Jay Rock
Johnny Reed McKinzie Jr. (born March 31, 1986 in Watts, Los Angeles, California), better known by his stage name Jay Rock, is an American rapper. He was named one of the top 13 most street artists by XXL. His voice has been called a cross between The Notorious B.I.G. and Shyne. He is a part of the rap group Black Hippy which also features Kendrick Lamar, Schoolboy Q and Ab-Soul. Rock signed to Strange Music and released his long-awaited debut studio album Follow Me Home on July 2011. Read Full BioJohnny Reed McKinzie Jr. (born March 31, 1986 in Watts, Los Angeles, California), better known by his stage name Jay Rock, is an American rapper. He was named one of the top 13 most street artists by XXL. His voice has been called a cross between The Notorious B.I.G. and Shyne. He is a part of the rap group Black Hippy which also features Kendrick Lamar, Schoolboy Q and Ab-Soul. Rock signed to Strange Music and released his long-awaited debut studio album Follow Me Home on July 2011.
For a rapper to command your attention, it all comes down to the voice. In the late 1980s and early 1990s, Public Enemys Chuck D had millions of fans hanging on to every word of his booming baritone. In the mid-1990s, The Notorious B.I.G.s steely poise and vocal precision led many critics and fans to proclaim him the best rapper of all time. Now, in 2006, get ready for the next rapper with a magnetic voice, someone whose pristine raps demand attention. His name: Jay Rock.
Born and raised in Watts, Californias notorious Nickerson Gardens Projects, Jay Rock got his first encouragement from his music-making relatives, who noticed the impact his deep, melodic voice made on song after song. They were like, youre hard. And youve got a voice for it, too. Youve got a real cool voice to it, Jay Rock recalls: "A lot of people started hearing me and they would tell me that my voice catches them. So, I started working it, working on my craft and got more and more confidence." His rap name is inspired by a character off the hit Canadian comedy show Trailer Park Boys.
Jay Rocks confidence led to a string of heated appearances on neighborhood mixtapes. The gifted rhymers clever phrasing, gritty realism, storytelling swagger and powerful voice grabbed the attention of Top Dawg Entertainment boss Dude Dawg. Once in the studio with an independent company backing him, Jay Rocks output increased and improved.
After shopping his demo to a number of major labels, Jay Rock and Top Dawg earned a deal with industry powerhouse Warner Bros. Records, also home to Lil Jons BME Recordings, E-40, The Federation and Talib Kweli, among others. The Warner Bros. executives were impressed with Jay Rocks distinctive flow, his vivid lyrics and, of course, voice. Already a star on the Internet, his always-updated myspace.com/jayrock page features three songs that have more than 100,000 plays.
One of those cuts is LA Shit, Jay Rocks stellar reworking of Busta Rhymes New York Shit. When I heard that song, I thought it was a hot-ass song, so I wanted to get on my LA shit about what we do out here, says Jay Rock, who has long been a fan of Busta Rhymes phraseology. I was paying respect to Busta and his song, and thats for the mixtapes right there. I want LA to get an ear for it.
LA will also appreciate the energetic California Soul, which details the treacherous reality of Californias streets. Game produced the record and he gave it to me. I met him at the studio about a week later and let him hear ithe went crazy! He liked it so much he recorded the hook on the spot. On the smooth Thats My Word, Jay Rock asserts his status as a man of his word, while To The Top documents his ascent from project resident to his present day successes. It was a struggle to get to where Im at now, he says. Im talking about going from the bottom to the top, what I was going through starting off. Im legal now. Im signed. I started off at the bottom, made something out of nothing and am going to run with it until I get all the way to the top.
As someone who looks toward the past as he pushes toward the future, Jay Rock holds the soulful Back In The Days in high regard. I just went back to when I was 6, 7, growing up listening to the oldies, he explains. That song meant a lot because I always dwell on the past, for some reason. I always think back and wish that I was a kid again. I know that will never happen, but some times I just wish I could go back in the days when I was young.
