Funkadelic
Funkadelic was originally the backing band for the doo wop group, Parliamen… Read Full Bio ↴Funkadelic was originally the backing band for the doo wop group, Parliament. The band was added in 1964, primarily for tours, and consisted of Frankie Boyce, Richard Boyce and Langston Booth. They enlisted in the army in 1966, and George Clinton (the leader of Parliament) recruited Billy Bass Nelson and Eddie Hazel in 1967, then also adding Tawl Ross and Tiki Fulwood.
Due to legal difficulties between Clinton and Revilot, The Parliaments' label, the name was abandoned in favor of Funkadelic, which consisted of the same group of people (that is, both the former Parliaments and their back-up band, now both combined in the name "Funkadelic"). The group signed to Westbound in 1968.
The group's self-titled debut album, Funkadelic, was released in 1970. The credits listed organist Mickey Atkins plus Clinton, Fulwood, Hazel, Nelson and Ross, though the actual recording also included several uncredited sessionmen then employed by Motown, as well as Ray Monette (of Rare Earth) and Bernie Worrell.
Bernie Worrell was officially credited starting with Funkadelic's second album, 1970's Free Your Mind... and Your Ass Will Follow, thus beginning a long collaboration between Worrell and Clinton (who had been friends for quite a while). Worrell would go on to produce many Parliament and Funkadelic albums, as well as play keyboard on albums by other members of P Funk.
After the release of Maggot Brain in 1971, Bootsy Collins and Catfish Collins joined the group. The brothers would go on to become major contributors to the P Funk sound. In 1972, this new line-up released America Eats Its Young, but many members left the group after that, due to internal squabbles, plus Hazel spending a year in jail for drug possession and assault and Tawl Ross experiencing a bad LSD trip and/or speed overdose, while Billy Bass quit due to financial concerns. Michael Hampton, a seventeen-year-old guitar prodigy, replaced Hazel.
1975 brought Funkadelic to Warner Brothers, and saw the release of Hardcore Jollies in 1976. The same year, Westbound released a compilation of archived tracks titled Tales of Kidd Funkadelic, which did significantly better than Hardcore Jollies and included "Undisco Kidd", a R&B Top 30 single. In 1977, Westbound capitalized on the success of Tales of Kidd Funkadelic by releasing The Best of the Early Years. Funkadelic recorded and released its magnum opus, One Nation Under a Groove in 1978. The title track spent six weeks at #1 on the R&B charts, while Parliament was enjoying success with "Flash Light" and "Aqua Boogie."
As the 1980s wore on, legal difficulties arising from the multiple names used by multiple groups, as well as a shakeup among Parliament's record label, Parliament and Funkadelic disintegrated. George Clinton recorded several solo albums (sometimes under the name George Clinton & the P-Funk Allstars).
Filmmaker Yvonne Smith of Berkeley, California-based Firelight Media produced Funkadelic: One Nation Under a Groove, a full-length documentary about the groundbreaking group, which aired on PBS in 2005.
ALSO......
Though it often took a back chair to its sister group Parliament, Funkadelic furthered the notions of black rock begun by Jimi Hendrix and Sly Stone, blending elements of '60s psychedelia and blues plus the deep groove of soul and funk. The band pursued album statements of social/political commentary while Parliament stayed in the funk singles format, but Funkadelic nevertheless paralleled the more commercial artist's success, especially in the late '70s when the interplay between bands moved the Funkadelic sound closer to a unified P-Funk style.
In the grand soul tradition of a backing band playing support before the star takes the stage, Funkadelic began life supporting George Clinton's doo wop group, the Parliaments. After having performed for almost ten years, the Parliaments had added a rhythm section in 1964 -- for tours and background work -- consisting of guitarist Frankie Boyce, his brother Richard on bass, and drummer Langston Booth; two years later, the trio enlisted in the Army. By mid-1967, Clinton had recruited a new backing band, including his old friend Billy "Bass" Nelson (born January 28, 1951, Plainfield, NJ) and guitarist Eddie Hazel (born April 10, 1950, Brooklyn, NY). After several temporary replacements on drums and keyboards, the addition of rhythm guitarist Lucius "Tawl" Ross (born October 5, 1948, Wagram, NC) and drummer Ramon "Tiki" Fulwood (born May 23, 1944, Philadelphia, PA) completed the lineup.
