Florence Rawlings
Florence Rawlings first impressed Dramatico Records chairman Mike Batt at the age of just thirteen when she performed at his house after hearing he was looking for female singers to sign to his label Dramatico. Two of the young singing applicants stood out to Batt immediately, one being a certain Katie Melua and the other Florence Rawlings. With Florence still so young, it was agreed that she should concentrate on school and finish her studies. Even then Read Full BioFlorence Rawlings first impressed Dramatico Records chairman Mike Batt at the age of just thirteen when she performed at his house after hearing he was looking for female singers to sign to his label Dramatico. Two of the young singing applicants stood out to Batt immediately, one being a certain Katie Melua and the other Florence Rawlings. With Florence still so young, it was agreed that she should concentrate on school and finish her studies. Even then, whilst the majority of young teenagers were just being introduced to the real world, Florence sang with a heart and core that suggested she knew it inside out.
Attending music camps and studying the art of singing since childhood, (“I’d sing for whoever was willing to listen…at school, in clubs and bars…anywhere I could”), whilst getting wrapped up in old soul records, the only thing as big as Florence’s love of music was her voice. With a remarkably fresh but mature delivery Florence’s enormous voice swoops and soars through an impressive vocal range taking inspiration and style from legendary vocalists such as Aretha Franklin, Eva Cassidy and Martha Reeves.
On completing her A level exams Florence signed to Dramatico (Katie Melua, Marianne Faithfull, Carla Bruni, Gurrumul) and put those years of musical apprenticeship to good use recording, with Mike Batt, her debut album ‘A Fool In Love’. An impressive debut of authentic soul, raw grooves and rhythm & blues the album was described by Music Week as “a blend that could elevate her to the similar heady heights Melua enjoys. Classy stuff.” The cool, after-dark Motown feel of Florence Rawlings’ first single ‘Hard To Get’ serves as a perfect introduction to this charismatic singer and her debut album of gritty arrangements, soulful melodies and vibrant brass work complemented by gospel vocals and addictive rhythms that culminate in a blend of raw soul that has been off the airwaves for far too long.
As well as singing a collection of powerful original songs penned by Mike Batt himself - including the gorgeous and moving ‘Love Can Be A Battlefield’, the cool, after-dark Motown feel of ‘Hard To Get’ and the debut single - Florence has discovered gems from days gone by and transformed them with her own charismatic soul style.
No Gladys Knight fan would deny that Florence makes the song ‘Take Me In Your Arms And Love Me’ completely her own. Meanwhile Allen Toussaint’s long forgotten ‘Riverboat’ has been rescued from obscurity and reinvented with vigorous production, uplifting horns and sleek dark overtones that give the song a lavish, ominous edge. Florence even performs a version of Chuck Berry’s ‘You Can’t Catch Me’ - following in the potentially daunting footsteps of The Rolling Stones and John Lennon she manages to make the song her own just as convincingly as rock and roll’s elite.
Equally at home in the studio or in concert, the 20 year-old Londoner is a natural performer – as was evident when she took to the stage at this year’s Isle of Wight Festival and stunned the crowds when she performed her songs for the first time. Afterwards the festival’s promoter John Giddings declared “Florence Rawlings rocked the Big Top - a certain star of the future” and other festival promoters have been extraordinarily quick off the mark in booking the 20 year old South Londoner, before a note of music has even been released, for some key spots including the main stage at Guilfest and Tuborg Stage at O2 Wireless in Hyde Park.
Little Richard’s description of his own sound sums up Florence’s electrifying style perfectly, “Rock n’ rollin’, rhythm & blues soulin’”. Florence Rawlings is set to be a modern soul star. In the words of the song - “jump on the wagon and join the dance.”
Attending music camps and studying the art of singing since childhood, (“I’d sing for whoever was willing to listen…at school, in clubs and bars…anywhere I could”), whilst getting wrapped up in old soul records, the only thing as big as Florence’s love of music was her voice. With a remarkably fresh but mature delivery Florence’s enormous voice swoops and soars through an impressive vocal range taking inspiration and style from legendary vocalists such as Aretha Franklin, Eva Cassidy and Martha Reeves.