For now, though, Jay Rock is focused on recording his debut album and ushering in a new era of hard-core West Coast rap. Jay Rock is thankful that Comptons The Game was able to breakthrough with his multi platinum, The Documentary album. Game opened up the doors for a lot of people, Jay Rock says. Game opened the door and Im running right through with my people behind me. Were trying to bring it back home, bring the West back. Weve been down for a long time, so were trying to bring it back home.
With production on his forthcoming debut album from such A-List producers as KayGee (Jaheim, Naughty By Nature) and L.E.S. (Nas), as well up-and-coming beatsmiths Nephew, 4th Quarter and K-Fam, Soundwave and Aqua (Jay-Z), Jay Rock is set to live out a dream that seemed to be destined to happen.
His hard-working mother filled their home with the classic soul and blues music of such icons as the Temptations, Dramatics, Isley Brothers, Johnny Guitar Watson and B.B. King. She also had an affinity for rap, and enjoyed the music of such trendsetters as Big Daddy Kane and Biz Markie. Her love for music carried over to her house parties. My mom threw parties damn near every weekend, Jay Rock recalls. Shed be stressing during the week, would come home and thats what theyd do, party all night long.
Jay Rock soon developed an interest in playing keyboards and, at age 12, writing poems. And, as he grew up in the volatile Watts streets, gangster rap began to take hold. You couldnt go up the street without hearing Snoop, Dre or N.W.A, he says. Much as N.W.A and others reported about their surroundings, Jay Rocks early poems documented his feelings -- about a person, about Los Angeles, about his experiences.
Jay Rock soon started getting into trouble at school, forcing him to attend a number of different schools. He also endured a harsh reality when cited and incarcerated for violating his areas gang injunction. I was hanging out with dudes I grew up with, dudes I went to school with, played Pop Warner with, he says. They saw us out there and took us downThey put me on it...I basically cant hang out where I liveI cant help where I stayThey got me again when I was hanging out of my own apartment, my own residence.
Jay Rocks legal struggles have made him appreciate what he has already accomplished, turning his childhood talent for writing into a career as a major-label recording artist. Getting signed and being from what Im from, thats a great achievement because nobodys really been signed from my projects, Jay Rock says: "Thats a big achievement for me. Its a blessing. It feels real good. I could be in the jail somewhere or in the grave, but Im right here doing what I need to do.
And it all starts with the voice.
For a rapper to command your attention, it all comes down to the voice. In the late 1980s and early 1990s, Public Enemys Chuck D had millions of fans hanging on to every word of his booming baritone. In the mid-1990s, The Notorious B.I.G.s steely poise and vocal precision led many critics and fans to proclaim him the best rapper of all time. Now, in 2006, get ready for the next rapper with a magnetic voice, someone whose pristine raps demand attention. His name: Jay Rock.
Born and raised in Watts, Californias notorious Nickerson Gardens Projects, Jay Rock got his first encouragement from his music-making relatives, who noticed the impact his deep, melodic voice made on song after song. They were like, youre hard. And youve got a voice for it, too. Youve got a real cool voice to it, Jay Rock recalls: "A lot of people started hearing me and they would tell me that my voice catches them. So, I started working it, working on my craft and got more and more confidence." His rap name is inspired by a character off the hit Canadian comedy show Trailer Park Boys.
Jay Rocks confidence led to a string of heated appearances on neighborhood mixtapes. The gifted rhymers clever phrasing, gritty realism, storytelling swagger and powerful voice grabbed the attention of Top Dawg Entertainment boss Dude Dawg. Once in the studio with an independent company backing him, Jay Rocks output increased and improved.
After shopping his demo to a number of major labels, Jay Rock and Top Dawg earned a deal with industry powerhouse Warner Bros. Records, also home to Lil Jons BME Recordings, E-40, The Federation and Talib Kweli, among others. The Warner Bros. executives were impressed with Jay Rocks distinctive flow, his vivid lyrics and, of course, voice. Already a star on the Internet, his always-updated myspace.com/jayrock page features three songs that have more than 100,000 plays.
One of those cuts is LA Shit, Jay Rocks stellar reworking of Busta Rhymes New York Shit. When I heard that song, I thought it was a hot-ass song, so I wanted to get on my LA shit about what we do out here, says Jay Rock, who has long been a fan of Busta Rhymes phraseology. I was paying respect to Busta and his song, and thats for the mixtapes right there. I want LA to get an ear for it.
