Formed in 1961, the band was active for 60 years, almost non-stop. They had 56 years of studio output, starting in 1965, which made them the world's longest surviving rock band, formed a year before The Rolling Stones, until their tragic end on 5 February 2021, when guitarist founding member George Kooymans revealed that he had been diagnosed with the neuro-muscular disease, ALS.
The band's core line-up of four was unchanged from 1970 to 2021, although extra musicians had short stints in the band in the 1970s. Golden Earring was always touring, except in 2000 (their only sabbatical year) and the final year of their existence, due to the Covid-19 pandemic.
In 1961 George Kooymans (age 13) and his neighbour Rinus Gerritsen (age 15) formed The Tornado's in the Zuiderpark district of their home town of The Hague, The Netherlands. The band's first line-up mainly played The Shadows and The Ventures covers, as well as other instrumental tunes, and played its first gigs at school parties.
In 1963, as the band found out that there already was a British band called The Tornados, they decided to change their name into The Golden Ear-rings (after a Peggy Lee song). The band now performed around The Hague, soon had a devoted local following and landed a record deal with Polydor. Their début single, 1965's Please Go, immediately landed in the Dutch Top 10.
Under the Golden Earrings moniker the band eventually recorded four albums and had twelve hit singles in the Netherlands between 1965 and 1969, ten of which reached the Dutch Top 10. Several of their records were released internationally in Europe and even North America, although they failed to make an impact there.
One of the band's sixties singles became their first Dutch #1 hit: 1968's somewhat carnavalesque Dong-Dong-Diki-Digi-Dong, although that tune is now frowned upon by the band and generally regarded as inferior to other sixties Earrings gems, such as That Day (1966, the first Dutch pop single to have been recorded in the U.K., at London's Pye Studios), Sound Of The Screaming Day (1966) and the epic Just A Little Bit Of Peace In My Heart (1969).
The band's lead singer during the early Golden Earrings years was Frans Krassenburg. He was replaced by Barry Hay (ex-The Haigs) in 1967. The band's drummer for much of the 1960s was Jaap Eggermont. His successors were Sieb Warner (1969) and, in 1970, Cesar Zuiderwijk (ex-Livin' Blues), Golden Earring's definitive drummer.
The band's international career modestly started to take off in 1969, the year of their psychedelic Eight Miles High album, their first haphazard tour of the United States and also the year in which the band name was slightly changed into The Golden Earring and finally (dropping the article within a year), Golden Earring. On their early U.S. tours, their long, wild cover version of The Byrds' classic Eight Miles High impressed audiences and press alike. Golden Earring's 19-minute album version, as well as the stand-alone 1969 single, Another 45 Miles, were the first Golden Earring recordings to get some North American airplay.
The arrival of drummer, Cesar Zuiderwijk, in 1970, completed what would turn out to be the group's definitive line-up: Barry Hay (lead vocals/guitar/flute), George Kooymans (guitar/vocals), Cesar Zuiderwijk (drums) and Rinus Gerritsen (bass/harmonica/keyboards).
1970 saw a dramatic shift in Golden Earring's musical style. After the melodic, often Beatle-esque sixties beat of The Golden Earrings and a brief phase of psychedelia and hippie rock in 1968 and 1969, the single Back Home marked the birth of Golden Earring's trademark heavy, riff-based brand of hard rock with catchy hooks. Back Home hit #1 in the Dutch charts and 'broke' Golden Earring in most of Europe, notably countries such as Germany, Switzerland, Austria and France.
This marked the start of a decade of domestic and international glory. Between 1966 and 1976 seventeen consecutive Earring singles rocketed into the Dutch Top 10, while their international popularity increased, especially after their lengthy 1972 tour of Europe, supporting The Who. Buddy Joe (1972) achieved considerable chart success in the German-speaking countries of Europe, but 1973's Radar Love was their breakthrough smash hit worldwide: #13 in the U.S. Billboard Hot 100, #1 in the U.S. Cashbox chart, #5 in Britain, #8 in Australia, #10 in Canada, #5 in Germany, #6 in Belgium, #1 in Spain and also #1 in (last but not least) Rhodesia (now Zimbabwe), to name but a few.