The Parliaments recorded several hits during 1967, but trouble with the Revilot label backed Clinton into a corner. He hit upon the idea of deserting the Parliaments' name and instead recording their backing group, with the added vocal "contributions" of the former Parliaments -- same band, different name. Billy Nelson suggested the title Funkadelic, to reflect the members' increased inspiration from LSD and psychedelic culture. Clinton formed the Funkadelic label in mid-1968 but then signed the group to Detroit's Westbound label several months later.
Released in 1970, Funkadelic's self-titled debut album listed only producer Clinton and the five members of Funkadelic -- Hazel, Nelson, Fulwood, and Ross plus organist Mickey Atkins -- but also included all the former Parliaments plus several Motown sessionmen and Rare Earth's Ray Monette. Keyboard player Bernie Worrell also appeared on the album uncredited, even though his picture was included on the inner sleeve with the rest of the band.
Worrell (born April 19, 1944, Long Beach, NJ) was finally credited on the second Funkadelic album (1970's Free Your Mind...and Your A** Will Follow). He and Clinton had known each other since the early '60s, and Worrell soon became the most crucial cog in the P-Funk machine, working on arrangements and production for most later Parliament/Funkadelic releases. His strict upbringing and classical training (at the New England Conservatory and Juilliard), as well as the boom in synthesizer technology during the early '70s, gave him the tools to create the horn arrangements and jazz fusion-inspired synth runs that later trademarked the P-Funk sound. Just after the release of their third album, Maggot Brain, P-Funk added yet another big contributor, Bootsy Collins. The throbbing bass line of Collins (born October 26, 1951, Cincinnati, OH) had previously been featured in James Brown's backing band, the J.B.'s (along with his brother, guitarist Catfish Collins). Bootsy and Catfish were playing in a Detroit band in 1972 when George Clinton saw and hired them.
The Clinton/Worrell/Collins lineup premiered on 1972's America Eats Its Young, but soon after its release several original members left the camp. Eddie Hazel spent a year in jail after a combination drug possession/assault conviction, Tawl Ross left the band for medical reasons relating to an overdose of LSD and speed, and Bill Nelson quit after more financial quarrels with Clinton. Funkadelic hired teenaged guitar sensation Michael Hampton as a replacement, but both Hazel and Nelson would return for several later P-Funk releases.
Funkadelic moved to Warner Bros. in 1975 and delivered its major-label debut, Hardcore Jollies, one year later to lackluster sales and reviews. The same year, Westbound raided its vaults and countered with Tales of Kidd Funkadelic. Ironically, the album did better than Hardcore Jollies and included an R&B Top 30 single, "Undisco Kidd." In 1977, Westbound released The Best of the Early Years while Funkadelic recorded what became its masterpiece (and arguably the best P-Funk release ever), 1978's One Nation Under a Groove.
During the most successful year in Parliament/Funkadelic history, Parliament hit the charts first with "Flash Light," P-Funk's first R&B number one. "Aqua Boogie" would hit number one as well late in the year, but Funkadelic's title track to One Nation Under a Groove spent six weeks at the top spot on the R&B charts during the summer. The album, which reflected a growing consistency in styles between Parliament and Funkadelic, became the first Funkadelic LP to reach platinum (the same year that Parliament's Funkentelechy Vs. the Placebo Syndrome did the same). In 1979, Funkadelic's "(Not Just) Knee Deep" hit number one as well, and its album (Uncle Jam Wants You) reached gold status.
