Guayacan
Colombian salsa band which in the '90s began to rival the success of Jairo Varela's Grupo Niche, who during the previous decade had transformed Colombian commercial music with a confident, sassy sound aped by countless others. A contributing factor to Guayacán's success was that they dared to be different: "Guayacán's sound is rootsier, more apparently fixed in the structure of the Cuban guaguancó and montuno, sparser, darker, with stripped-down arrangements," said UK salsa deejay Tomek. Read Full BioColombian salsa band which in the '90s began to rival the success of Jairo Varela's Grupo Niche, who during the previous decade had transformed Colombian commercial music with a confident, sassy sound aped by countless others. A contributing factor to Guayacán's success was that they dared to be different: "Guayacán's sound is rootsier, more apparently fixed in the structure of the Cuban guaguancó and montuno, sparser, darker, with stripped-down arrangements," said UK salsa deejay Tomek. Named for a type of wood typically used in Colombia by the coastal blacks to build their houses on stilts, Guayacán embodies the musical concept of Alexis Lozano, the band's director, trombonist, guitarist, tres and güiro player, arranger and producer, who is obsessed about the need for a musical philosophy, and harshly judges those who lack one.
Lozano was born in the mid-50s in Quibdó, the capital of Chocó, the Pacific coastal area of Colombia, with a hardcore salsa following; the son of two teachers, he had already led small groups at the age of 10. "Chocó is a marginal black community which developed its culture and music separately from the rest of the country," explains Bogotá-based Puerto Rican keyboardist Israel Tanenbaum, co-prod. and co-arr. of seven Guayacán albums between '87 and '97. "During colonial days it was standard practice to dump blacks on the beaches to fend for themselves. Escapees found refuge in the coastal wastelands the white man ignored and seldom ventured into. The native music is Chirimia played by a similar instrumentation to bands that developed in New Orleans: trumpet, sax, baritone horn and clarinet with a rhythm section of snare drum, crash cymbals (between eight and twelve inches) and a tambora (comparable in construction and size to the tambora used in Dominican merengue), which serves as a bass drum. A genre akin to the Cuban danzón was developed, and later local musicians began to compose music close in style and flavour to the bolero. So when Cuban music was imported, it easily fell into the groove of this community."
Lozano was born in the mid-50s in Quibdó, the capital of Chocó, the Pacific coastal area of Colombia, with a hardcore salsa following; the son of two teachers, he had already led small groups at the age of 10. "Chocó is a marginal black community which developed its culture and music separately from the rest of the country," explains Bogotá-based Puerto Rican keyboardist Israel Tanenbaum, co-prod. and co-arr. of seven Guayacán albums between '87 and '97. "During colonial days it was standard practice to dump blacks on the beaches to fend for themselves. Escapees found refuge in the coastal wastelands the white man ignored and seldom ventured into. The native music is Chirimia played by a similar instrumentation to bands that developed in New Orleans: trumpet, sax, baritone horn and clarinet with a rhythm section of snare drum, crash cymbals (between eight and twelve inches) and a tambora (comparable in construction and size to the tambora used in Dominican merengue), which serves as a bass drum. A genre akin to the Cuban danzón was developed, and later local musicians began to compose music close in style and flavour to the bolero. So when Cuban music was imported, it easily fell into the groove of this community."