LA will also appreciate the energetic California Soul, which details the treacherous reality of Californias streets. Game produced the record and he gave it to me. I met him at the studio about a week later and let him hear ithe went crazy! He liked it so much he recorded the hook on the spot. On the smooth Thats My Word, Jay Rock asserts his status as a man of his word, while To The Top documents his ascent from project resident to his present day successes. It was a struggle to get to where Im at now, he says. Im talking about going from the bottom to the top, what I was going through starting off. Im legal now. Im signed. I started off at the bottom, made something out of nothing and am going to run with it until I get all the way to the top.
As someone who looks toward the past as he pushes toward the future, Jay Rock holds the soulful Back In The Days in high regard. I just went back to when I was 6, 7, growing up listening to the oldies, he explains. That song meant a lot because I always dwell on the past, for some reason. I always think back and wish that I was a kid again. I know that will never happen, but some times I just wish I could go back in the days when I was young.
For now, though, Jay Rock is focused on recording his debut album and ushering in a new era of hard-core West Coast rap. Jay Rock is thankful that Comptons The Game was able to breakthrough with his multi platinum, The Documentary album. Game opened up the doors for a lot of people, Jay Rock says. Game opened the door and Im running right through with my people behind me. Were trying to bring it back home, bring the West back. Weve been down for a long time, so were trying to bring it back home.
With production on his forthcoming debut album from such A-List producers as KayGee (Jaheim, Naughty By Nature) and L.E.S. (Nas), as well up-and-coming beatsmiths Nephew, 4th Quarter and K-Fam, Soundwave and Aqua (Jay-Z), Jay Rock is set to live out a dream that seemed to be destined to happen.
His hard-working mother filled their home with the classic soul and blues music of such icons as the Temptations, Dramatics, Isley Brothers, Johnny Guitar Watson and B.B. King. She also had an affinity for rap, and enjoyed the music of such trendsetters as Big Daddy Kane and Biz Markie. Her love for music carried over to her house parties. My mom threw parties damn near every weekend, Jay Rock recalls. Shed be stressing during the week, would come home and thats what theyd do, party all night long.
Jay Rock soon developed an interest in playing keyboards and, at age 12, writing poems. And, as he grew up in the volatile Watts streets, gangster rap began to take hold. You couldnt go up the street without hearing Snoop, Dre or N.W.A, he says. Much as N.W.A and others reported about their surroundings, Jay Rocks early poems documented his feelings -- about a person, about Los Angeles, about his experiences.
Jay Rock soon started getting into trouble at school, forcing him to attend a number of different schools. He also endured a harsh reality when cited and incarcerated for violating his areas gang injunction. I was hanging out with dudes I grew up with, dudes I went to school with, played Pop Warner with, he says. They saw us out there and took us downThey put me on it...I basically cant hang out where I liveI cant help where I stayThey got me again when I was hanging out of my own apartment, my own residence.
Jay Rocks legal struggles have made him appreciate what he has already accomplished, turning his childhood talent for writing into a career as a major-label recording artist. Getting signed and being from what Im from, thats a great achievement because nobodys really been signed from my projects, Jay Rock says: "Thats a big achievement for me. Its a blessing. It feels real good. I could be in the jail somewhere or in the grave, but Im right here doing what I need to do.
And it all starts with the voice.