At just the point that Funkadelic appeared to be at the top of its powers, the band began to unravel. As is sometimes the case, commercial success began to dissolve several old friendships. In 1977, original Parliaments members Fuzzy Haskins, Calvin Simon, and Grady Thomas had left the P-Funk organization to record on their own. In early 1981, they hit the R&B charts with a single called "Connections and Disconnections," recorded as Funkadelic. To confuse matters more, the original Funkadelic appeared on the charts at the same time, with the title track to The Electric Spanking of War Babies.
During 1980, Clinton began to be weighed down by legal difficulties arising from Polygram's acquisition of Parliament's label, Casablanca. Jettisoning both the Parliament and Funkadelic names (but not the musicians), Clinton began his solo career with 1982's Computer Games. He and many former Parliament/Funkadelic members continued to tour and record throughout the '80s as the P-Funk All Stars, but the decade's disdain of everything to do with the '70s resulted in critical and commercial neglect for the world's biggest funk band, especially one which in part had spawned the sound of disco. During the early '90s, the rise of funk-inspired rap (courtesy of Digital Underground, Dr. Dre, and Warren G.) and funk rock (Primus and Red Hot Chili Peppers) re-established the status of Clinton & co., one of the most important forces in the recent history of black music. ~ John Bush, Rovi
Due to legal difficulties between Clinton and Revilot, The Parliaments' label, the name was abandoned in favor of Funkadelic, which consisted of the same group of people (that is, both the former Parliaments and their back-up band, now both combined in the name "Funkadelic"). The group signed to Westbound in 1968.
The group's self-titled debut album, Funkadelic, was released in 1970. The credits listed organist Mickey Atkins plus Clinton, Fulwood, Hazel, Nelson and Ross, though the actual recording also included several uncredited sessionmen then employed by Motown, as well as Ray Monette (of Rare Earth) and Bernie Worrell.
Bernie Worrell was officially credited starting with Funkadelic's second album, 1970's Free Your Mind... and Your Ass Will Follow, thus beginning a long collaboration between Worrell and Clinton (who had been friends for quite a while). Worrell would go on to produce many Parliament and Funkadelic albums, as well as play keyboard on albums by other members of P Funk.
After the release of Maggot Brain in 1971, Bootsy Collins and Catfish Collins joined the group. The brothers would go on to become major contributors to the P Funk sound. In 1972, this new line-up released America Eats Its Young, but many members left the group after that, due to internal squabbles, plus Hazel spending a year in jail for drug possession and assault and Tawl Ross experiencing a bad LSD trip and/or speed overdose, while Billy Bass quit due to financial concerns. Michael Hampton, a seventeen-year-old guitar prodigy, replaced Hazel.
1975 brought Funkadelic to Warner Brothers, and saw the release of Hardcore Jollies in 1976. The same year, Westbound released a compilation of archived tracks titled Tales of Kidd Funkadelic, which did significantly better than Hardcore Jollies and included "Undisco Kidd", a R&B Top 30 single. In 1977, Westbound capitalized on the success of Tales of Kidd Funkadelic by releasing The Best of the Early Years. Funkadelic recorded and released its magnum opus, One Nation Under a Groove in 1978. The title track spent six weeks at #1 on the R&B charts, while Parliament was enjoying success with "Flash Light" and "Aqua Boogie."
As the 1980s wore on, legal difficulties arising from the multiple names used by multiple groups, as well as a shakeup among Parliament's record label, Parliament and Funkadelic disintegrated. George Clinton recorded several solo albums (sometimes under the name George Clinton & the P-Funk Allstars).
Filmmaker Yvonne Smith of Berkeley, California-based Firelight Media produced Funkadelic: One Nation Under a Groove, a full-length documentary about the groundbreaking group, which aired on PBS in 2005.
ALSO......
