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James Newton Howard
James Newton Howard (born June 9, 1951 in Los Angeles, California, United States) is an American film score composer.
Throughout his prolific career, James Newton Howard has scored films of all scales and genres, earning multiple award nominations for his work. Howard began studying music as a small child and went on to attend the Music Academy of the West in Santa Barbara, California and then majored in piano performance at the University of Southern California. Read Full BioJames Newton Howard (born June 9, 1951 in Los Angeles, California, United States) is an American film score composer.
Throughout his prolific career, James Newton Howard has scored films of all scales and genres, earning multiple award nominations for his work. Howard began studying music as a small child and went on to attend the Music Academy of the West in Santa Barbara, California and then majored in piano performance at the University of Southern California. After Howard left college, he toured with Elton John and Toto as a keyboardist during the late 1970s and early 1980s before moving into film music in the mid-1980s.
By the 1990s, Howard truly hit his career stride, scoring the surprise blockbuster romantic comedy Pretty Woman (1990) and receiving his first Academy Award nomination for his score for Barbra Streisand's drama The Prince of Tides (1991). Setting the musical mood for numerous films throughout the decade, Howard's skills encompassed a plethora of genres, including two more best original score Oscar nominations, the Harrison Ford actioner The Fugitive (1993) and the Julia Roberts romantic comedy My Best Friend's Wedding. In addition, Howard scored the Western epic Wyatt Earp (1994), the legal drama Primal Fear (1996), and the blockbuster M. Night Shyamalan suspense thrillers The Sixth Sense (1999), Unbreakable (2000), Signs (2002), and The Village (2004). His collaborations on tunes for One Fine Day (1996) and Junior (1994) garnered Best Song nods. Along with scoring such smaller, character-driven films as Five Corners (1988), Glengarry Glen Ross (1992), and American Heart (1993), Howard proved equally skilled at composing for big-budget Hollywood spectacles, including Space Jam (1996), Dante's Peak (1997), Dinosaur (2000), and Collateral (2004). Although for Dante's Peak he only composed the main theme only, the score itself was composed by John Frizzell. Though he concentrated primarily on films, Howard has also contributed music for TV series, earning an Emmy nomination in 1995 for his theme to NBC's ratings smash ER.
Howard is now one of the most recognized composers for film. His work in 2004 on The Village, with violin solos by Hilary Hahn, earned him an Oscar nomination. Since, he has composed for several major motion pictures, notably the score for Batman Begins which he co-wrote with Hans Zimmer. On October 14, 2005, it was officially announced that Howard would replace Howard Shore as composer for King Kong, due to "differing creative aspirations for the score" between Shore and director Peter Jackson. The resultant score earned Howard his first Golden Globe nomination for Best Original Score.
Since then he has been nominated for Best Original Score for the legal thriller Michael Clayton in 2008 and the war film Defiance in 2009. Since then he has composed music for blockbuster franchises and solo films including I Am Legend,The Dark Knight with Hans Zimmer, all of The Hunger Games films and Fantastic Beasts and Where to Find Them,with the upcoming sequel to the first film coming out in 2018.
Throughout his prolific career, James Newton Howard has scored films of all scales and genres, earning multiple award nominations for his work. Howard began studying music as a small child and went on to attend the Music Academy of the West in Santa Barbara, California and then majored in piano performance at the University of Southern California. Read Full BioJames Newton Howard (born June 9, 1951 in Los Angeles, California, United States) is an American film score composer.
Throughout his prolific career, James Newton Howard has scored films of all scales and genres, earning multiple award nominations for his work. Howard began studying music as a small child and went on to attend the Music Academy of the West in Santa Barbara, California and then majored in piano performance at the University of Southern California. After Howard left college, he toured with Elton John and Toto as a keyboardist during the late 1970s and early 1980s before moving into film music in the mid-1980s.
By the 1990s, Howard truly hit his career stride, scoring the surprise blockbuster romantic comedy Pretty Woman (1990) and receiving his first Academy Award nomination for his score for Barbra Streisand's drama The Prince of Tides (1991). Setting the musical mood for numerous films throughout the decade, Howard's skills encompassed a plethora of genres, including two more best original score Oscar nominations, the Harrison Ford actioner The Fugitive (1993) and the Julia Roberts romantic comedy My Best Friend's Wedding. In addition, Howard scored the Western epic Wyatt Earp (1994), the legal drama Primal Fear (1996), and the blockbuster M. Night Shyamalan suspense thrillers The Sixth Sense (1999), Unbreakable (2000), Signs (2002), and The Village (2004). His collaborations on tunes for One Fine Day (1996) and Junior (1994) garnered Best Song nods. Along with scoring such smaller, character-driven films as Five Corners (1988), Glengarry Glen Ross (1992), and American Heart (1993), Howard proved equally skilled at composing for big-budget Hollywood spectacles, including Space Jam (1996), Dante's Peak (1997), Dinosaur (2000), and Collateral (2004). Although for Dante's Peak he only composed the main theme only, the score itself was composed by John Frizzell. Though he concentrated primarily on films, Howard has also contributed music for TV series, earning an Emmy nomination in 1995 for his theme to NBC's ratings smash ER.
Howard is now one of the most recognized composers for film. His work in 2004 on The Village, with violin solos by Hilary Hahn, earned him an Oscar nomination. Since, he has composed for several major motion pictures, notably the score for Batman Begins which he co-wrote with Hans Zimmer. On October 14, 2005, it was officially announced that Howard would replace Howard Shore as composer for King Kong, due to "differing creative aspirations for the score" between Shore and director Peter Jackson. The resultant score earned Howard his first Golden Globe nomination for Best Original Score.
Since then he has been nominated for Best Original Score for the legal thriller Michael Clayton in 2008 and the war film Defiance in 2009. Since then he has composed music for blockbuster franchises and solo films including I Am Legend,The Dark Knight with Hans Zimmer, all of The Hunger Games films and Fantastic Beasts and Where to Find Them,with the upcoming sequel to the first film coming out in 2018.
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The Hanging Tree
by James Newton Howard
Are you, are you
Coming to the tree
They strung up a man
They say who murdered three
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Are you, are you
Coming to the tree
Where dead man called out
For his love to flee
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Are you, are you
Coming to the tree
Where I told you to run
So we'd both be free
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Are you
Are you, are you
Coming to the tree
Where I told you to run
So we'd both be free
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Are you, are you
Coming to the tree
Wear a necklace of hope
Side by side with me
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Are you (you)
Are you, are you
Coming to the tree
Where dead man called out
For his love to flee
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Lyrics © Kobalt Music Publishing Ltd., Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: Suzanne Collins, James Newton Howard, Jeremy C Fraites, Wesley Keith Schultz
Lyrics Licensed & Provided by LyricFind
by James Newton Howard
Are you, are you
Coming to the tree
They strung up a man
They say who murdered three
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Are you, are you
Coming to the tree
Where dead man called out
For his love to flee
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Are you, are you
Coming to the tree
Where I told you to run
So we'd both be free
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Are you
Are you, are you
Coming to the tree
Where I told you to run
So we'd both be free
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Are you, are you
Coming to the tree
Wear a necklace of hope
Side by side with me
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Are you (you)
Are you, are you
Coming to the tree
Where dead man called out
For his love to flee
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
Lyrics © Kobalt Music Publishing Ltd., Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: Suzanne Collins, James Newton Howard, Jeremy C Fraites, Wesley Keith Schultz
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
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