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King's Dead
by Jay Rock
Miss me with that bullshit (bullshit)
You ain't really wild, you a tourist (a tourist)
I be blackin' out with the purist (the purist)
I made a hundred thou' then I freaked it (I freaked it)
I made 500 thou' then I freaked it (I freaked it)
I bought a '87 for the weekend (the weekend)
This ain't what you want, this ain't what you want (what you want)
This ain't what you want, this ain't what you want (what you want)
And it's like that, lil' bitch
MVP, I don't get no sleep, no, I don't like that, lil' bitch
Bust that open, I want that ocean, yeah that bite back, lil' bitch
Do it bite back, lil' bitch? Need two life jackets, lil' bitch
I ain't gon' hold you, I ain't gon' press you, never control you
I ain't gon' front you, keep it 100, I don't know you
Boss like Top Dawg, bossed my life up, crossin' over
Stutter steppin', got a Hall of Fame in all my posters
I've been ready, my whip been ready
My bitch been ready, my clique been ready
My shit's been ready, my check's been ready
My shot's on full, that's Armageddon
I got pull, I hope y'all ready
My tank on full, you know, unleaded
I gotta go get it, I gotta go get it
I gotta go get it, I gotta go get it
My name gon' hold up, my team gon' hold up
My name gon' hold up, my team gon' hold up
My shots gon' fire, my team gon' roll up
Ménage-à-trois, my queen gon' roll up
I hope y'all ready, you know I'm ready
I reign all day, you know, confetti
I gotta go get it, I gotta go get it
I gotta go get it, I gotta go get it, skrrt
Miss me with that bullshit (bullshit)
You're not a gang member, you's a tourist (a tourist)
I be blackin' out, I be blackin' out
Bought a '83 Cutlass for the weekend (for the weekend)
I got a hundred thousand, then I freaked it (then I freaked it)
I made 500 thousand, then I freaked it (then I freaked it)
I put a Rolls Royce on my wrist, oh yeah
Fuck his baby mama, tryna sneak diss
I took her to my penthouse, then I freaked it (then I freaked it)
I haven't made my mind up, should I keep it? (Should I keep it?)
I got big dawg status, it ain't no secret
La di da di da, slob on me knob
Pass me some syrup, fuck me in the car
La di da di da, mothafuck the law
Chitty chitty bang, murder everything
Bitch, I'm on a roll, and I put that on the gang
Yeah, miss me with that bullshit (bullshit)
You ain't really wild, you a tourist (a tourist)
I be blackin' out with the purist (the purist)
I made a hundred thou' then I freaked it (I freaked it)
I made 500 thou' then I freaked it (I freaked it)
I bought a '87 for the weekend (the weekend)
This ain't what you want, this ain't what you want (what you want)
This ain't what you want, this ain't what you want (what you want)
Changes
Is you gon' do something about it?
What you want?
Red light, green light, red light, green light
Red light, green light, they like, we like
Fast cars, fast money, fast life, fast broads
Egotistic, goin' ballistic, why God?
Born warrior, lookin' for euphoria, but I don't see it
I don't feel it, I'm paraplegic, tapped in when I'm maxed in
Comp-Town with the MAC-10s and the pumps in the background
I was absent, never OG, standout
I was lackin' everything else but doubt
In the Magnum, holding Magnums with a Magnum
Nigga, ad-lib and I sing out loud
Never had friends, never had ends, never had hope
They was like, "nope," I was like, "boo yaow, boo yaow"
(Yeah God)
Tee off the day, know we off the, be off the, eat off your plate
Throw me off, I be, "off ya head"
Well ate, on C4, I'm way off the edge
Fuck integrity, fuck your pedigree, fuck your feelings, fuck your culture
Fuck your moral, fuck your family, fuck your tribe
Fuck your land, fuck your children, fuck your wives
Who am I? Not your father, not your brother
Not your reason, not your future
Not your comfort, not your reverence, not your glory
Not your heaven, not your angel, not your spirit
Not your message, not your freedom
Not your people, not your neighbor
Not your baby, not your equal
Not the title y'all want me under
All hail King Killmonger
Red light, green light, red light, green light
Red light, green light, they like, we like
Fast cars
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Songtrust Ave, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Antwon Hicks, James Blake Litherland, Johnny McKinzie, Kendrick Lamar Duckworth, Mark Anthony Spears, Michael Len Williams, Nayvadius Demun Wilburn, Samuel Gloade, Travis Darelle Walton
Lyrics Licensed & Provided by LyricFind
