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Hüsker Dü
Hüsker Dü was a punk band from Minneapolis/St. Paul, Minnesota, active from 1979 to 1987. The band consisted of Bob Mould (guitars, vocals), Greg Norton (bass) and Grant Hart (1961 – 2017) (drums, vocals). Mould and Hart split the song-writing duties. The band was never widely popular, but had an impact much larger than sales might indicate. "Hüsker Dü" is Danish/Norwegian for "Do You Remember" (a popular children's game). Hüsker Dü first gained notice as a hardcore band Read Full BioHüsker Dü was a punk band from Minneapolis/St. Paul, Minnesota, active from 1979 to 1987. The band consisted of Bob Mould (guitars, vocals), Greg Norton (bass) and Grant Hart (1961 – 2017) (drums, vocals). Mould and Hart split the song-writing duties. The band was never widely popular, but had an impact much larger than sales might indicate. "Hüsker Dü" is Danish/Norwegian for "Do You Remember" (a popular children's game). Hüsker Dü first gained notice as a hardcore band, with thrashing tempos & screamed vocals, but also with a melodic, soulful edge that became more pronounced in the band's mid-career, as they drifted away from their early sound. They were also a striking trio on stage — far different from the typical hardcore band of the time — with Mould's hulking, doughy presence shouting angrily at stage left, offset by the generally unkempt, long-haired Hart flailing on the drums, and the lanky, good-natured Norton, who sported a waxed handlebar moustache for most of the band's career.
Hüsker Dü broke with the anti-traditionalist ethos of most early hardcore bands. Their early songwriting shows the influence of folk, 1960s pop music, blues, and other forms (although often buried under a thick layer of angst and aggression), and has a strong melodic sense. The lyrics made astute, sharp, personal and social commentary, showing a great deal of vulnerability and sympathy for their subjects. Hüsker Dü's songwriting was widely admired, and their live shows were often a venue for brilliant improvisational playing. (A feedback-laden solo guitar performance from an early-'80s soundcheck tape merited release via the avant-garde Telus Magazine.) Hüsker Dü were also, however, widely regarded as somewhat unusual-sounding in their early prime, due to the instruments' non-standard tones: Mould's guitar is described below, while Hart's drums were considered 'thumpy' (and he consistently played slightly behind the beat); Norton played bass fairly laconically even at fast tempos, using his fingers rather than a pick. The band's sound can be considered an organic synthesis of these elements -- a unit that was quite powerful in combination, yet perhaps difficult to parse singly.
A particular strength of the group was the two powerhouse singer/songwriters, Mould and Hart. The tension between their musical styles (Mould was generally the angrier songwriter, Hart the more melodic one), and their willingness to collaborate, made the sum of their contributions greater than their parts. Another strength was Mould's unique, resonant guitar sound, described by a critic at the time as "molten metal pouring from the speakers." Mid-period Hüsker Dü songs are immediately recognizable via Mould's incandescent guitar tone, achieved by splitting the signal in the studio between amplified and direct tones and adding a light stereo chorus effect. Mould's technique involved playing resonant drone notes on the high strings. Although a trio, Hüsker Dü generally sounded extremely large on record and live.
The group is also notable as one of the first 1980s American underground rock bands to contract with a major record label, a move that blazed the trail for the rise of alternative rock a few years later. Another key Minneapolis band who served as an alternative rock icebreaker was The Replacements, who had a friendly rivalry with Hüsker Dü.
Mould has gone on to release other albums, including a recent solo double album release called Body of Song. Prior to that he took a stint as a writer for World Championship Wrestling (WCW) scripting scenarios and fights.
Grant Hart died from cancer on September 14, 2017.
Hüsker Dü broke with the anti-traditionalist ethos of most early hardcore bands. Their early songwriting shows the influence of folk, 1960s pop music, blues, and other forms (although often buried under a thick layer of angst and aggression), and has a strong melodic sense. The lyrics made astute, sharp, personal and social commentary, showing a great deal of vulnerability and sympathy for their subjects. Hüsker Dü's songwriting was widely admired, and their live shows were often a venue for brilliant improvisational playing. (A feedback-laden solo guitar performance from an early-'80s soundcheck tape merited release via the avant-garde Telus Magazine.) Hüsker Dü were also, however, widely regarded as somewhat unusual-sounding in their early prime, due to the instruments' non-standard tones: Mould's guitar is described below, while Hart's drums were considered 'thumpy' (and he consistently played slightly behind the beat); Norton played bass fairly laconically even at fast tempos, using his fingers rather than a pick. The band's sound can be considered an organic synthesis of these elements -- a unit that was quite powerful in combination, yet perhaps difficult to parse singly.
A particular strength of the group was the two powerhouse singer/songwriters, Mould and Hart. The tension between their musical styles (Mould was generally the angrier songwriter, Hart the more melodic one), and their willingness to collaborate, made the sum of their contributions greater than their parts. Another strength was Mould's unique, resonant guitar sound, described by a critic at the time as "molten metal pouring from the speakers." Mid-period Hüsker Dü songs are immediately recognizable via Mould's incandescent guitar tone, achieved by splitting the signal in the studio between amplified and direct tones and adding a light stereo chorus effect. Mould's technique involved playing resonant drone notes on the high strings. Although a trio, Hüsker Dü generally sounded extremely large on record and live.
The group is also notable as one of the first 1980s American underground rock bands to contract with a major record label, a move that blazed the trail for the rise of alternative rock a few years later. Another key Minneapolis band who served as an alternative rock icebreaker was The Replacements, who had a friendly rivalry with Hüsker Dü.
Mould has gone on to release other albums, including a recent solo double album release called Body of Song. Prior to that he took a stint as a writer for World Championship Wrestling (WCW) scripting scenarios and fights.
Grant Hart died from cancer on September 14, 2017.
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Don't Want To Know If You Are Lonely
by Hüsker Dü
I'm curious to know exactly how you are
I keep my distance but that distance is too far
It reassures me just to know that you're okay
But I don't want you to go on needing me this way
And I don't want to know if you are lonely
Don't want to know if you are less than lonely
Don't want to know if you are lonely
Don't want to know, don't want to know
The day you left me, left me feeling oh so bad
Still I'm not sure about all the doubts we had
From the beginning we both knew it wouldn't last
Decisions have been made the die has been cast
The phone is ringing and the clock says four A.M.
If it's your friends, well I don't want to hear from them
Please leave your number and a message at the tone
Or you can just go on and leave me alone
Lyrics © BMG RIGHTS MANAGEMENT US, LLC
Written by: GRANT VERNON HART
Lyrics Licensed & Provided by LyricFind
by Hüsker Dü
I'm curious to know exactly how you are
I keep my distance but that distance is too far
It reassures me just to know that you're okay
But I don't want you to go on needing me this way
And I don't want to know if you are lonely
Don't want to know if you are less than lonely
Don't want to know if you are lonely
Don't want to know, don't want to know
The day you left me, left me feeling oh so bad
Still I'm not sure about all the doubts we had
From the beginning we both knew it wouldn't last
Decisions have been made the die has been cast
The phone is ringing and the clock says four A.M.
If it's your friends, well I don't want to hear from them
Please leave your number and a message at the tone
Or you can just go on and leave me alone
Lyrics © BMG RIGHTS MANAGEMENT US, LLC
Written by: GRANT VERNON HART
Lyrics Licensed & Provided by LyricFind
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