by my final deed
The final action taken by the singer has destroyed them from the inside out
All beauty must die
The artist does not believe in the preservation of beauty
Time to rid your mind of the vermin
The artist believes the listener needs to purge their thoughts and get rid of unwanted negativity
Rid it of vermin like me
The singer reaffirms that they are a source of negative thoughts the listener should remove from their mind
All you thought you achieved
The singer acknowledges that the listener may have previously thought they had achieved something, but that may no longer be the case
Is crushed underneath my boot on your chest
The artist has figuratively crushed the listener's accomplishments beneath their boot, leaving them with nothing
I'm the last thing you'll see
The listener will be forever impacted by the artist's deeds
Drained - a cut from the blade so sordid
The artist has caused the listener to feel drained and used, like a wound from a dirty blade
Unpure
The singer is corrupt and their actions aren't righteous
Drown - my filth is pulling you under
The artist's bad influence is slowly drowning the listener
Hate - I'm bleeding you dry
The singer is purposefully taking everything from the listener, draining them of their emotions
I'm bleeding you dry
The singer reiterates their intent to extract as much life from the listener as possible
Brace yourself
The worst is yet to come and the listener must prepare for the singer's continued torment
This is far from over
The artist intends to continue their cruel actions against the listener
If you fight, kick and scream
Any resistance from the listener will only make the artist inflict pain more slowly and methodically
I'll only go slower
The singer will purposely slow down their torture if the listener puts up a fight
When you look down at me
The singer knows they are viewed as inferior by some
You'll see a fool
The artist believes others view them as foolish
When you look up at me
The artist believes they hold power over others
You'll see your lord
The artist believes others view them as being of superior worth and power
When you look straight at me
The singer knows they are capable of seeing the human beneath the facade
You'll see yourself
Through looking at the artist, others will see their own negative qualities
Now you're mine, a dog on a leash
The singer has absolute control over the listener
Salvation at hand, but too far to reach
The listener may have hope for salvation, but it's too far to achieve
The sheer thought of it all is making you sick
The listener may be feeling hopeless and sick to their stomach at the idea of being trapped by the singer
A gun to your head, all you heard was.. click!
The listener is moments away from meeting their demise and it's already happened in their mind
Taking my time to watch you squirm
The artist enjoys the suffering of the listener
Mercy is something that you earn
The listener must show the singer mercy to receive it in return
The sound of your body slamming the deck
The singer relishes the sound of the listener's pain when they are hurt physically
Is outshined by the sound when I'm snapping your neck
The sound of the listener's demise is the most satisfying to the artist
Who will decide and who's to blame?
There is a question of accountability surrounding their interactions
Place your bets in this high stakes game
Their interactions have a high level of risk and engagement
There's millions of ways to enter
There are many methods and actions that lead to their interactions
And only one way to leave
The only way out is for one or both of them to meet their demise
Contributed by Mackenzie A. Suggest a correction in the comments below.