Though it often took a back chair to its sister group Parliament, Funkadelic furthered the notions of black rock begun by Jimi Hendrix and Sly Stone, blending elements of '60s psychedelia and blues plus the deep groove of soul and funk. The band pursued album statements of social/political commentary while Parliament stayed in the funk singles format, but Funkadelic nevertheless paralleled the more commercial artist's success, especially in the late '70s when the interplay between bands moved the Funkadelic sound closer to a unified P-Funk style.
In the grand soul tradition of a backing band playing support before the star takes the stage, Funkadelic began life supporting George Clinton's doo wop group, the Parliaments. After having performed for almost ten years, the Parliaments had added a rhythm section in 1964 -- for tours and background work -- consisting of guitarist Frankie Boyce, his brother Richard on bass, and drummer Langston Booth; two years later, the trio enlisted in the Army. By mid-1967, Clinton had recruited a new backing band, including his old friend Billy "Bass" Nelson (born January 28, 1951, Plainfield, NJ) and guitarist Eddie Hazel (born April 10, 1950, Brooklyn, NY). After several temporary replacements on drums and keyboards, the addition of rhythm guitarist Lucius "Tawl" Ross (born October 5, 1948, Wagram, NC) and drummer Ramon "Tiki" Fulwood (born May 23, 1944, Philadelphia, PA) completed the lineup.
The Parliaments recorded several hits during 1967, but trouble with the Revilot label backed Clinton into a corner. He hit upon the idea of deserting the Parliaments' name and instead recording their backing group, with the added vocal "contributions" of the former Parliaments -- same band, different name. Billy Nelson suggested the title Funkadelic, to reflect the members' increased inspiration from LSD and psychedelic culture. Clinton formed the Funkadelic label in mid-1968 but then signed the group to Detroit's Westbound label several months later.
Released in 1970, Funkadelic's self-titled debut album listed only producer Clinton and the five members of Funkadelic -- Hazel, Nelson, Fulwood, and Ross plus organist Mickey Atkins -- but also included all the former Parliaments plus several Motown sessionmen and Rare Earth's Ray Monette. Keyboard player Bernie Worrell also appeared on the album uncredited, even though his picture was included on the inner sleeve with the rest of the band.
Worrell (born April 19, 1944, Long Beach, NJ) was finally credited on the second Funkadelic album (1970's Free Your Mind...and Your A** Will Follow). He and Clinton had known each other since the early '60s, and Worrell soon became the most crucial cog in the P-Funk machine, working on arrangements and production for most later Parliament/Funkadelic releases. His strict upbringing and classical training (at the New England Conservatory and Juilliard), as well as the boom in synthesizer technology during the early '70s, gave him the tools to create the horn arrangements and jazz fusion-inspired synth runs that later trademarked the P-Funk sound. Just after the release of their third album, Maggot Brain, P-Funk added yet another big contributor, Bootsy Collins. The throbbing bass line of Collins (born October 26, 1951, Cincinnati, OH) had previously been featured in James Brown's backing band, the J.B.'s (along with his brother, guitarist Catfish Collins). Bootsy and Catfish were playing in a Detroit band in 1972 when George Clinton saw and hired them.
The Clinton/Worrell/Collins lineup premiered on 1972's America Eats Its Young, but soon after its release several original members left the camp. Eddie Hazel spent a year in jail after a combination drug possession/assault conviction, Tawl Ross left the band for medical reasons relating to an overdose of LSD and speed, and Bill Nelson quit after more financial quarrels with Clinton. Funkadelic hired teenaged guitar sensation Michael Hampton as a replacement, but both Hazel and Nelson would return for several later P-Funk releases.
Funkadelic moved to Warner Bros. in 1975 and delivered its major-label debut, Hardcore Jollies, one year later to lackluster sales and reviews. The same year, Westbound raided its vaults and countered with Tales of Kidd Funkadelic. Ironically, the album did better than Hardcore Jollies and included an R&B Top 30 single, "Undisco Kidd." In 1977, Westbound released The Best of the Early Years while Funkadelic recorded what became its masterpiece (and arguably the best P-Funk release ever), 1978's One Nation Under a Groove.