Radar Love remains an enduring 'car classic' and radio anthem of global fame to this day. Between 1969 and 1985 Golden Earring completed ten major tours of North America, building a considerable North American fanbase, as well as five headlining tours of Great Britain in 1973 and 1974 alone. Golden Earring toured as 'special guests' of The Who, Aerosmith, Led Zeppelin, .38 Special, Rush and many more, whereas bands like Aerosmith, KISS, ZZ Top and Lynyrd Skynyrd opened for Golden Earring. The album that spawned Radar Love, 1973's Moontan, was certified 'Gold' by North America's RIAA in 1974 and sold millions of copies worldwide.
The band failed to achieve similar chart success in the years after Radar Love: the progressive Switch (1975) and To The Hilt (1976) charted in Billboard's album charts, but yielded no major U.S. hits. The singles were clearly not what North American audiences wanted from the 'Radar Love guys'.
Golden Earring was forgotten by many outside of The Netherland and by 1980 even Dutch audiences started to lose interest: albums such as No Promises, No Debts (1979) and Prisoner Of The Night (1980) were commercial flops, leading to the band's decision (in 1981) to record a 'final LP and then call it quits.
The lead single from 1982's 'farewell album', Cut, a Kooymans-penned tune called Twilight Zone, surprisingly became an even bigger hit in the U.S. than Radar Love: #10 on the Billboard Hot 100 and #1 on Billboard's Mainstream Rock Tracks, thanks to heavy MTV rotation of the Dick Maas-directed video. The song (#1 in The Netherlands) revived Golden Earring's stateside career overnight. The Cut LP was certified 'gold' in Canada, with Twilight Zone hitting #3 in the Canadian charts.
In their native Netherlands the band did manage to extend their creative and commercial peak this time: the single When The Lady Smiles and the album N.E.W.S. ('NorthEastWestSouth'), both released in 1984, repeated the success of Twilight Zone and Cut. 'Lady' peaked at #3 in Canada, but fared disappointingly in the U.S. as MTV and even radio stations banned the track because of its controversial video, once again directed by Dick Maas, in which the rape of a nun was suggested.
After 1985 things rapidly went downhill for Golden Earring internationally (they would not tour the U.S. again), but - after a creative and financial crisis that lasted throughout the second half of the 1980s - the band wrote one of their most enduring Dutch hits in 1991 (the power-ballad, Going To The Run, which fared partially well in Russia) and discovered a new gold mine in their home country a year later: acoustic concerts in theatres, the concept of MTV Unplugged.
To everybody's surprise, the band's acoustic live album, The Naked Truth, slowly became their all-time biggest selling album in The Netherlands. Its sequels, Naked II (1997) and Naked III (2005) also went platinum at least once in The Netherlands.
Golden Earring's by far most succesful album internationally remains 1973's Moontan, which sold well over 3.5 million copies outside of The Netherlands and was certified 'gold' in the U.S., Canada and the United Kingdom (and platinum in the U.S. in later years).
Golden Earring released 25 studio albums, 9 live albums and countless succesful compilations. Almost all of these records were certified gold, often platinum, in The Netherlands. More than anything else, though, the band remained a live force of legendary status in their home country and beyond. They toured throughout each year until the very end, almost exclusively in the Netherlands, although there are still occasional live appearances in Belgium and Germany. 2009 saw Golden Earring's long overdue return to the United Kingdom: their sold out shows in Ipswich and London's Shepherd's Bush Empire were their first live appearances in England since 1978.