On completing her A level exams Florence signed to Dramatico (Katie Melua, Marianne Faithfull, Carla Bruni, Gurrumul) and put those years of musical apprenticeship to good use recording, with Mike Batt, her debut album ‘A Fool In Love’. An impressive debut of authentic soul, raw grooves and rhythm & blues the album was described by Music Week as “a blend that could elevate her to the similar heady heights Melua enjoys. Classy stuff.” The cool, after-dark Motown feel of Florence Rawlings’ first single ‘Hard To Get’ serves as a perfect introduction to this charismatic singer and her debut album of gritty arrangements, soulful melodies and vibrant brass work complemented by gospel vocals and addictive rhythms that culminate in a blend of raw soul that has been off the airwaves for far too long.
As well as singing a collection of powerful original songs penned by Mike Batt himself - including the gorgeous and moving ‘Love Can Be A Battlefield’, the cool, after-dark Motown feel of ‘Hard To Get’ and the debut single - Florence has discovered gems from days gone by and transformed them with her own charismatic soul style.
No Gladys Knight fan would deny that Florence makes the song ‘Take Me In Your Arms And Love Me’ completely her own. Meanwhile Allen Toussaint’s long forgotten ‘Riverboat’ has been rescued from obscurity and reinvented with vigorous production, uplifting horns and sleek dark overtones that give the song a lavish, ominous edge. Florence even performs a version of Chuck Berry’s ‘You Can’t Catch Me’ - following in the potentially daunting footsteps of The Rolling Stones and John Lennon she manages to make the song her own just as convincingly as rock and roll’s elite.
Equally at home in the studio or in concert, the 20 year-old Londoner is a natural performer – as was evident when she took to the stage at this year’s Isle of Wight Festival and stunned the crowds when she performed her songs for the first time. Afterwards the festival’s promoter John Giddings declared “Florence Rawlings rocked the Big Top - a certain star of the future” and other festival promoters have been extraordinarily quick off the mark in booking the 20 year old South Londoner, before a note of music has even been released, for some key spots including the main stage at Guilfest and Tuborg Stage at O2 Wireless in Hyde Park.
Little Richard’s description of his own sound sums up Florence’s electrifying style perfectly, “Rock n’ rollin’, rhythm & blues soulin’”. Florence Rawlings is set to be a modern soul star. In the words of the song - “jump on the wagon and join the dance.”
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Hard To Get
Florence Rawlings Lyrics
You shouldn´t have played so hard to get
You shouldn´t have played so hard to get
I would have come running
if you called my name
But you played me like a card
in a gambling game
And now I´m happy with the perfect guy
You left it a little too late
You shouldn´t have played so hard to get
´Cause now I´m in a better place
You´ve got such a beautiful face
I wouldn´t jumped into your net
You shouldn´t have played so hard to get
You shouldn´t have played so hard to get
You knew that we could´ve
had a love so strong
I waited but I could only wait so long
And now I´m living in a perfect world
You left it a little too late
You shouldn´t have played so hard to get
´Cause now I´m in a better place
You´ve got such a beautiful face
I wouldn´t jumped into your net
You shouldn´t have played so hard to get
You shouldn´t have played so hard to get
And now you´re playing the crying game
You say that it´s never gonna be the same
But honey you´ve only got yourself to blame
And you know why, cos time flies by
You shouldn´t have played so hard to get
´Cause now I´m in a better place
You´ve got such a beautiful face
I wouldn´t jumped into your net
You shouldn´t have played so hard to get
You shouldn´t have played so hard to get
You shouldn´t have played so hard to get
Contributed by Harper S. Suggest a correction in the comments below.
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ozgreeny
why have we not heard more of her,she's great
busterthe2
Because she's a better backup singer
Carrie King
I first saw this amazing artist 'live' on The Alan Titchmarsh Show, she simply blew me away! What a voice and such a beautiful girl.
Pedro Lobinho
Bom Som!! Um bom momento de Soul sem dúvida...
nkara69
I first heard this song on radio top, Switzerland. It perfectely fitted my situation with my ex. Great song! Wonderful voice! Still waiting for the perfect guy...
george damian
love your voice!!
Clayton Pozzer
Amazing beauty and perfect voice!!!
Euroquartet Barcelona
Realmente MUY BUENA cancion
Jorge Daniel Sánchez Chávez
She is a great singer and a wonderful woman. I really love her. Meetings from Lima, Perú.
Marika Miserez
what a strong voice! the video is also very decent and simple