During the most successful year in Parliament/Funkadelic history, Parliament hit the charts first with "Flash Light," P-Funk's first R&B number one. "Aqua Boogie" would hit number one as well late in the year, but Funkadelic's title track to One Nation Under a Groove spent six weeks at the top spot on the R&B charts during the summer. The album, which reflected a growing consistency in styles between Parliament and Funkadelic, became the first Funkadelic LP to reach platinum (the same year that Parliament's Funkentelechy Vs. the Placebo Syndrome did the same). In 1979, Funkadelic's "(Not Just) Knee Deep" hit number one as well, and its album (Uncle Jam Wants You) reached gold status.
At just the point that Funkadelic appeared to be at the top of its powers, the band began to unravel. As is sometimes the case, commercial success began to dissolve several old friendships. In 1977, original Parliaments members Fuzzy Haskins, Calvin Simon, and Grady Thomas had left the P-Funk organization to record on their own. In early 1981, they hit the R&B charts with a single called "Connections and Disconnections," recorded as Funkadelic. To confuse matters more, the original Funkadelic appeared on the charts at the same time, with the title track to The Electric Spanking of War Babies.
During 1980, Clinton began to be weighed down by legal difficulties arising from Polygram's acquisition of Parliament's label, Casablanca. Jettisoning both the Parliament and Funkadelic names (but not the musicians), Clinton began his solo career with 1982's Computer Games. He and many former Parliament/Funkadelic members continued to tour and record throughout the '80s as the P-Funk All Stars, but the decade's disdain of everything to do with the '70s resulted in critical and commercial neglect for the world's biggest funk band, especially one which in part had spawned the sound of disco. During the early '90s, the rise of funk-inspired rap (courtesy of Digital Underground, Dr. Dre, and Warren G.) and funk rock (Primus and Red Hot Chili Peppers) re-established the status of Clinton & co., one of the most important forces in the recent history of black music. ~ John Bush, Rovi
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Funkadelic Lyrics
(Not Just) Knee Deep Whooooo-hoooo-oooooo-ooooooo-ooo-ohh-ohh-ohhhhhhhhh, huh! Wh…
03 03 hit it and quit it I want you to hit it You gotta hit it and…
04-Let's Make It Last I don't want a love That's burning fast Ten-to-one Ah, that …
04-Sexy Ways I just want to say That I love your sexy ways I…
06-Eulogy And Light Our father Which art on Wall Street Honored be thy buck T…
09- America eats its young {assorted groans, whispers, wails & moans} {spoken} A luscio…
14 Wake Up You got to wake up You're in the presence of your…
Adolescent Funk Dee da da-da Dee da da-da Dee da da-da, da-da da-da da-da …
ain't that funkin' kinda hard on you Two tears in a bucket I cry with ya, ah But…
Alice in My Fantasies Hey baby, be my dog! Owwww! Alice in my fantasies, uh Promis…
America Eats Its Young {assorted groans, whispers, wails & moans} {spoken} A lusc…
Atmosphere Good evening, boys and girls Welcome to another evening of "…
Baby I Owe You Something Good You came along just in time my love Self pity had…
Back in Our Minds We are back in our minds again We are back in…
Balance [Repeat x2] Balance is my thing The sun don't Snow, wind …
Be My Beach [Bootsy:] Hello beach, I suppose you know this is those craz…
Better By the Pound Pleasure's the motivation for the human race Everything star…