In 2011 the band recorded their first album of new material since 2003's Millbrook U.S.A.: Tits 'n Ass - studio album #25 for the Dutch legends - was released on 11 May 2012 on Universal Music and hit #1 in the Dutch album charts one week after its release to become Golden Earring's 8th #1 album in their home country. Certified 'gold' in The Netherlands, the album was generally believed to be Golden Earring's final studio outing, but December 2015 saw the release of a five-track mini album entitled The Hague, released more than fifty years after their début single and just before the band's sold out 'Five Zero' anniversary concert at Amsterdam's Ziggo Dome in front of a 17,000-strong crowd. 2019 saw the release of a stand-alone single, Say When: Golden Earring's final studio recording.
Nobody was aware of it at the time, but the band's 16 November 2019 performance at the Rotterdam Ahoy would turn out to be their final concert. After a year of Covid-19 lockdowns, guitarist George Kooymans announced his ALS diagnosis on 5 February 2021, the disease rendering him unfit to perform. Within hours, the band admitted that carrying on without Kooymans was unthinkable. In the words of lead singer, Barry Hay: "This is the end of the line for the band. It's a death blow. We always said: we'll keep going until the first one of us goes down. I never expected it to be George."
The band's final performance was released as a live CD and DVD in April 2022, named after Barry Hay's final words at the end of countless Golden Earring shows: You Know We Love You!.
Studio albums (released as Golden Earring, unless noted otherwise)
Just Ear-rings (1965, as The Golden Earrings or The Golden Ear-rings)
Winter-Harvest (1967, as Golden Earrings, sometimes spelled as Winter Harvest)
Miracle Mirror (1968, as Golden Earrings)
On The Double (1969, as Golden Earrings)
Eight Miles High (1969, as The Golden Earring)
Golden Earring (1970, colloquially known as 'Wall Of Dolls')
Seven Tears (1971)
Together (1972)
Moontan (1973)
Switch (1975)
To The Hilt (1976)
Contraband (1976, U.S. title: Mad Love)
Grab It For A Second (1978)
No Promises... No Debts (1979, spelled as No Promises, No Debts on most online platforms)
Prisoner Of The Night (1980)
Cut (1982)
N.E.W.S. (1984)
The Hole (1986)
Keeper Of The Flame (1989)
Bloody Buccaneers (1991)
Face It (1994)
Love Sweat (1995, covers album)
Paradise In Distress (1999)
Millbrook U.S.A. (2003)
Tits 'n Ass (2012)
The Hague (EP, 2015)
Live albums
Live (1977)
2nd Live (1981)
Something Heavy Going Down (1984, includes one new studio track)
The Naked Truth (1992, acoustic)
Naked II (1997, acoustic)
Last Blast Of The Century (2000)
Naked III (2005, acoustic, incorrectly listed as Naked Truth III on some streaming platforms)
Live In Ahoy 2006 (2006, live DVD + CD set)
You Know We Love You! (2022, live DVD + CD set)
Additional information:
Wikipedia: http://en.wikipedia.org/wiki/Golden_Earring
Official website: https://www.golden-earring.nl
Radar Love
Golden Earring Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There's a voice in my head that drives my heel
It's my baby callin', says I need you here
And it's a half past four and I'm shiftin' gear
When she is lonely and the longing gets too much
She sends a cable comin' in from above
Don't need no phone at all
We've got a thing that's called radar love
We've got a wave in the air, radar love
The radio is playing some forgotten song
Brenda Lee's comin' on strong
The road has got me hypnotized
And I'm speedin' into a new sunrise
When I get lonely and I'm sure I've had enough
She sends her comfort comin' in from above
We don't need no letter at all
We've got a thing that's called radar love
We've got a light in the sky, radar love
No more speed, I'm almost there
Gotta keep cool now, gotta take care
Last car to pass, here I go
And the line of cars drove down real slow
And the radio played that forgotten song
Brenda Lee's comin' on strong
And the newsman sang his same song
Oh one more radar lover gone
When I get lonely and I'm sure I've had enough
She sends her comfort comin' in from above
We don't need no letter at all
We've got a thing that's called radar love
We've got a light in the sky
We've got a thing that's called radar love
We've got a thing that's called radar love
The song Radar Love by Golden Earring speaks about a long-distance relationship between two lovers who seem to be miles apart from each other. The first two lines “I've been drivin' all night, my hand's wet on the wheel, There's a voice in my head that drives my heel” depicts the driver's journey through the night, trying to get to his lover. He is restless and his thoughts are consumed by his lover's call. The next two lines “It's my baby calling, says I need you here, And it's a half-past four and I'm shifting gear” shows his lover's desperation and his eagerness to be with her, despite the long distance between them.