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08Guayacan Pasodobles: España Cañi / Ni Se Compra Ni Se Vende / Feria de Manizales / Silverio / Te Quiero Porque Te QuieroGuayacanGuayacan
10Guayacan Mix: Amor Traicionero / Te Amo, Te Extraño / Invierno en Primavera / Como Una Hoguera / Vas a Llorar / Oiga Mire Vea / Arriba Mi Folklor / Por Bocon / Teresita / Muchachita / Mi Billete / Vestido Bonito / Cocorobe / ToreroGuayacanGuayacan
11Guayacan Currulao: Mi Buenaventura / Mi Peregoyo (Hasta Cuando Te Tolero) / La Muy Indigna / Caderona / Pachito EcheGuayacanGuayacan
14Guayacan Cumbiambero: La Pollera Colora / Tina / La Butifarra / Vaca Vieja / La Piña Madura / Josefa Matia / Pie PeluoGuayacanGuayacan
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Cuando Hablan Las Miradas
Guayacan Lyrics
tomare tu mano dulcemente
te hablare de amor mientras bailamos
cosas del ayer, nos decimos nada
porque ahora ha llegado la mirada
tomame la mano suavemente
dime que me amas mientras bailas
besos y caricias solo espero
quiero sentir tu respiracion
toma mi mano suave y dulcemente
hazme sentir que nuestro amor existe
que en la realidad lo entregas todo
y que estas de mi realmente enamorada
ay ay ay amor porque ahora las palabras no nos dicen nada
ay ay ay amor, porque ahora solo hablan las miradas
ay ay ay amor, porque ahora las palabras nos resbalan
ay ay ay amor, porque ahora nos encienden las miradas
Ay ay amor ya no me digas nada
ven demuestrame que estas de mi realmente enamorada
hazme sentir que nuestro amor existe
que en realidad lo entregas todo como siempre lo hiciste
seguro
guayacan
tomame de la mano dulcemente
acercate a mi, yo quiero hablarte de amor
dime aunque sea mentira que me amas por favor
quiero apoyarte toca mi pecho
aunque quizas no llegue a tu lecho
amor amor amor amor amor
porque ahora es cuando hablan las miradas
Contributed by Eli P. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
lopz33
¡Tremendo tema a cargo de la Orquesta Guayacán cantando nuestro Pedro Arroyo!
Un día como hoy, 10 de julio de 1958, nació en Quibdó, en el departamento de El Chocó, Colombia, el trombonista, tresero, compositor y arreglista Alexis Lozano, miembro-fundador del Grupo Niche y, luego, fundador y director de la Orquesta Guayacán. ¡Felicitaciones, Maestro! 🎊🎂🎵🎶😀
karla brito
Hola Amigos/as de youtube hoy les traigo, un juego muy ,divertido llamado ¨Kekocity¨ donde puedes hacer casas como quieras y hacer Eventos que esperas venir, aqui les dejo un lik para se fijen en el juego ??? https://prnt.sc/z97ngi
Luis Palacios
Ggvhhu4uuu
milton duran
que pena si es pedro arroyo
milton duran
tengo entendido que canta wichi camacho
MARIANINIS YT
@Adahi Feliciano amigo mio tiene que leer bien dice el tromoetista alexis lozano no habla de pedei arroyo que es el que canta
Mario Morales Monge
Quien escucha esta belleza en el 2020?
Efren Riascos
Bu lo lo
Lisandro mesa
Carla Espinoza
El
Geovanny Gonzalez
@Mireya Ferraro baby haci como tu me quieres. Ensenar a different world of opulance. Me too. My only tool but also for future. Reference to trust me. In some instances. When everyone can't. ... Baby. When I was a kid I thrived by taking off living under My class means. And saving saving. I find to save the first 10k be the hardest but there after money calls for more without effort. Really. Me living. Out here for a week. In everyone's eyes is sad. Really isn't in 6 days ; I worked probably 20 hrs. I have saved saved plus clothes tools $1100 in a bicycle. Now who is laughing. Most Americans don't ever save 1 k. My bro. Never has. Seems like itches them. Not me. The more I have the tighter I get. My mind from wanting so much. To not much really. Also from my handling of.past. I wanted to own every tool for my business etc. N was the biggest mistake everyone does. Owning tools. Take space. Space money time maintenance. Move etc. And when u finally. Going to use. The piece of equipment needs. Main tenNce. Is way way way cheaper to re nt the tool. Is something u won't ever want to hear. Need to exp and I did