Biological Speculation We're just a biological speculation Sittin' here, vibratin'…
Brettino's Bounce {instrumental}…
Butt-To-Butt Resuscitation I'm gonna go back Come and take me there I'm gonna go…
Butt-To-Buttresuscitation I′m gonna go back Come and take me there I'm gonna go…
By Way of the Drum He took the heat out of the flame, He took…
Call The Doctor It was no potion, that notion that led to my…
Can I once had a life, or rather Life had me I was…
Can You Get to That I once had a life, or rather Life had me I was…
Can't Shake It Loose I'm into something I cant shake it loose I'm into something …
Can't Stand the Strain This old heart Couldn't stand the strain This old heart Coul…
Cholly I was strung out on Bach And Beethoven was my thing I…
Come Back Come back, come back Come back, come back It's just anot…
Comin Comin' around the mountain when she comes Ridin' two white …
Comin Round The Mountain Comin' around the mountain when she comes Ridin' two white h…
Cosmic Slop Ah hear my mother call I was one of five born…
DR Funkenstein Whoa! They say the bigger the headache, the bigger the pill…
Electric Spanking Of War Babies {spoken} Hi there (hi, are you talking to me? What is…
Electro-Cuties Yowwwwww--hii! I'm overloaded Just blowin' a fuse Got myself…
Eulogy and Light Our father Which art on Wall Street Honored be thy buck Thy …
Everbody is Going to Make It This Time Our mothers and our fathers They had lives to live Oh, and…
Everybody Is Going to Make It This Time Our mothers and our fathers They had lives to live Oh, and…
Flashlight-Get Off Your Ass And Jam (God! I'm trippin' on that!) Shit! Goddamn! Get off your ass…
Foot Soldiers Move it, move it, move it soldier This is Uncle Jam's…
Freak Of The Week Yeah, gotta be gotta be freak of the week Ooh, gotta…
Free Your Mind and Your Ass Will Follow Free your mind and your ass will follow The kingdom of…
Friday Night Ah-ah-ah-ah-ah Ah! Hey! Ah-ah-ah-ah-ah Ah! Hey! Friday nig…
Friday Night August 14th Ah-ah-ah-ah-ah Ah! Hey! Ah-ah-ah-ah-ah Ah! Hey! Friday night…
Friday Night, August 14th Ah-ah-ah-ah-ah ah hey! Ah-ah-ah-ah-ah ah hey! Friday night, …
Friday night.august 14th Ah-ah-ah-ah-ah Ah! Hey! Ah-ah-ah-ah-ah Ah! Hey! Friday night…
Funk Gets Stronger (OK...heh, heh, hey) OWWWW! Turn it over Let the funk get st…
Funk Gets Stronger Part 1 (OK...heh, heh, hey) OWWWW! Turn it over Let the funk get…
Funkadelic Hoy, hoy, hoy, hoy (x12) A funky woman (x5) Hoy, hoy, hoy, h…
Funky Dollar Bill Funky dollar bill, U.S. dollar bill You go to school To lea…
Get Off (God! I'm trippin' on that!) Shit! Goddamn! Get off your ass…
Good Old Music (Shake your head) Everybody's gettin' funky In the days when…
Good Thought Bad Thoughts Travel like a king Listen to the inner voice A higher wisdom…
Good to Your Earhole I'm going to give you what you're here for I've…
Groovallegiance Pledge a groovallegiance to the funk The United Funk of Funk…
Grooveallegiance 'Bout that time They asked me where was I going Ya know I…
Heart Trouble a.k.a. You Can't Miss What You Can't Measure Sitting here with a broken heart Wishin' you'd come home for…
Hit It & Quit It I want you to hit it Good god, hit it and…
Hit It and Quit It I want you to hit it You gotta hit it and…
Holly Wants to Go to California Holly wants to go to California Holly would if only Holly…
How Do Yeaw View You Ah ah, say yeah, say yeah How do you view you? Can…
How Do Yeaw View You? Ah-ahhh Say yeah, say yeah How do you view you? Can you s…
I Bet You Ice cubes on a red hot stove will melt, and…