When the driver gets lost in his thoughts and becomes lonely, he tunes into the radar that connects him to his lover. He describes this connection as "We've got a thing that's called radar love" which becomes the recurring line of the song. The use of the phrase “don't need no phone at all” suggests that they have found a more personal way to communicate that is not bound by technology, but by true love. The chorus "We've got a wave in the air, radar love, We've got a light in the sky, radar love" emphasizes the invisibility and magical quality of their connection, which is likened to a supernatural force. The song eventually ends with them reuniting, and the last few lines depict the joy of their reunion, now that they are finally together.
Line by Line Meaning
I've been drivin' all night, my hand's wet on the wheel
The singer has been driving all night and is physically tired and perhaps nervous or stressed.
There's a voice in my head that drives my heel
The singer is motivated by a voice or feeling inside him that impels him to keep going.
It's my baby callin', says I need you here
The singer's lover is calling out to him and expressing a need for him to be present.
And it's a half past four and I'm shiftin' gear
The time of night is late and the singer is adjusting to continue his journey.
When she is lonely and the longing gets too much
The singer's lover experiences deep feelings of loneliness and desire for him when he is not there.
She sends a cable comin' in from above
The singer's lover sends him messages and love from a distance through a metaphorical transcendent channel.
Don't need no phone at all
The singer and his lover communicate without any material tools necessary.
We've got a thing that's called radar love
The relationship between the singer and his lover is characterized by a mutual awareness and connection that defies traditional forms of communication.
We've got a wave in the air, radar love
There is a literal signal in the air that represents the couple's emotional connection and love.
The radio is playing some forgotten song
The singer hears music from the radio that evokes memories of the past.
Brenda Lee's comin' on strong
The singer notices a particular song and is emotionally impacted by it, invoking the powerful voice of Brenda Lee.
The road has got me hypnotized
Driving for an extended period of time has led the singer to a state of hypnosis or trance-like focus.
And I'm speedin' into a new sunrise
The singer is travelling quickly toward a new day or future.
When I get lonely and I'm sure I've had enough
The singer experiences feelings of loneliness and exhaustion during his long journey.
She sends her comfort comin' in from above
The singer's lover again sends him comfort and love from a transcendent place.
We don't need no letter at all
The couple is able to communicate without the need for written correspondence.
No more speed, I'm almost there
The singer is approaching his destination and is slowing down.
Gotta keep cool now, gotta take care
The singer is reminding himself to stay calm and focused as he approaches the end of his journey.
Last car to pass, here I go
The singer is the last car to pass before he arrives at his destination.
And the line of cars drove down real slow
The singer is observing the other cars around him also arriving or departing.
And the radio played that forgotten song
The radio continues to play music that triggers memories and emotions for the singer.
Brenda Lee's comin' on strong
The singer is again moved by Brenda Lee's powerful voice and the song being played.
And the newsman sang his same song
The singer hears a news report with a similar tone or message to the music being played on the radio.
Oh one more radar lover gone
The singer is reflecting on his own journey and the idea that he is a lover who is connected through this metaphorical radar.
We've got a thing that's called radar love
The uniqueness and strength of the singer and his lover's relationship is once again emphasized.
We've got a light in the sky, radar love
The metaphorical and literal signals that represent the couple's love are returning as a motif.
We've got a thing that's called radar love
The song's chorus repeats and reiterates the strength and connection of the couple's relationship.
Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: BARRY HAY, GEORGE KOOYMANS
Lyrics Licensed & Provided by LyricFind