by Jay Rock
Miss me with that bullshit (bullshit)
You ain't really wild, you a tourist (a tourist)
I be blackin' out with the purist (the purist)
I made a hundred thou' then I freaked it (I freaked it)
I made 500 thou' then I freaked it (I freaked it)
I bought a '87 for the weekend (the weekend)
This ain't what you want, this ain't what you want (what you want)
This ain't what you want, this ain't what you want (what you want)
And it's like that, lil' bitch
MVP, I don't get no sleep, no, I don't like that, lil' bitch
Bust that open, I want that ocean, yeah that bite back, lil' bitch
Do it bite back, lil' bitch? Need two life jackets, lil' bitch
I ain't gon' hold you, I ain't gon' press you, never control you
I ain't gon' front you, keep it 100, I don't know you
Boss like Top Dawg, bossed my life up, crossin' over
Stutter steppin', got a Hall of Fame in all my posters
I've been ready, my whip been ready
My bitch been ready, my clique been ready
My shit's been ready, my check's been ready
My shot's on full, that's Armageddon
I got pull, I hope y'all ready
My tank on full, you know, unleaded
I gotta go get it, I gotta go get it
I gotta go get it, I gotta go get it
My name gon' hold up, my team gon' hold up
My name gon' hold up, my team gon' hold up
My shots gon' fire, my team gon' roll up
Ménage-à-trois, my queen gon' roll up
I hope y'all ready, you know I'm ready
I reign all day, you know, confetti
I gotta go get it, I gotta go get it
I gotta go get it, I gotta go get it, skrrt
Miss me with that bullshit (bullshit)
You're not a gang member, you's a tourist (a tourist)
I be blackin' out, I be blackin' out
Bought a '83 Cutlass for the weekend (for the weekend)
I got a hundred thousand, then I freaked it (then I freaked it)
I made 500 thousand, then I freaked it (then I freaked it)
I put a Rolls Royce on my wrist, oh yeah
Fuck his baby mama, tryna sneak diss
I took her to my penthouse, then I freaked it (then I freaked it)
I haven't made my mind up, should I keep it? (Should I keep it?)
I got big dawg status, it ain't no secret
La di da di da, slob on me knob
Pass me some syrup, fuck me in the car
La di da di da, mothafuck the law
Chitty chitty bang, murder everything
Bitch, I'm on a roll, and I put that on the gang
Yeah, miss me with that bullshit (bullshit)
You ain't really wild, you a tourist (a tourist)
I be blackin' out with the purist (the purist)
I made a hundred thou' then I freaked it (I freaked it)
I made 500 thou' then I freaked it (I freaked it)
I bought a '87 for the weekend (the weekend)
This ain't what you want, this ain't what you want (what you want)
This ain't what you want, this ain't what you want (what you want)
Changes
Is you gon' do something about it?
What you want?
Red light, green light, red light, green light
Red light, green light, they like, we like
Fast cars, fast money, fast life, fast broads
Egotistic, goin' ballistic, why God?
Born warrior, lookin' for euphoria, but I don't see it
I don't feel it, I'm paraplegic, tapped in when I'm maxed in
Comp-Town with the MAC-10s and the pumps in the background
I was absent, never OG, standout
I was lackin' everything else but doubt
In the Magnum, holding Magnums with a Magnum
Nigga, ad-lib and I sing out loud
Never had friends, never had ends, never had hope
They was like, "nope," I was like, "boo yaow, boo yaow"
(Yeah God)
Tee off the day, know we off the, be off the, eat off your plate
Throw me off, I be, "off ya head"
Well ate, on C4, I'm way off the edge
Fuck integrity, fuck your pedigree, fuck your feelings, fuck your culture
Fuck your moral, fuck your family, fuck your tribe
Fuck your land, fuck your children, fuck your wives
Who am I? Not your father, not your brother
Not your reason, not your future
Not your comfort, not your reverence, not your glory
Not your heaven, not your angel, not your spirit
Not your message, not your freedom
Not your people, not your neighbor
Not your baby, not your equal
Not the title y'all want me under
All hail King Killmonger
Red light, green light, red light, green light
Red light, green light, they like, we like
Fast cars
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Songtrust Ave, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Antwon Hicks, James Blake Litherland, Johnny McKinzie, Kendrick Lamar Duckworth, Mark Anthony Spears, Michael Len Williams, Nayvadius Demun Wilburn, Samuel Gloade, Travis Darelle Walton
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
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