I Call My Baby Pussycat Ahh, ahh I call my baby pussy P-u-s-s-y I call my baby …
I Got A Thing I got a thing You got a thing Everybody's got a thing When…
I Got a Thing You Got a Thing Everybody Got a Thing I got a thing You got a thing Everybody's got a thing Whe…
I Got a Thing You Got a Thing Everybody's Got a Thing I got a thing You got a thing Everybody's got a thing When…
I Miss My Baby Ahh, ahh I call my baby pussy P-u-s-s-y I call my baby puss…
I Wanna Know If It's Good to You I want to know if it's good to you, baby When…
I Wanna Know If It\ I want to know if it's good to you, baby When…
I'll Bet You Ice cubes on a red hot stove will melt, and…
I'll Stay I'll stay I'll stay For she'll be coming back You know her …
I'm Never Gonna Tell It Till all my suspicions are gone I won't have to hear…
Icka Prick (Let's get the cue track, OK right, what?) Ahh-ahhh, ahhh Oh…
If You Don't Like the Effects Don't Produce the Cause If you don't like the effect Don't produce the cause If you…
If You Got Funk You Got Style If you got funk, you got style You're funkin' and you're…
Ill Stay I'll stay I'll stay For she'll be coming back You know her …
Into You Into you now Into you, my people I can't get into the…
Jimmy Jimmy's got a little bit of bitch in him The bitch…
Jimmy's Got A Little Bit Of Jimmy's got a little bit of bitch in him The bitch…
Jimmy's Got a Little Bit of Bitch in Him Jimmy's got a little bit of bitch in him The bitch…
Knee Deep Who, ho, oo, oo, oo, oh, oh, oh, huh Who, ho,…
Knee Deep Part 1 Whooooo-hoooo-oooooo-ooooooo-ooo-ohh-ohh-ohhhhhhhhh, huh! W…
Let I don't want a love That's burning fast Ten-to-one Ah, th…
Let's Make It Last I don't want a love That's burning fast Ten-to-one Ah, that …
Let's Take It to the People Everything is there when you're living in the city Everythin…
Let's Take It to the Stage Everybody funking and don't know how They shoulda seen the b…
Loose Booty Loose booty Eeny meeny miney moe Catch a junkie by the t…
Lunchmeataphobia Mother Earth is pregnant for the third time For y'all have…
Maggot Brain (live) {spoken} Mother Earth is pregnant for the third time For y'a…
March to the Witch's Castle February 12th, 1973 The prayers of thousands were answered T…
Miss Lucifer's Love Miss Lucifer's love She's the devil, and I like it Miss Lu…
Mommy If you will suck my soul I will lick your funky…
Mommy What's a Funkadelic%3F If you will suck my soul I will lick your funky…
Mommy What's a Funkadelic? If you will suck my soul I will lick your funky…
Mothership Reconnection If you hear any noise (It's just me and the boys) Hit…
Music for My Mother Man, I was in a place Called Keeprunnin', Mississippi one ti…
Music for My Mother (instrumental) Man, I was in a place called keep runnin', Mississippi…
Nappy Dugout Come play ? In a nappy dugout (x2) Oh lord, lord! We so? H…
No Compute Ah, I awakened from a wet dream in which I…
No Head No Backstage Pass She said I know the drummer, can you let me…
Not Just Knee Deep Whooooo-hoooo-oooooo-ooooooo-ooo-ohh-ohh-ohhhhhhhhh, huh! W…
Oh I Whoa-oo whoa-oo whoa-oo whoa-ho-ho-ho oh, I Yeah, ha Oh, I O…
One Nation Under So wide can't get around it So low you can't get…
One Nation Under A Groove So wide can't get around it So low you can't get…
One Nation Under a Groove (single version), Part 1 So wide you can't get around it So low you can't…
One Nation Under A Groove Pt. 1 So wide can't get around it So low you can't get…
Open Our Eyes Father, open our eyes, that we may see, to follow thee.…
P-Funk Good evening Do not attempt to adjust your radio, there is…
