Jeremy Messersmith
Jeremy Messersmith is an American indie pop musician, based in Minneapolis.
Messersmith is not only a musician is half-truth, but also a storyteller. His first full-length release The Alcatraz Kid is a moving collection of acoustic-driven lullabies with titles like “Novocain” and “Beautiful Children” that innocently question the purpose of things to come. The integrity of these delicate songs immediately struck a chord with critics and fans alike Read Full BioJeremy Messersmith is an American indie pop musician, based in Minneapolis.
Messersmith is not only a musician is half-truth, but also a storyteller. His first full-length release The Alcatraz Kid is a moving collection of acoustic-driven lullabies with titles like “Novocain” and “Beautiful Children” that innocently question the purpose of things to come. The integrity of these delicate songs immediately struck a chord with critics and fans alike, and captured the attention of Semisonic’s Dan Wilson, who offered to produce Messersmith’s follow-up album, The Silver City.
The Silver City was a natural progression in sound and reflection: the compositions grew fuller and more dynamic with a classic-pop feel inspired by the Beach Boys and Beatles: While the topics focused on midlife struggles with tracks like “Dead End Job” and “Miracles.” Local and national attention soon followed with NPR and college stations around the country, followed by U.S. tours and sold-out shows in New York, Chicago and Minneapolis.
The Reluctant Graveyard bookends this trilogy of lifelong (ahem, literary) observations with songs like “Lazy Bones” and “Organ Donor,” and sonically continues on the ’60s chamber pop path Messersmith set out with his sophomore release. He continues to share stages with notables such as Sondre Lechre and The Watson Twins, and has been featured on MTV and Ugly Betty.
Messersmith is not only a musician is half-truth, but also a storyteller. His first full-length release The Alcatraz Kid is a moving collection of acoustic-driven lullabies with titles like “Novocain” and “Beautiful Children” that innocently question the purpose of things to come. The integrity of these delicate songs immediately struck a chord with critics and fans alike Read Full BioJeremy Messersmith is an American indie pop musician, based in Minneapolis.
Messersmith is not only a musician is half-truth, but also a storyteller. His first full-length release The Alcatraz Kid is a moving collection of acoustic-driven lullabies with titles like “Novocain” and “Beautiful Children” that innocently question the purpose of things to come. The integrity of these delicate songs immediately struck a chord with critics and fans alike, and captured the attention of Semisonic’s Dan Wilson, who offered to produce Messersmith’s follow-up album, The Silver City.
The Silver City was a natural progression in sound and reflection: the compositions grew fuller and more dynamic with a classic-pop feel inspired by the Beach Boys and Beatles: While the topics focused on midlife struggles with tracks like “Dead End Job” and “Miracles.” Local and national attention soon followed with NPR and college stations around the country, followed by U.S. tours and sold-out shows in New York, Chicago and Minneapolis.
The Reluctant Graveyard bookends this trilogy of lifelong (ahem, literary) observations with songs like “Lazy Bones” and “Organ Donor,” and sonically continues on the ’60s chamber pop path Messersmith set out with his sophomore release. He continues to share stages with notables such as Sondre Lechre and The Watson Twins, and has been featured on MTV and Ugly Betty.
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A Girl a Boy and a Graveyard
Jeremy Messersmith Lyrics
Lucy takes the long way home
Meets me in a field of stone
She says I don't know how I'm supposed to feel
My body's cold but guts a twist in steel
And I feel like I'm some kind of Frankenstein
Waiting for a shock to bring me back to life
But I don't wanna spend all my time
Waiting for lighting to strike
Ooooohhh
So underneath the concrete sky
Lucy puts her hand in mine
She says life's a game we are meant to lose
Stick by me and I with stick by you
'Cause I'm like a princess waiting in a castle high
Waiting for a kiss to bring me back to life
But I don't wanna spend my time
Waiting for just another guy
Ooooohhhhh
Lyrics © O/B/O APRA AMCOS
Written by: JEREMY MATTHEW MESSERSMITH
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Sirk Nexus
Lyrics:
Lucy takes the long way home
Meets me in a field of stone
She says I don't know how I'm supposed to feel
My body's cold my guts are twisted steel
I feel like I'm some kind of Frankenstein
Waiting for a shock to bring me back to life
But I don't want to spend my time
Waiting for lightning to strike
Underneath a concrete sky
Lucy puts her hand in mine
She says life's a game we're meant to lose
But stick by me and I will stick by you
I'm like a princess in a castle high
Waiting for a kiss to bring me back to life
But I don't want to spend my time
Waiting for just another guy
brandon m wilson
If it wasn't for chuck I would have never discovered such a touching song from a amazing moving artist
JTURBOH
The amount of amazing songs I have discovered after rewatching Chuck is incredible.
John Dow
The same here if it wasn't for Chuck I would have never have learned about so many wonderful different kind of music thanks for this great show that is gone
Lalhriatzuala Khawlhring
SPIDER Chuck episode 56 bring me here
NotofYour Concern
@brandon m wilson Chuck and the amazing people who compile Chuck playlists on YT brought me here! Thanks Chuck
jem8472
Chuck brought me here. Amazing how many songs you spot when re-watching.
qcmark
"You should know that you're my home Chuck. You always have been."
Mariano Bla
Beautiful answer,my dear!!
Connor Dillivan
Not to be too morbid or anything, but I think they were in love and then he died. When she says "my body's cold, my guts are twisted steel" and they're meeting in a field of stone...I think she's visiting his grave. That's why she's taking the long way home. So she can see his grave. I love this song, it's so sad and beautiful. Too much of life is spent avoiding things that are sad. As much as it hurts, even the sadness can be beautiful and it helps focus the happiness we feel later on.
M. A. DAVIS
Beautifully said...