P.E. Squad/Doodoo Chasers The world is a toll free toilet Our mouths neurological ass…
Philmore Stick it Stick it Stick it! Stick it Let me talk to yo…
Phunklords We are the phunklords and we're coming to ya Gonna hit…
Promentals**tbackwashpsychosis Enema Squad The world is a toll-free toilet Our mouths neurological assh…
Promentalshitbackwashpsychosis Enema Squad (The Doo-Doo Chasers) (--Chanted, repeated after each line--) The world is a toll…
Promentalshitbackwaskpsychosis Enema Squad The world is a toll-free toilet Our mouths neurological assh…
Pussycat Ahh, ahh I call my baby pussy P-u-s-s-y I call my baby puss…
Qualify & Satisfy I'm not conceited by no means (yeah) I just know what…
Qualify and Satisfy I'm not conceited by no means (yeah) I just know what…
Red Hot Mama A luscious bitch she is, true But it's not nice to…
Sexy Ways I just want to say That I love your sexy ways I…
Shockwaves Whooaa, I know Hey, mon The third world is on the one Right…
Smokey Mmm-hmm, looking back at you Looking back at you I've lost …
Some More Much quicker? than science fiction Is this pain, ? my new…
Soul Mate Given the chance I would love the hell out of you,…
Standing On The Verge Of Getti Hey lady, won't you be my dog And I'll be your…
Stuffs & Things I'm, going to ease, in on your beat I'm going to…
Stuffs and Things I'm, going to ease, in on your beat I'm going to…
Sunshine Of Your Love It's getting near dawn when lights close their tired eyes I'…
Super Stupid Super stupid bought a five cent bag Thought it was coke,…
Superstupid Super stupid bought a nickel bag Thought it was coke, but…
Take Your Dead Ass Home (What about the woodpecker thing?) Yeah, they call me the k…
Tales Of Kidd Hoy, hoy, hoy, hoy (x12) A funky woman (x5) Hoy, hoy, hoy, h…
That Was My Girl That was my girl If the girl displayed a smile That always…
The Electric Spanking Of War Babies Hi there (hi, are you talking to me? What is…
The Song is Familiar [Chorus: ] There is a song, that I sing, whenever I'm…
The Witch February 12th, 1973 The prayers of thousands were answered T…
This Broken Heart Are you mad, at me, darling? Are you sorry that we...…
Trash a Go Go Your honor! I didn't do it I didn't pimp her just for…
Trash A-Go-Go Your honor! I didn't do it I didn't pimp her just for…
Uncle Jam All right, All you inductees fall out and form some kinda…
Undisco Kidd She's bad! The girl is bad! Bad! The lady is bad! Now…
Wake Up You got to wake up You're in the presence of your…
Wars of Armageddon I gotta go to work What kind of shit is this?…
We Hurt Too La da da da-da Ah, la da da, la da da…
What Is Sou Behold! I am Funkadelic I am not of your world But fear…
What is Soul Behold! I am Funkadelic I am not of your world But fear…
Who Who says a jazz band can't play dance music? Who says…
Who's A Funkadelic Who's a Funkadelic? Who's a Funkadelic? Are you a Funkadel…
You & Your Folks Yeah, yeah, yeah (Let me hear you say) Yeah, yeah, yeah …
You and Your Folks Me and My Folks Yeah, yeah, yeah (Let me hear you say) yeah, yeah, yeah If…
You and Your Folks, Me and My Folks Yeah, yeah, yeah (let me hear you say) Yeah, yeah, yeah (le…
You and Your Folks... Yeah, yeah, yeah (Let me hear you say) Yeah, yeah, yeah …
You Can't Miss What You Can't Measure Sitting here with a broken heart Wishin' you'd come home for…
You Hit the Nail On the Head You hit the nail on the head You hit the nail…
You Scared The Lovin Outta Me You scared me, baby (yeah) You scared the love right out…
You'll Like It Too It's been a long time comin', now I'm into somethin'…